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GUEST ARTIST","project_content":[{"acf_fc_layout":"tekstikast","page_text":"<h1><\/h1>\n<h1 style=\"text-align: center;\">CPPM GUEST ARTIST<br \/>\n<strong>Wim Vandekeybus<br \/>\nMaria Kolegova<br \/>\n<\/strong>Ultima Vez<\/h1>\n<h6><\/h6>\n<h6 style=\"text-align: center;\"><strong>Workshop<\/strong><br \/>\n10-21.02.2025<\/h6>\n<h6><\/h6>\n<h6 style=\"text-align: center;\"><strong>Lecture with Wim Vandekeybus<\/strong><br \/>\n14.02.2025 19:00<\/h6>\n<h6><\/h6>\n<h6 style=\"text-align: center;\"><strong>Open class with Maria Kolegova<\/strong><br \/>\n21.02.2025 19:00<br \/>\nEMTA <em>black box<\/em><\/h6>\n<p>&nbsp;<\/p>\n<hr \/>\n<div>\n<p><strong>Wim Vandekeybus<\/strong><\/p>\n<p><span style=\"font-size: 1.125rem;\">Wim Vandekeybus (b. 1963) is a Belgian choreographer, dancer, filmmaker, and photographer who founded his company Ultima Vez in the mid-1980s. He burst onto the international scene with his debut piece<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">What the body does not remember<\/em><span style=\"font-size: 1.125rem;\">(1987), which won a Bessie Award for groundbreaking work; his second production,<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">Les porteuses de mauvaises nouvelles<\/em><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><span style=\"font-size: 1.125rem;\">(1989), received the same distinction. Over the past few decades, Vandekeybus has established himself as a trailblazer in contemporary dance, creating performances that challenge boundaries both at home and abroad.<\/span><\/p>\n<p><span style=\"font-size: 1.125rem;\">Known for his visceral and high-energy style, Vandekeybus explores the clash between intuition and intellect, the physical and the emotional, and the tension between individuals and groups. Central to his work is the idea of how humans respond to extreme situations\u2014what he calls \u201cthe moment of catastrophe.\u201d Despite these intense themes, he also weaves elements of humor and playfulness into his choreography, showcasing an ever-present duality that lies at the heart of his performances.<\/span><\/p>\n<p><span style=\"font-size: 1.125rem;\">Throughout his career, Vandekeybus has pursued a multidisciplinary approach, incorporating music, film, and theatrical narrative into his dance works. He has collaborated with renowned musicians, including David Byrne, Marc Ribot, and Trixie Whitley, and created short films such as <\/span><em style=\"font-size: 1.125rem;\">Blush<\/em><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><span style=\"font-size: 1.125rem;\">(2004) and<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">Monkey Sandwich<\/em><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><span style=\"font-size: 1.125rem;\">(2013) that often stand on their own. Always seeking new forms, his work has evolved from purely physical explorations to more elaborate narratives, exemplified by adaptations of classical tragedies and collaborations with contemporary writers. Even as he expands his storytelling scope, Vandekeybus\u2019s bold, dynamic choreography remains rooted in the raw power of the moving body.<\/span><\/p>\n<\/div>\n<div>\n<p><strong>\u00a0<\/strong><\/p>\n<\/div>\n<div>\n<p><strong>Maria Kolegova<\/strong><\/p>\n<p><span style=\"font-size: 1.125rem;\">Maria Kolegova is a Russian-Belgian dancer and teacher who began her ballet training at the age of five. She went on to study contemporary dance at the School of Contemporary Dance in Yekaterinburg, supported by the Centre of Contemporary Art. In 2004, she performed a solo by L. Aleksandrova at a contemporary dance competition in Seoul, South Korea, where she won the gold medal.<\/span><\/p>\n<p><span style=\"font-size: 1.125rem;\">From 2007 until 2012, after graduating from the Theatrical Academy, Kolegova was a member of the Russian Chamber Ballet \u201cMoskva\u201d in Moscow. During this period, she collaborated with prominent choreographers such as Martin Forsberg, Andrea Boll, R\u00e9gis Obadia, Paul Selwyn Norton, and Nikita Dmitrievsky, contributing to works like<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">Terraclinium<\/em><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><span style=\"font-size: 1.125rem;\">(N. Dmitrievsky) and<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">If mushrooms would grow in the mouth<\/em><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><span style=\"font-size: 1.125rem;\">(A. Boll). Her diverse performance background led to continued experimentation with various dance techniques, martial arts, and yoga.<\/span><\/p>\n<p><span style=\"font-size: 1.125rem;\">Since 2012, Kolegova has been performing with choreographer Wim Vandekeybus\u2019s Ultima Vez, dancing in notable pieces such as<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">What the body does not remember (2013)<\/em><span style=\"font-size: 1.125rem;\">,<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">Mockumentary of a contemporary savior (2017)<\/em><span style=\"font-size: 1.125rem;\">, and<\/span><span class=\"apple-converted-space\" style=\"font-size: 1.125rem;\">\u00a0<\/span><em style=\"font-size: 1.125rem;\">Hands do not touch your precious Me (2021)<\/em><span style=\"font-size: 1.125rem;\">. Alongside her performance career, she is actively involved in pedagogical work, teaching workshops, company classes, and assisting in multiple creations and training programs across Europe and Russia. Through her artistic and educational pursuits, Kolegova continues to expand her creative horizons and foster the next generation of dancers.