{"id":11093,"date":"2021-01-26T11:45:13","date_gmt":"2021-01-26T09:45:13","guid":{"rendered":"https:\/\/eamt.ee\/departments\/musicology\/cultural-management\/masters-studies\/podcast\/"},"modified":"2025-03-13T15:45:26","modified_gmt":"2025-03-13T13:45:26","slug":"podcast","status":"publish","type":"page","link":"https:\/\/eamt.ee\/en\/departments\/musicology\/cultural-management\/masters-studies\/podcast\/","title":{"rendered":"Podcast"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":5369,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11093","page","type-page","status-publish","hentry"],"acf":{"is_not_a_page":false,"post_image":false,"page_content":[{"acf_fc_layout":"tekst_pilt","pilt":{"ID":37071,"id":37071,"title":"Podcast_logo","filename":"Podcast_logo-scaled.jpg","filesize":169217,"url":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-scaled.jpg","link":"https:\/\/eamt.ee\/en\/departments\/musicology\/cultural-management\/masters-studies\/podcast\/podcast_logo-2\/","alt":"","author":"3","description":"","caption":"","name":"podcast_logo-2","status":"inherit","uploaded_to":11093,"date":"2023-04-12 13:41:59","modified":"2025-03-28 14:43:33","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/eamt.ee\/wp-includes\/images\/media\/default.png","width":2560,"height":2560,"sizes":{"thumbnail":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-300x300.jpg","medium-width":300,"medium-height":300,"medium_large":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-768x768.jpg","medium_large-width":768,"medium_large-height":768,"large":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1024x1024.jpg","large-width":1024,"large-height":1024,"1536x1536":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1536x1536.jpg","1536x1536-width":1536,"1536x1536-height":1536,"2048x2048":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-2048x2048.jpg","2048x2048-width":2048,"2048x2048-height":2048,"640px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-640x640.jpg","640px-width":640,"640px-height":640,"768px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-768x768.jpg","768px-width":768,"768px-height":768,"1024px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1024x1024.jpg","1024px-width":1024,"1024px-height":1024,"1280px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1280x1280.jpg","1280px-width":1280,"1280px-height":1280,"1366px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1366x1366.jpg","1366px-width":1366,"1366px-height":1366,"1600px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1600x1600.jpg","1600px-width":1600,"1600px-height":1600,"1920px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-1920x1920.jpg","1920px-width":1920,"1920px-height":1920,"2400px":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-2400x2400.jpg","2400px-width":2400,"2400px-height":2400,"woocommerce_thumbnail":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-415x415.jpg","woocommerce_thumbnail-width":415,"woocommerce_thumbnail-height":415,"woocommerce_single":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-600x600.jpg","woocommerce_single-width":600,"woocommerce_single-height":600,"woocommerce_gallery_thumbnail":"https:\/\/eamt.ee\/wp-content\/uploads\/2023\/04\/Podcast_logo-100x100.jpg","woocommerce_gallery_thumbnail-width":100,"woocommerce_gallery_thumbnail-height":100}},"page_text":"<p><a href=\"https:\/\/kultuurireflektor.simplecast.com\/\" target=\"_blank\" rel=\"noopener\">Podcast The Cultural Reflector<\/a><\/p>\n<p>We are pleased to introduce the <strong>Cultural Reflector<\/strong> podcast, an initiative from the <strong>Cultural Management master&#8217;s<\/strong> <strong>programme<\/strong>. This project serves as an experimental platform to discuss key issues that are essential to our field. Our goal is to engage with practitioners and co-create innovative solutions to the challenges we encounter daily.<\/p>\n<p>The name <strong>Cultural Reflector<\/strong> is symbolic, drawing from the function of a theatre reflector. Just as a reflector illuminates the stage, our mission is to shed light on the significant, yet often hidden, processes within cultural management. We aim to reflect\u2014like a mirror\u2014the current state of the industry and the realities faced by managers. Most importantly, <strong>Cultural Reflector<\/strong> serves as a space for critical reflection on the topics that matter most to our community.<\/p>\n<p>This bilingual podcast is produced by the Cultural Management MA programme. The jingle is composed by <strong>Zane Dombrovska<\/strong>. For more information or to suggest a topic for discussion, please contact us at <strong><a rel=\"noopener\">culturalmanagement@eamt.ee<\/a><\/strong>.