{"id":21362,"date":"2021-08-31T11:48:34","date_gmt":"2021-08-31T08:48:34","guid":{"rendered":"https:\/\/eamt.ee\/projektid\/kuhu-minek\/"},"modified":"2021-10-14T14:02:03","modified_gmt":"2021-10-14T11:02:03","slug":"where-do-we-go-from-here","status":"publish","type":"cppm_projects","link":"https:\/\/eamt.ee\/en\/projects\/where-do-we-go-from-here\/","title":{"rendered":"WHERE DO WE GO FROM 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A 99 hour performance<\/strong><\/h1>\n

WHERE DO WE GO FROM HERE<\/strong><\/h1>\n
\n

 <\/p>\n

Directors:\u00a0Simona Gonella<\/strong>\u00a0(Italy) ja\u00a0Peader Kirk<\/strong>\u00a0(UK)
\nCreators-performers: students from MA in Contemporary Physical Performance Making (CPPM):\u00a0Agnes Oberauer<\/strong>\u00a0(Austria),\u00a0Iveta Pole<\/strong>\u00a0(Latvia),\u00a0Joonas Tagel<\/strong>\u00a0(Estonia),\u00a0Keithy Kuuspu<\/strong>\u00a0(Estonia),\u00a0Lea Sekulic<\/strong>\u00a0(Croatia),\u00a0Liisa Saarem\u00e4el<\/strong>\u00a0(Estonia),\u00a0Marshall Stay<\/strong>\u00a0(Australia),\u00a0Martina Buhagiar<\/strong>\u00a0(Malta),\u00a0Paolo Panizza<\/strong>\u00a0(Italy),\u00a0Ragnar Uustal<\/strong>\u00a0(Estonia),\u00a0Seren Oroszvary<\/strong>\u00a0(Australia),\u00a0Simona Medolago<\/strong>\u00a0(Italy),\u00a0SeoHwon Ji<\/strong>\u00a0(South-Korea),\u00a0Sylvia K\u00f6ster<\/strong>\u00a0(Estonia) and\u00a0Giacomo Veronesi<\/strong>\u00a0(Itaalia). Assistant Director:\u00a0Giacomo Veronesi<\/strong>\u00a0(Italy)
\nDesigner:\u00a0Emer V\u00e4rk<\/strong>\u00a0(Estonia)
\nComposer:\u00a0Eduardo Agni<\/strong>\u00a0(Brazil)
\nLighting Designer:\u00a0Priidu Adlas<\/strong>\u00a0(Estonia)
\nSound:\u00a0Raido Linkmann<\/strong>\u00a0(Estonia)
\nVideo:\u00a0Mikk-Mait Kivi<\/strong>\u00a0(Estonia)
\nCostume:\u00a0Moonika Lausvee<\/strong>\u00a0(Estonia)
\nProject Management: **Maarja Kalmre **
\nProducers: **J\u00fcri Nael ja Liina J\u00e4\u00e4ts **
\nCo-producers:\u00a0Estonian Academy of Music and Theatre, Kanuti Gildi SAAL, e\u02c9lektron<\/strong><\/p>\n

Premiere on 1 September 2020 in EAMT Blackbox (Tallinn)<\/b><\/p>\n

The Project is supported by Estonian Cultural Endowment and European Union via European Developmental Fund (EMTASTRA).<\/p>\n

After this moment … or still in this moment.<\/em>
\nThis long moment we are living in and living through.<\/em>
\nThe moment. Here and now, changing every second, different for each person.<\/em>
\nWhatever it means, wherever it takes us \u2026 this moment asks questions.<\/em>
\nHow do we get together, who are with us, how do we share what we have. Together.<\/em>
\nWe don\u2019t propose any easy answers but we want to struggle with the question.<\/em>
\nWe feel the need to explore, to dig in with you. We need to exhaust ourselves in this digging, this diving in. Because there is work to be done.<\/em>
\n99 hours.<\/em>
\nBeing together, searching, establishing connection and staying connected, giving and receiving, watching, perceiving, listening. Non-stop.<\/em>
\n99 hours.<\/em>
\nWe walk on the edge happy to never say we\u2019re done. Never say we are not done. Never say the game is over.<\/em>
\nWe will perform for you non-stop. No let up. No giving in. A marathon. Never stop, never stop.<\/em>
\n99 hours.<\/em>
\nWe keep going, but you are free to come and go.<\/em>
\nCome and visit. Come and stay. Stay for as long or as short a time as you like. Come and see. Come and stay. Come and share.<\/em>
\nPlease be our guest.<\/em><\/p>\n