<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>Ultima Vez<\/strong><\/p>\n<p>Ultima Vez is a dance company that was established in the mid-eighties by Wim Vandekeybus, a choreographer, dancer, filmmaker, and photographer. The company showcases Vandekeybus&#8217;s unique style of movement, which explores themes such as the conflict between body and mind, feeling and intellect, and group and individual. His performances are dynamic and full of conflict, exemplifying a language of movement that contrasts intuition, impulse, and instinct with energy, risk, and danger.<\/p>\n<p>Vandekeybus&#8217;s performances take the form of associative montages that cross borders between disciplines while maintaining their strong-rooted autonomy. Live music and video\/film are integrated into his theatrical expression, often serving as the driving force behind the performances. Vandekeybus has collaborated with several musicians, including Thierry De Mey, Peter Vermeersch, and David Byrne. He has also created short films like Blush and Monkey Sandwich, as well as his first feature film, Galloping Mind.<\/p>\n<p>Over time, Vandekeybus has developed a stronger narrative style that presents coherent fables with a broader scope, frequently revolving around community, individuals, and conflict. His recent work, including Mockumentary of a Contemporary Saviour and TrapTown, reveals his profound concern about the current global political state. Every one of Vandekeybus&#8217;s performances marks his quest for new forms rooted in the essential energy of the body itself. Ultima Vez&#8217;s performances are highly acclaimed, not only in Belgium but also around the world.<\/p>\n"},{"acf_fc_layout":"nupud","buttons":[{"button_text":"REGISTER TO LECTURE","button_url":"https:\/\/piletikeskus.ee\/en\/e\/8wowzl","button_color":"pink","new_tab":true},{"button_text":"BUY TICKET TO OPEN 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Central to his work is the idea of how humans respond to extreme situations\u2014what he calls \u201cthe moment of catastrophe.\u201d Despite these intense themes, he also weaves elements of humor and playfulness into his choreography, showcasing an ever-present duality that lies at the heart of his performances.Throughout his career, Vandekeybus has pursued a multidisciplinary approach, incorporating music, film, and theatrical narrative into his dance works. He has collaborated with renowned musicians, including David Byrne, Marc Ribot, and Trixie Whitley, and created short films such as Blush\u00a0(2004) and\u00a0Monkey Sandwich\u00a0(2013) that often stand on their own. Always seeking new forms, his work has evolved from purely physical explorations to more elaborate narratives, exemplified by adaptations of classical tragedies and collaborations with contemporary writers. Even as he expands his storytelling scope, Vandekeybus\u2019s bold, dynamic choreography remains rooted in the raw power of the moving body.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-wim-vandekeybus-and-maria-kolegova-ultima-vez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CPPM WORKSHOP: WIM VANDEKEYBUS AND MARIA KOLEGOVA (Ultima Vez) | Estonian Academy of Music and Theatre\" \/>\n<meta property=\"og:description\" content=\"Wim Vandekeybus (b. 1963) is a Belgian choreographer, dancer, filmmaker, and photographer who founded his company Ultima Vez in the mid-1980s. He burst onto the international scene with his debut piece\u00a0What the body does not remember(1987), which won a Bessie Award for groundbreaking work; his second production,\u00a0Les porteuses de mauvaises nouvelles\u00a0(1989), received the same distinction. Over the past few decades, Vandekeybus has established himself as a trailblazer in contemporary dance, creating performances that challenge boundaries both at home and abroad.Known for his visceral and high-energy style, Vandekeybus explores the clash between intuition and intellect, the physical and the emotional, and the tension between individuals and groups. 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Even as he expands his storytelling scope, Vandekeybus\u2019s bold, dynamic choreography remains rooted in the raw power of the moving body.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-wim-vandekeybus-and-maria-kolegova-ultima-vez\/\" \/>\n<meta property=\"og:site_name\" content=\"Estonian Academy of Music and Theatre\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-12T14:27:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/eamt.ee\/wp-content\/uploads\/2020\/10\/R_K_9273.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-wim-vandekeybus-and-maria-kolegova-ultima-vez\/\",\"url\":\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-wim-vandekeybus-and-maria-kolegova-ultima-vez\/\",\"name\":\"CPPM WORKSHOP: WIM VANDEKEYBUS AND MARIA KOLEGOVA (Ultima Vez) | Estonian Academy of Music and Theatre\",\"isPartOf\":{\"@id\":\"https:\/\/eamt.ee\/en\/#website\"},\"datePublished\":\"2025-01-24T17:36:39+00:00\",\"dateModified\":\"2025-02-12T14:27:02+00:00\",\"description\":\"Wim Vandekeybus (b. 1963) is a Belgian choreographer, dancer, filmmaker, and photographer who founded his company Ultima Vez in the mid-1980s. 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