<\/p>\n<hr \/>\n","image_position":"left"},{"acf_fc_layout":"lehepealkiri","page_title":"Season 3"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 1<\/strong><\/p>\n<p>2025. aasta kevadhooajal viivad praegused EMTA kultuurikorralduse magistritudengid kuulajad s\u00fcvitsi erinevatesse loomevaldkondadesse, vesteldes oma ala ekspertidega.<\/p>\n<p>Avasaates on fookuses sotsiaalmeedia ja selle m\u00f5ju artisti loovusele. Jutuks tuleb, kuidas digitaalsed platvormid m\u00f5jutavad loomeprotsessi, milline on tagasiside ja populaarsuse roll ning kuidas j\u00e4\u00e4da autentseks keskkonnas, kus on pidev surve j\u00e4rgida trende ja kasvatada j\u00e4lgijaskonda.<\/p>\n<p>Saatek\u00fclaliseks on muusikaliartist <strong>Hanna-Liina V\u00f5sa<\/strong>, saadet juhib EMTA magistrant <strong>Kertu Raja<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/895c3459-8fd2-49b3-854c-214051293993?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 2<\/strong><\/p>\n<p data-start=\"67\" data-end=\"255\">In this episode of Cultural Reflector, we delve into audience engagement in the post-pandemic era, drawing insights from the Tsinandali Festival and the Tbilisi Youth Orchestra. Our guest, <strong>Mariam Karalashvili<\/strong>, brings a wealth of experience from both organizations\u2014having previously managed the Tbilisi Youth Orchestra and now serving as the Head of Administration at the Tsinandali Festival. She shares how these institutions have adapted to changing audience behaviors and redefined cultural participation.<\/p>\n<p data-start=\"594\" data-end=\"762\">Leading the conversation is <strong>Mzia Partenadze<\/strong>, a musician and singer pursuing a Master\u2019s degree in Cultural Management at the Estonian Academy of Music and Theatre.\u00a0Tune in as we explore the challenges, strategies, and future of audience engagement in the performing arts.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/d191ef58-b7bf-4a48-ab6b-274eae2a7791?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 3<\/strong><\/p>\n<p data-start=\"95\" data-end=\"525\">In this episode of Cultural Reflector, the focus is on collaboration between business and cultural organizations. The discussion explores how combining distinct strengths can create the balance of power and authority crucial for artistic leadership. A joint curriculum by the Estonian Academy of Music and Theatre and the Estonian Business School illustrates how managerial expertise and creative vision can successfully merge.<\/p>\n<p data-start=\"527\" data-end=\"834\">Executive leadership coach Professor <strong>Ester Eomois<\/strong> introduces a leadership approach built on empowerment, courage, and self-awareness. Hosted by Cultural Management master&#8217;s student <strong>Lia Davtyan<\/strong>, the episode highlights how strong artistic leadership can inspire innovative and sustainable cultural projects.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/1bcd9645-9d43-490e-8d4e-4a9bd4e52ac4?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 4<\/strong><\/p>\n<p data-start=\"71\" data-end=\"398\">This episode of Cultural Refelector dives into personal branding in the music industry and the challenge of balancing authenticity with audience expectations. Inspired by Erving Goffman\u2019s theory of self-presentation, the discussion explores the \u201cauthenticity paradox\u201d &#8211; how striving to appear genuine can sometimes feel staged.<\/p>\n<p data-start=\"400\" data-end=\"713\">The conversation also highlights the power of storytelling in shaping a musician\u2019s brand. Sharing her expertise is guest <strong>Olesija Saue<\/strong>, Estonia\u2019s leading personal branding strategist, NLP master practitioner and leadership coach. The episode is hosted by Cultural Management master\u2019s student <strong>Ljupcho Trajanoski.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/fd94d385-5fc3-4c0f-afdc-0c5a10e3deec?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 5<\/strong><\/p>\n<p>Kultuur avardab maailmapilti ja rikastab haridust, kuid kas k\u00f5igil lastel on selle nautimiseks v\u00f5rdsed v\u00f5imalused? Selles episoodis arutlevad\u00a0 kultuurikorralduse magistritudeng <strong>Laura P\u00f5ldma<\/strong> ning kultuuriministeeriumi kultuurihariduse ja ligip\u00e4\u00e4setavuse n\u00f5unik <strong>Annikki Aruv\u00e4li<\/strong>, kuidas tagada noortele juurdep\u00e4\u00e4s mitmek\u00fclgsetele kultuurikogemustele. Lisaks k\u00e4sitletakse Kultuuriranitsa kui peamise lahenduse v\u00f5imalusi ning tuuakse esile sellega kaasnevad v\u00e4ljakutsed ja kitsaskohad.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/1cbf4314-a89a-4098-ab70-60fb73b5dff9?