{"version":"1.0","provider_name":"Estonian Academy of Music and Theatre","provider_url":"https:\/\/eamt.ee\/en\/","title":"CPPM STUDENT 2025-27: Daniel Ortiz Amezquita","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"32f3pnitjv\"><a href=\"https:\/\/eamt.ee\/en\/student\/daniel-ortiz-amezquita-colombia\/\">DANIEL ORTIZ AMEZQUITA (Colombia)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/eamt.ee\/en\/student\/daniel-ortiz-amezquita-colombia\/embed\/#?secret=32f3pnitjv\" width=\"600\" height=\"338\" title=\"&#8220;DANIEL ORTIZ AMEZQUITA (Colombia)&#8221; &#8212; Estonian Academy of Music and Theatre\" data-secret=\"32f3pnitjv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/eamt.ee\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"I\u2019m Daniel Ortiz Am\u00e9zquita, a Colombian performing artist. I hold a bachelor\u2019s degree in this field from Javeriana University in Bogot\u00e1, but beyond that, I identify as a performing artist to expand my creative possibilities. Defining myself as such is\u00a0 a continuous exercise and it means recognizing the performing arts field as a multidimensional universe to which I relate through different approaches, roles, and questions.I\u00b4m an actordancerdirectorproducerculturalmanagerstorytellerandresearcher.\u00a0 Most of the time I\u00b4m all of\u00a0 these roles,\u00a0 at times I\u2019m just a few, or just one, sometimes I\u2019m a mixture of some of them and there are times in which I\u2019m none of them.The context has constructed an idea of what performance means, of how much agency the spectator has, of what is deemed theatrical and what isn\u2019t. These preconceptions drive me to explore how to create a caring and humane methodology for designing performances, what makes a performance alive, and the potential of the encounter in the performing arts, and so on. All of These concepts, questions and problems created a huge puzzle that inspires me to question what I\u2019ve been taught and what\u2019s possible, questions that I have tried to answer through laboratories and the creation of prototypes with my performance research group Cuerpos que Gritan Lab.I construct and deconstruct, organize and disorganize my\u00a0 practices and techniques according to the needs of each creative process. I borrow from contemporary dance, theatrical and danced improvisation, acting, and dramaturgy to nurture each process.Currently, in 2025, after creating two plays\u2014Bye Bye Fabio (Illustrated Theater) and Manifesto Against Theatre\u2014I am exploring the boundaries of representation, the relationship between action and technology, and the creation of live devices and dispositions for performers on stage.","thumbnail_url":"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/02\/Daniel.Ortiz_.StudentProfile.Headshot-scaled-e1738767414323.jpg","thumbnail_width":1707,"thumbnail_height":2320}