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Photo: Kalev Lilleorg\" \/><\/figure>\n<figure style=\"margin:0 auto 24px;text-align:center\"><a href=\"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/\"><img decoding=\"async\" src=\"https:\/\/eamt.ee\/wp-content\/uploads\/2026\/09\/cppm-labu-logo-black-v3.png\" style=\"height:48px;width:auto;display:inline-block\" alt=\"CPPM L\u00c4BU \u2014 Solo Festival\" \/><\/a><\/figure>\n<h1 style=\"margin:0;font-size:clamp(48px,9vw,88px);font-weight:800;line-height:.9;letter-spacing:-.02em;text-align:center\">A SECOND SILENCE EVEN DENSER<\/h1>\n<div style=\"font-size:clamp(28px,5vw,52px);font-weight:800;line-height:1;color:#f7e6ea;text-shadow:-1.5px -1.5px 0 #1C1815,1.5px -1.5px 0 #1C1815,-1.5px 1.5px 0 #1C1815,1.5px 1.5px 0 #1C1815;margin:0 0 24px;text-align:center\">TEINE, VEELGI TIHEDAM VAIKUS<\/div>\n<p style=\"text-align:center;margin:0 0 4px;font-size:.75em;letter-spacing:.2em;text-transform:uppercase;color:#767066\">by<\/p>\n<p style=\"text-align:center;margin:0 0 4px;font-size:clamp(17px,2.4vw,22px);font-weight:600;letter-spacing:.12em;line-height:1\"><a href=\"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\" style=\"color:#1C1815;text-decoration:none\">CHARIS TAPLIN<\/a><\/p>\n<p style=\"text-align:center;margin:0 0 32px;font-size:.75em;color:#767066;letter-spacing:.2em\">UK<\/p>\n<p style=\"text-align:center;margin:0 0 4px;font-size:1em\"><strong>Premiere 12 September 2025<\/strong><\/p>\n<p style=\"text-align:center;margin:0 0 4px;font-size:.88em;color:#3d3a36\">Performance 13 September<\/p>\n<p style=\"text-align:center;margin:0 0 4px;font-size:.88em;color:#3d3a36\">Kanuti Gildi SAAL<\/p>\n<p style=\"text-align:center;margin:56px auto 32px;font-size:1.4em;font-weight:400;line-height:1.35;max-width:24em\">A solo butoh performance grown from the poetry of Alejandra Pizarnik.<\/p>\n<p style=\"max-width:38em;margin:0 auto 16px;line-height:1.7\">A second silence even denser began from the poetry of Alejandra Pizarnik, exploring abjection, queer desire and bodily estrangement. The work looks for a permeable skin between body, language and space that can scar, absorb, and be permeated; looking through the immateriality of language for new pathways for accessing the slimy, fleshy and sensual material density of the body.<\/p>\n<p style=\"max-width:38em;margin:0 auto 32px;line-height:1.7\">This solo draws broadly from Pizarnik\u2019s poetry, prose, drawings, letters and biography \u2018translating\u2019 these texts and images into movement scores based on the Butoh notation form known as \u2018butoh-fu\u2019; reflecting Pizarnik\u2019s research into a sense of \u2018spirit\u2019, or of the ghostly, within language; influenced by Natsu Nakajima\u2019s description of Butoh as \u2018a conflict between language and the body\u2019 that strives \u2018to put into words that which cannot be put into words\u2026to give form to that which is formless\u2026,\u2019. Embodying the fragmented and hybrid portrayal of identity and selfhood within the writings, I travel through personas and alter-egos while introducing strands of narrative, biography and autobiography and the body as a vessel of appetite and emptiness, memory and poetry, repulsion and compulsion.