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 6<\/strong><\/p>\n<p data-start=\"72\" data-end=\"579\">In this episode of the Cultural Reflector, the focus is on declining public funding and the growing need for income diversification in the arts. <strong>Esper<\/strong> <strong>Linnam\u00e4gi<\/strong>, Manager of the Estonian Philharmonic Chamber Choir, shares insights on managing financial challenges, while host <strong>Abdulmumeen Sidiq<\/strong>, Cultural Management master&#8217;s student at EAMT, leads a discussion on the economic pressures facing arts organizations. Tune in to discover strategies for building a more resilient artistic future!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/396cce71-1a4c-4c1e-bde3-946c4fe6af59?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"lehepealkiri","page_title":"Season 2"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 1<br \/>\n<\/strong>In this episode, <strong data-start=\"147\" data-end=\"173\">Sten-Kristian Saluveer<\/strong> discusses the evolving role of modern technologies in the cultural sector\u2014their benefits, challenges, and future prospects. The COVID-19 lockdowns and the war in Ukraine have reshaped many aspects of life in Europe, accelerating the demand for new technologies and innovative approaches in cultural management. Just a few years ago, few could have imagined how rapidly remote work and online education would advance.<\/p>\n<p data-start=\"594\" data-end=\"846\">As these changes unfold, it\u2019s crucial to stay informed about their impact on the cultural sector and explore ways to make this transformation as positive as possible. The conversation also touches on the current state of Estonia\u2019s cultural landscape.<\/p>\n<p data-start=\"848\" data-end=\"1232\">Hosted by <strong data-start=\"861\" data-end=\"878\">Asta Nykoniuk<\/strong>, this episode features insights from <strong data-start=\"916\" data-end=\"942\">Sten-Kristian Saluveer<\/strong>, founder of <strong data-start=\"955\" data-end=\"967\">Stroytek<\/strong>, a venture capital and innovation studio. He serves as the <strong data-start=\"1027\" data-end=\"1108\">Strategic Advisor &amp; Head of Cannes Next (March\u00e9 du Film &#8211; Festival de Cannes)<\/strong> and teaches and advises organizations across Europe. He also studied in the <strong data-start=\"1185\" data-end=\"1229\">Cultural Management MA programme at EAMT<\/strong>. Tune in to discover how technology is shaping the future of culture.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/56fe34dd-08ca-4cc0-9e7b-266b695fa490?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 2 <\/strong>(in Estonian)<br \/>\nMilliseid v\u00f5imalusi pakub \u00fchine kunstiline tegevus inimestele, kes ehk ei m\u00f5ista \u00fcksteise keelt ja muidu ehk omavahel \u00fcldse kokku ei puutuks? Arutame, kas sildade loomine eesti ja vene rahvusest Eesti elanike vahel l\u00e4bi muusika, kunsti, tantsu ja miks mitte ka \u00fchiste sporditegevuste v\u00f5iks tuua soovitud tulemusi, et v\u00e4hendada segregatsiooni. Vahetame m\u00f5tteid ka juba eksisteerivate \u00fchistegevuste \u00fcle, mis on loonud v\u00f5imaluse eesti ja vene keelt k\u00f5nelevatel inimestel kultuuri l\u00e4bi omavahel suhestuda. Kultuurikorralduse magistriprogrammi vilistlane Julia Amor on tegelenud kultuuridevahelise kommunikatsiooniga pea kogu oma t\u00f6\u00f6elu jooksul, olgu see avalike suhete v\u00f5i muuseumivaldkonnas, rahvusvahelistes suhetes v\u00f5i kultuuri\u00fcrituste korraldamise kaudu. Kakskeelse kultuurihuvilisena on tal olnud hea v\u00f5imalus j\u00e4lgida ning m\u00f5testada kultuuri kaudu toimivaid l\u00f5imumise protsesse. Gerli Aet Arras on EMTA kultuurikorralduse magistrant ning seoses oma t\u00f6\u00f6ga haridusvaldkonnas puutub igap\u00e4evaselt kokku nii vene kui eesti keelt k\u00f5nelevate noortega. Just muusikakooli kontekst on temas tekitanud huvi leida olukordi, kus kahel rahvusgrupil on v\u00f5imalik \u00fcletada barj\u00e4\u00e4re ja anal\u00fc\u00fcsida, kuidas sellised suhtlused tekivad.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/c391f26d-a083-4b38-ae09-a7e0b18dfc24?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n"},{"acf_fc_layout":"tekstikast","page_text":"<p data-start=\"67\" data-end=\"157\"><strong>Episode 3<\/strong><br \/>\nIn this episode, we explore networking as a career-building tool in the cultural sector.