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GUEST ARTIST","project_content":[{"acf_fc_layout":"tekstikast","page_text":"

CPPM GUEST ARTIST<\/h1>\n

Sasha Pepelyaev<\/strong><\/h1>\n

<\/h1>\n

<\/h6>\n
Workshop<\/strong>
\n17.-28.03.2025<\/h6>\n
Lecture<\/strong>
\n21.03.2025 19:00<\/h6>\n

Open Class<\/strong>
\n28.03.2025 19:00<\/p>\n

EMTA black box<\/em><\/p>\n

 <\/p>\n

\n

 <\/p>\n

A distinguished director and choreographer, Sasha Pepelyaev’s artistic journey began in secondary school drama classes and deepened during his studies at Moscow University, where he discovered pantomime. His early career saw him perform as a mime soloist at the Taganka Theatre and the Moscow Concert Agency, laying a strong foundation for his later achievements.<\/p>\n

In 1984, Sasha Pepelyaev became the artistic director at the mime studio of Moscow State University. With the onset of perestroika in 1987, his studio evolved into one of Moscow\u2019s first independent theatre studios, giving rise to the company \u201cPoor Yorik.\u201d During this transformative period, he also refined his craft at the State Institute of Theatrical Arts over a four-year course in drama.<\/p>\n

After \u201cPoor Yorik\u201d closed in 1990, Sasha expanded his artistic pursuits, working as a director and choreographer in diverse settings\u2014from circus and television to drama theatres in Moscow and abroad. His career was enriched by extensive travel to Western Europe, participation in innovative theatre dance projects, and studies in dance in Amsterdam. In 1994, he launched the project \u201cThe Kinetic Theater\u201d in Moscow, which marked the beginning of a series of experimental works aimed at redefining contemporary Russian dance through a fusion of postmodern texts, contemporary dance, and traditional Russian dramatic styles.<\/p>\n

As the founder and artistic director of the contemporary dance company KINETIC (1994\u20132014), Sasha Pepelyaev has crafted numerous groundbreaking works that have been showcased at festivals across Russia, Europe, the USA, and Israel, as well as featured on international television. A graduate of both Moscow State University and the State Institute of Theatrical Arts, he has also enriched almost 80 original productions as a guest choreographer and director, and led workshops at prestigious institutions including the American Dance Festival, Vaganova Academy of Russian Ballet, Estonian Academy of Music and Theatre, and Helsinki Theatre Academy.<\/p>\n

His innovative work has earned him several notable awards: the Prix d’Auteur for the choreography of “The View of Russian Grave from Germany” at the Rencontres Choregraphique Internationales de Seine-Saint-Denis (France) in 1998; the Annual Prize of Theatre (Estonia) for “Swan Lake” in 2003; the Choreographer\/Creator Award at THE BESSIES for “Swan Lake” during 2003\u20132004 by the New York Dance and Performance Awards Committee; and the GOLDEN MASK award in Russia for “CAFE IDIOT,” recognized as the best performance of contemporary dance in 2016. Since 2006, his creative focus has shifted towards integrating dance, visual theatre, and interactive video \u2014 a trend that continues to influence his work since he began living and working in Estonia in 2020.<\/p>\n

 <\/p>\n

Public lecture “Graphics from movements” <\/strong><\/p>\n

This public talk\/demonstration will be focused on themes, arising from processing body movements trough custom media tools. Playing with transformed and deformed time and space visual representations will be presented, based on stage productions of last few years.<\/p>\n