<\/p>\n<p style=\"text-align:center;margin:40px 0 20px;font-size:.75em;letter-spacing:.2em;text-transform:uppercase;color:#767066\">ARTISTIC TEAM<\/p>\n<div style=\"display:flex;flex-wrap:wrap;justify-content:center;gap:24px 8px;max-width:40em;margin:0 auto 40px;text-align:center\">\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">KSENIA VERBE\u0160T\u0160UK<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">SCENOGRAPHY ADVISER AND PROP MAKER<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">YIYANG SUN<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">OBJECT ADVISER AND ANIMATION<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/anette-parn-estonia\/\" style=\"color:#1C1815;text-decoration:none\">ANETTE P\u00c4RN<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">SOUND ADVISER AND ASSISTANT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/daniel-ortiz-amezquita-colombia\/\" style=\"color:#1C1815;text-decoration:none\">DANIEL ORTIZ AM\u00c9ZQUITA<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">VOICE RECORDING CONTRIBUTION<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/clarisse-degeneffe-belgium\/\" style=\"color:#1C1815;text-decoration:none\">CLARISSE DEGENEFFE<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">VOICE RECORDING CONTRIBUTION<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">ROMMI RUTTAS<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">LIGHTING DESIGN<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">LEON ALLIK<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">LIGHTING DESIGN<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/leah-gayer-germany-uk\/\" style=\"color:#1C1815;text-decoration:none\">LEAH GAYER<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">TECHNICAL SUPPORT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/ana-trif-romania\/\" style=\"color:#1C1815;text-decoration:none\">ANA TRIF<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">TECHNICAL SUPPORT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\"><a href=\"https:\/\/eamt.ee\/en\/student\/elar-vahter-estonia\/\" style=\"color:#1C1815;text-decoration:none\">ELAR VAHTER<\/a><\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">PRODUCTION ASSISTANT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">GIACOMO VERONESI<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">DRAMATURGICAL SUPPORT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">SANDRA K\u00dcPPER<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">DRAMATURGICAL SUPPORT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">ALEJANDRA PIZARNIK<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">TEXT<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">J\u00dcRI NAEL<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">PRODUCER<\/div>\n<\/div>\n<div style=\"flex:1 1 12em;max-width:20em;text-align:center\">\n<div style=\"font-weight:700;font-size:1em\">ANNIKA \u00dcPRUS<\/div>\n<div style=\"font-size:.75em;color:#767066;letter-spacing:.2em;margin-top:4px\">PRODUCER<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align:center;margin:0 auto 16px;font-size:.88em;color:#5f5b57;line-height:1.7;max-width:34em\"><span style=\"letter-spacing:.2em;font-size:.85em;color:#767066\">THANK YOU<\/span><br \/>Marl\u00e8ne J\u00f6bstl, Maria Papachristodoulou, Ana Trif<\/p>\n<p style=\"text-align:center;margin:0 auto 16px;font-size:.88em;color:#5f5b57;line-height:1.7;max-width:34em\"><span style=\"letter-spacing:.2em;font-size:.85em;color:#767066\">SPECIAL THANKS<\/span><br \/>Cecilia Macfarlane<\/p>\n<p style=\"text-align:center;margin:0 auto 16px;font-size:.88em;color:#5f5b57;line-height:1.7;max-width:34em\"><span style=\"letter-spacing:.2em;font-size:.85em;color:#767066\">PRODUCTION<\/span><br \/><strong style=\"color:#1C1815\">CPPM | Estonian Academy of Music and Theatre<\/strong><\/p>\n<hr style=\"border:none;border-top:1px solid #d9c9ce;max-width:6em;margin:56px auto\" \/>\n<p style=\"text-align:center;margin:0 0 24px;font-size:.75em;letter-spacing:.2em;text-transform:uppercase;color:#767066\">ABOUT THE ARTIST<\/p>\n<figure style=\"margin:0 auto 20px;width:300px;max-width:100%;border-radius:150px 150px 0 0;overflow:hidden;aspect-ratio:3\/2\"><img decoding=\"async\" src=\"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/08\/Charis-Taplin.