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<oembed><version>1.0</version><provider_name>Estonian Academy of Music and Theatre</provider_name><provider_url>https://eamt.ee/en/</provider_url><title>CPPM STUDENT 2025-27: Daniel Ortiz Amezquita</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="3b9aJOCrJd"&gt;&lt;a href="https://eamt.ee/en/student/daniel-ortiz-amezquita-colombia/"&gt;DANIEL ORTIZ AMEZQUITA (Colombia)&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://eamt.ee/en/student/daniel-ortiz-amezquita-colombia/embed/#?secret=3b9aJOCrJd" width="600" height="338" title="&#x201C;DANIEL ORTIZ AMEZQUITA (Colombia)&#x201D; &#x2014; Estonian Academy of Music and Theatre" data-secret="3b9aJOCrJd" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>I&#x2019;m Daniel Ortiz Am&#xE9;zquita, a Colombian performing artist. I hold a bachelor&#x2019;s degree in this field from Javeriana University in Bogot&#xE1;, but beyond that, I identify as a performing artist to expand my creative possibilities. Defining myself as such is&#xA0; a continuous exercise and it means recognizing the performing arts field as a multidimensional universe to which I relate through different approaches, roles, and questions.I&#xB4;m an actordancerdirectorproducerculturalmanagerstorytellerandresearcher.&#xA0; Most of the time I&#xB4;m all of&#xA0; these roles,&#xA0; at times I&#x2019;m just a few, or just one, sometimes I&#x2019;m a mixture of some of them and there are times in which I&#x2019;m none of them.The context has constructed an idea of what performance means, of how much agency the spectator has, of what is deemed theatrical and what isn&#x2019;t. These preconceptions drive me to explore how to create a caring and humane methodology for designing performances, what makes a performance alive, and the potential of the encounter in the performing arts, and so on. All of These concepts, questions and problems created a huge puzzle that inspires me to question what I&#x2019;ve been taught and what&#x2019;s possible, questions that I have tried to answer through laboratories and the creation of prototypes with my performance research group Cuerpos que Gritan Lab.I construct and deconstruct, organize and disorganize my&#xA0; practices and techniques according to the needs of each creative process. I borrow from contemporary dance, theatrical and danced improvisation, acting, and dramaturgy to nurture each process.Currently, in 2025, after creating two plays&#x2014;Bye Bye Fabio (Illustrated Theater) and Manifesto Against Theatre&#x2014;I am exploring the boundaries of representation, the relationship between action and technology, and the creation of live devices and dispositions for performers on stage.</description><thumbnail_url>https://eamt.ee/wp-content/uploads/2025/02/Daniel.Ortiz_.StudentProfile.Headshot-scaled-e1738767414323.jpg</thumbnail_url><thumbnail_width>1707</thumbnail_width><thumbnail_height>2320</thumbnail_height></oembed>