 <\/p>\n

Workshop “Who am I, and if, how many?”<\/strong><\/p>\n

The workshop will focus on developing a framework for visual-physical performance and practical methods. Participants will explore the process from the initial concept through rough realisation, verification, and modification. This will involve analysing available tools, seeking inspiration, and examining the various phases and patterns inherent in the creative process. A key component will be the creation of a ‘sign’\u2014an essential element of visual communication. Equally important is the ‘code’, a collection of homogeneous signs that conveys the content and intended message of the performance. Participants will investigate how objects and environments can serve as building blocks for this code. Themes for improvisation will be suggested to the participants and later form the basis of a dramatic structure or ‘story’. These themes will be reinterpreted and transformed through choreographic patterns, incorporating elements of dance, acrobatics, and contact improvisation. The core aim of the workshop is to broaden the range of tools available for creative expression, with a particular focus on the visual aspects of stage production. While developing a performance model is a desirable outcome, it is not an absolute requirement.<\/p>\n"},{"acf_fc_layout":"galerii","images":[{"ID":52997,"id":52997,"title":"Sasha_Pepelyaev_photo_Rust2D","filename":"Sasha_Pepelyaev_photo_Rust2D-scaled-e1742119424525.jpg","filesize":240162,"url":"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/03\/Sasha_Pepelyaev_photo_Rust2D-scaled-e1742119424525.jpg","link":"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-sasha-pepelyaev-2\/sasha_pepelyaev_photo_rust2d-3\/","alt":"","author":"23","description":"","caption":"","name":"sasha_pepelyaev_photo_rust2d-3","status":"inherit","uploaded_to":52998,"date":"2025-03-11 08:14:28","modified":"2025-03-16 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Oma esimesed teatrisammud tegi ta keskkooli draamaringis. Moskva \u00fclikoolis keemiat \u00f5ppides alustas ta pantomiimi \u00f5ppimist ja veetis kogu oma vaba aja stuudios \u2013 \u00f5ppides, improviseerides, esinedes ja lavastades. P\u00e4rast \u00fclikooli l\u00f5petamist j\u00e4tkas ta teatrikarj\u00e4\u00e4ri Taganka teatris ja \u00fches Moskva kontserdiagentuuris miim-solistina. 1984. aastal sai temast Moskva Riikliku \u00dclikooli miimikastuudio kunstiline juht. Stuudiost sai 1987. aastal, perestroika alguses, \u00fcks esimesi iseseisvaid teatristuudioid Moskvas. Nimeks v\u00f5tsid nad endale \u201cvaene yorick\u201d. Stuudiot\u00f6\u00f6 k\u00f5rvalt astus Sasha Riiklikku Teatrikunstiinstituuti, kus \u00f5ppis neli aastat. 1990. aastal, p\u00e4rast \u201cvaese yoriku\u201d sulgemist, t\u00f6\u00f6tas ta lavastaja ja koreograafina tsirkuses, televisioonis ning draamateatrites Moskvas ja v\u00e4lismaal. Sel perioodil tutvus ta ka L\u00e4\u00e4ne-Euroopaga, osales Amsterdamis erinevates tantsutundides ja tegi kaasa tantsuprojektides. 1994. aastal alustas ta Moskvas projektiga "Kineetiline teater", mille tulemusel loodi ja esitati rida eksperimentaalseid teoseid. Projektist kujunes intensiivne otsing, mis keskendus vene kaasaegse tantsu definitsioonile. Alates hooajast 1995\/96 on paljud nende lavastused \u00fchendanud postmodernseid vene tekste, kaasaegset tantsu ja traditsioonilist vene dramaatilist stiili.\u00a0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-sasha-pepelyaev-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CPPM MEISTRIKURSUS: Sasha Pepelyaev\" \/>\n<meta property=\"og:description\" content=\"Sasha Pepelyaev on lavastaja ja koreograaf. Oma esimesed teatrisammud tegi ta keskkooli draamaringis. Moskva \u00fclikoolis keemiat \u00f5ppides alustas ta pantomiimi \u00f5ppimist ja veetis kogu oma vaba aja stuudios \u2013 \u00f5ppides, improviseerides, esinedes ja lavastades. P\u00e4rast \u00fclikooli l\u00f5petamist j\u00e4tkas ta teatrikarj\u00e4\u00e4ri Taganka teatris ja \u00fches Moskva kontserdiagentuuris miim-solistina. 1984. aastal sai temast Moskva Riikliku \u00dclikooli miimikastuudio kunstiline juht. Stuudiost sai 1987. aastal, perestroika alguses, \u00fcks esimesi iseseisvaid teatristuudioid Moskvas. Nimeks v\u00f5tsid nad endale \u201cvaene yorick\u201d. Stuudiot\u00f6\u00f6 k\u00f5rvalt astus Sasha Riiklikku Teatrikunstiinstituuti, kus \u00f5ppis neli aastat. 1990. aastal, p\u00e4rast \u201cvaese yoriku\u201d sulgemist, t\u00f6\u00f6tas ta lavastaja ja koreograafina tsirkuses, televisioonis ning draamateatrites Moskvas ja v\u00e4lismaal. Sel perioodil tutvus ta ka L\u00e4\u00e4ne-Euroopaga, osales Amsterdamis erinevates tantsutundides ja tegi kaasa tantsuprojektides. 1994. aastal alustas ta Moskvas projektiga "Kineetiline teater", mille tulemusel loodi ja esitati rida eksperimentaalseid teoseid. Projektist kujunes intensiivne otsing, mis keskendus vene kaasaegse tantsu definitsioonile. Alates hooajast 1995\/96 on paljud nende lavastused \u00fchendanud postmodernseid vene tekste, kaasaegset tantsu ja traditsioonilist vene dramaatilist stiili.\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-sasha-pepelyaev-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Estonian Academy of Music and Theatre\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-12T19:07:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/03\/2023-04-27-VON-KRAHL-luikede-jarv-5213-fotosiimvahur-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-sasha-pepelyaev-2\/\",\"url\":\"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-sasha-pepelyaev-2\/\",\"name\":\"CPPM WORKSHOP: SASHA PEPELYAEV | Estonian Academy of Music and Theatre\",\"isPartOf\":{\"@id\":\"https:\/\/eamt.ee\/en\/#website\"},\"datePublished\":\"2025-03-11T08:22:37+00:00\",\"dateModified\":\"2025-06-12T19:07:53+00:00\",\"description\":\"Sasha Pepelyaev on lavastaja ja koreograaf. Oma esimesed teatrisammud tegi ta keskkooli draamaringis. Moskva \u00fclikoolis keemiat \u00f5ppides alustas ta pantomiimi \u00f5ppimist ja veetis kogu oma vaba aja stuudios \u2013 \u00f5ppides, improviseerides, esinedes ja lavastades. P\u00e4rast \u00fclikooli l\u00f5petamist j\u00e4tkas ta teatrikarj\u00e4\u00e4ri Taganka teatris ja \u00fches Moskva kontserdiagentuuris miim-solistina. 1984. aastal sai temast Moskva Riikliku \u00dclikooli miimikastuudio kunstiline juht. Stuudiost sai 1987. aastal, perestroika alguses, \u00fcks esimesi iseseisvaid teatristuudioid Moskvas. Nimeks v\u00f5tsid nad endale \u201cvaene yorick\u201d. Stuudiot\u00f6\u00f6 k\u00f5rvalt astus Sasha Riiklikku Teatrikunstiinstituuti, kus \u00f5ppis neli aastat. 1990. aastal, p\u00e4rast \u201cvaese yoriku\u201d sulgemist, t\u00f6\u00f6tas ta lavastaja ja koreograafina tsirkuses, televisioonis ning draamateatrites Moskvas ja v\u00e4lismaal. 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