-Portrait.-Photographer-Daniel-Mellet-dHuart-scaled-e1754483043581-1280x598.jpg\" style=\"display:block;width:100%;height:100%;object-fit:cover\" alt=\"Charis Taplin. Portrait. Photographer: Daniel Mellet-d&#x27;Huart\" \/><\/figure>\n<h3 style=\"text-align:center;margin:0 0 12px;font-size:1.15em;letter-spacing:.02em\">Charis Taplin<\/h3>\n<p style=\"text-align:center;max-width:32em;margin:0 auto 16px;font-size:.95em;line-height:1.7\">Charis Taplin is a physical performance maker from the United Kingdom, now based in Tallinn. With a background in dance and in literature, for the past three years her practise has largely centred around Butoh, whilst also directing, writing and exploring diverse stage disciplines with a particular interest in puppetry and object manipulation. Her work returns always to the performing body as a threshold where the polarities of sacred and profane, mystical and domestic, personal and collective, collapse.<\/p>\n<p style=\"text-align:center;margin:0 0 56px;font-size:.75em;letter-spacing:.2em;text-transform:uppercase\"><a href=\"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\" style=\"color:#767066;text-decoration:none\">Read more &rarr;<\/a><\/p>\n<div style=\"padding:0 5%\">\n<div style=\"display:flex;align-items:flex-end;gap:4%;justify-content:center\">\n<div style=\"flex:0 0 26%;border-radius:999px 999px 0 0;overflow:hidden;aspect-ratio:3\/4.6\"><img decoding=\"async\" src=\"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/08\/LABU-2025.-THE-SECOND-SILENCE-EVEN-DENSER-by-CHARIS-TAPLIN.-Photographer-Kalev-Lilleorg4-1280x1920.jpg\" style=\"display:block;width:100%;height:100%;object-fit:cover\" alt=\"A second silence even denser by Charis Taplin. Photo: Kalev Lilleorg\" \/><\/div>\n<div style=\"flex:0 0 34%;border-radius:999px 999px 0 0;overflow:hidden;aspect-ratio:3\/5.6\"><img decoding=\"async\" src=\"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/08\/LABU-2025.-THE-SECOND-SILENCE-EVEN-DENSER-by-CHARIS-TAPLIN.-Photographer-Kalev-Lilleorg18-1280x1920.jpg\" style=\"display:block;width:100%;height:100%;object-fit:cover\" alt=\"A second silence even denser by Charis Taplin. Photo: Kalev Lilleorg\" \/><\/div>\n<div style=\"flex:0 0 26%;border-radius:999px 999px 0 0;overflow:hidden;aspect-ratio:3\/4.6\"><img decoding=\"async\" src=\"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/08\/LABU-2025.-THE-SECOND-SILENCE-EVEN-DENSER-by-CHARIS-TAPLIN.-Photographer-Kalev-Lilleorg38-1280x1920.jpg\" style=\"display:block;width:100%;height:100%;object-fit:cover\" alt=\"A second silence even denser by Charis Taplin. Photo: Kalev Lilleorg\" \/><\/div>\n<\/div>\n<\/div>\n<p style=\"text-align:center;font-size:.75em;color:#767066;letter-spacing:.2em;text-transform:uppercase;margin:12px 0 0\">Photographs: Kalev Lilleorg<\/p>\n<div style=\"text-align:center;border-top:1px solid #d9c9ce;padding:24px 0 8px;margin:64px 0 0\">\n<p style=\"margin:0 0 8px;font-size:.75em;letter-spacing:.2em;text-transform:uppercase;color:#767066\">Made within the MA in Contemporary Physical Performance Making<\/p>\n<p style=\"margin:0;font-size:.95em\"><a href=\"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/\" style=\"color:#1C1815\">About the programme<\/a> &nbsp;&middot;&nbsp; <a href=\"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/apply\/\" style=\"color:#1C1815;border-bottom:2px solid #00a982;text-decoration:none;padding-bottom:1px\">How to apply<\/a> &nbsp;&middot;&nbsp; <a