Simona Gonella<\/strong> is a freelance director and dramaturg with a specific interest in contemporary plays, adaptation of classics, devising works and performing arts. She is a passionate teacher and traveler and she often does the two things together (at RADA Royal Academy of Dramatic Arts in London, at FIT festival in Lugano, at Drama School in Milan, at ERT Drama School in Modena, among the others). She’s been directing shows in Italy, UK, Romania, Spain, Switzerland. As a dramaturg she works with the Switzerland Company Trickster-p, (world wide tour installations .H.G., B., Twilight, Nettles and Book is a book is a book) and with Italian director Carmelo Rifici (most recently on an original version of Macbeth and a brand new work on Galileo Galilei and questions about science is about to come). Dino Audino publishing has recently released her \u201cIntroduzione alla regia teatrale\u201d, a handbook for directors. She\u2019s also a professional counsellor, and works as a coach and trainer for various international companies.<\/p>\n

Peader Kirk<\/strong> is an artist and director working in the fields of performance and sound art. His work has been shown at The Southbank Centre and The Institute of Contemporary Arts in London, The National Theatre of Greece in Athens, Academy of Fine Arts in Turin and The Hong Kong Repertory Theatre. The scale of the work ranges from intimate encounters in small rooms to large-scale public works in the urban environment. Peader makes work that engages directly with communities to ask questions about how we meet amidst difference and how we create change.
\nPeader also works with The BBC as a part of their development programme for new writers and as a mentor for emerging artists with h\u00c5b, Manchester. While continuing to work with Mkultra Performance which he formed in 2000, Peader is also working with artists in the emerging field of Hip Hop Theatre and has directed work in this area for The Albany Theatre, London; Contact Theatre, Manchester and on national tour. Peader’s most recent academic publication was \u201cThe Performative Museum and the site constructive work of Mkultra” in Performance Research Journal published by Routledge.<\/p>\n

 <\/p>\n

Press<\/strong><\/p>\n

Ei! See ei saa olla vastus<\/span><\/a>. Postimees. Ott Karulin (18.09.2020)<\/span><\/p>\n

Arvustus. Ka juhuslikest puslet\u00fckkidest v\u00f5ib tulla pilt<\/span><\/a>. ERR kultuur. Saara Liis J\u00f5erand (16.09.2020)<\/span><\/p>\n

Liisa Saarem\u00e4el kestvuslavastusest: ma pole kindel, kas seda k\u00f5ike praegugi hooman<\/span><\/a>. ERR kultuur, allikas \u201cRingvaade\u201d (8.09.2020)<\/span><\/p>\n

J\u00fcri Nael 99-tunnisest kestvuslavastusest: p\u00e4rast isolatsiooni ei tahtnud 2-tunnist lavastust teha.<\/span><\/a>\u00a0ERR menu, allikas \u201cRingvaade\u201d (1.09.2020)<\/span><\/p>\n

Intervjuu: J\u00fcri Nael \u2013 EMTA kaasaegsete etenduskunstide magistrantuuri tudengid toovad lavale 99-tunnise kestvuslavastuse \u201eKuhu minek\u201c<\/span><\/a>. Kuku Raadio \u00c4rataja (1.09.2020)<\/span><\/p>\n

T\u00e4na esietendub 99-tunnine kestvuslavastus \u201eKuhu minek\u201c<\/span><\/a>. Eesti P\u00e4evaleht (1.09.2020)<\/span><\/p>\n

T\u00e4na esietendub 99-tunnine kestuslavastus<\/span><\/a>. Postimees (1.09.2020)<\/span><\/p>\n

Maratonlavastus t\u00f6\u00f6tab n\u00e4itlejate ja publiku kannatlikkusega<\/span><\/a>. Postimees (25.08.2020)<\/span><\/p>\n"},{"acf_fc_layout":"video","video":"