href=\"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/projects\/\" style=\"color:#1C1815\">All projects<\/a><\/p>\n<\/div>\n<p><script type=\"application\/ld+json\"> { \"@context\": \"https:\/\/schema.org\", \"@type\": \"TheaterEvent\", \"name\": \"A second silence even denser\", \"startDate\": \"2025-09-12\", \"location\": { \"@type\": \"Place\", \"name\": \"Kanuti Gildi SAAL\" }, \"director\": [ { \"@type\": \"Person\", \"name\": \"Charis Taplin\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\" } ], \"performer\": [ { \"@type\": \"Person\", \"name\": \"Charis Taplin\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/charis-taplin-uk\/\" } ], \"contributor\": [ { \"@type\": \"Person\", \"name\": \"Leah Gayer\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/leah-gayer-germany-uk\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/leah-gayer-germany-uk\/\" }, { \"@type\": \"Person\", \"name\": \"Anette P\u00e4rn\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/anette-parn-estonia\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/anette-parn-estonia\/\" }, { \"@type\": \"Person\", \"name\": \"Ana Trif\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/ana-trif-romania\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/ana-trif-romania\/\" }, { \"@type\": \"Person\", \"name\": \"Elar Vahter\", \"@id\": \"https:\/\/eamt.ee\/en\/student\/elar-vahter-estonia\/\", \"url\": \"https:\/\/eamt.ee\/en\/student\/elar-vahter-estonia\/\" }, { \"@type\": \"Person\", \"name\": \"Ksenia Verbe\u0161t\u0161uk\", \"description\": \"Scenography adviser and prop maker\" }, { \"@type\": \"Person\", \"name\": \"Yiyang Sun\", \"description\": \"Object adviser and animation\" }, { \"@type\": \"Person\", \"name\": \"Rommi Ruttas\", \"description\": \"Lighting design\" }, { \"@type\": \"Person\", \"name\": \"Leon Allik\", \"description\": \"Lighting design\" }, { \"@type\": \"Person\", \"name\": \"Giacomo Veronesi\", \"description\": \"Dramaturgical support\" }, { \"@type\": \"Person\", \"name\": \"Sandra K\u00fcpper\", \"description\": \"Dramaturgical support\" } ], \"description\": \"Begun from the poetry of Alejandra Pizarnik, this solo explores abjection, queer desire and bodily estrangement, translating her texts and images into movement scores based on the butoh-fu notation form.\", \"about\": [ { \"@type\": \"Thing\", \"name\": \"abjection\" }, { \"@type\": \"Thing\", \"name\": \"queer desire\" }, { \"@type\": \"Thing\", \"name\": \"bodily estrangement\" }, { \"@type\": \"Thing\", \"name\": \"butoh\" }, { \"@type\": \"Thing\", \"name\": \"language and the body\" } ], \"keywords\": \"abjection, queer desire, bodily estrangement, butoh, language and the body\", \"genre\": \"contemporary physical performance\", \"superEvent\": { \"@type\": \"Festival\", \"name\": \"CPPM L\u00c4BU 2025 \u2014 contemporary solo performance festival\", \"organizer\": { \"@id\": \"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/#programme\" } }, \"organizer\": { \"@type\": \"EducationalOrganization\", \"@id\": \"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/#programme\", \"name\": \"MA in Contemporary Physical Performance Making (CPPM)\", \"url\": \"https:\/\/eamt.ee\/en\/departments\/theatre\/cppm\/\", \"parentOrganization\": { \"@type\": \"CollegeOrUniversity\", \"@id\": \"https:\/\/eamt.ee\/#academy\", \"name\": \"Estonian Academy of Music and Theatre\", \"url\": \"https:\/\/eamt.ee\/\" } }, \"url\": \"https:\/\/eamt.ee\/en\/projects\/charis-taplin-a-second-silence-even-denser\/\" } <\/script><\/p>\n"},{"acf_fc_layout":"galerii","images":[{"ID":65975,"id":65975,"title":"L\u00c4BU 2025. 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