\u00a0<em data-start=\"159\" data-end=\"180\">Cultural Management<\/em> Master\u2019s students <strong data-start=\"199\" data-end=\"212\">Teele Utt<\/strong> and <strong data-start=\"217\" data-end=\"231\">Anni Leino<\/strong> host <strong data-start=\"237\" data-end=\"257\">Jaanika Lillemaa<\/strong>, former Head of International Projects at Music Estonia. With over a decade of experience managing high-level cultural projects, Jaanika has played a key role in promoting Estonian culture both at home and abroad. Her expertise comes from leading cultural initiatives at the French Institute in Estonia, the Permanent Representation of Estonia to the EU, the Estonian National Symphony Orchestra, and Music Estonia. Now, she has shifted her focus to education, developing international relations and supporting the export of Estonian education services at the Ministry of Education and Research.<\/p>\n<p data-start=\"857\" data-end=\"1142\">We discuss strategic networking, key career moments where connections matter, and how COVID has reshaped professional networks. Jaanika also shares advice for young cultural managers on building diverse networks and explores ways senior professionals can support the next generation.<\/p>\n<p data-start=\"1144\" data-end=\"1252\">Tune in to gain insights and discover programs that can help expand your network in the cultural field.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/71197fb1-91a6-4c22-b898-1bc4a41767f8?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"},{"acf_fc_layout":"lehepealkiri","page_title":"Season 1"},{"acf_fc_layout":"tekstikast","page_text":"<p><strong>Episode 18<br \/>\n<\/strong>In this our last English episode for spring 2021 we looked at successes and failures and specifically how failures are a resource that lead you towards maturity as an arts manager. Dan talks about how screw-ups never stop because we are always shooting for the stars but you get better at managing them \u2013 learning to fail better; Hannele talks about how the soft landing provided by your college and university can be so useful when you are a student so that you can take risks, experiment, fail and learn; and Dragos talks about the importance of the fear of failure as an ever present element that keeps you on your toes and performing to the right standard. He also mentions how important it is to exchange experiences with other professionals in cultural fields and that we are all in this together.<br \/>\nHosts are Michael Haagensen and Anna Ranczakowska.<br \/>\nGuests: Dan Renwick \u2013 street performer, arts manager, owner manager at Heldeke theatre club and bar, Hannele K\u00e4nd \u2013 events manager at Estonian Youth Theatre, Dragos Andrei Cantea \u2013 concert pianist, arts manager (based in Norway)<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/b7de201c-df3e-459f-a4a3-987d219076c0?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 17 <\/strong>(in Estonian)<br \/>\nKultuuriReflektori hooaja viimases eestikeelses saates vestlevad EMTA vilistlased ning saatejuhid Anna-Liisa Ingver ja Merli Antsmaa sellest, kuidas \u00fcldse hooaeg l\u00e4ks &#8211; lisaks inspireerivatele k\u00fclalistele leidus ka huvitavaid apsakaid. Mis olid teemad ja k\u00fclalised, mis enim k\u00f5netasid ja millest v\u00f5iks j\u00e4rgnevaid saateid teha, saate kuulata l\u00e4hemalt. Lisaks jagavad kolm k\u00fclalist &#8211; Raimo Matvere, Liisa Nurmela ja Hannele K\u00e4nd lugusid millestki, mis l\u00e4ksid veidi untsu, aga olid samas head \u00f5ppimiskohad.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/3dab3684-a550-4f2f-9108-f128b0f6cd34?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 16<br \/>\n<\/strong>In this episode we invite three guests from different fields of the arts to discuss the issue of the precarity of freelance artists in contemporary Estonia. Our guests, Airi Triisberg from the visual arts, Barbara Lehtna from theatre and Siim T\u00f5niste from the world of performance and dance, each have their own experience of this rather problematic issue. In addition to sharing their own experiences, they discuss whether this is an issue that artists should solve themselves, whether they should receive training to help them solve the problem as part of their creative degrees or whether the government should be the one to take the initiative through policies and regulations.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/c04cf42b-0d4d-4f17-9624-d7514baf47ef?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 15<\/strong> (in Estonian)<strong><br \/>\n<\/strong>T\u00e4nases saates keskendume sellisele ametile nagu produtsent. Kes on see kulissidetagune inimene, millised oskused tal olla v\u00f5iksid ning milliseid \u00fcllatusi amet toob? Mida t\u00e4hendab ideest aruandeni ja kuidas k\u00e4ib produtsendi vasaksirge? Kas produtsendiks s\u00fcnnitakse? Sellest k\u00f5igest r\u00e4\u00e4gime saates l\u00e4hemalt. Saatek\u00fclalisteks on etenduskunstide produtsent, korraldaja ja koreograaf Heili Lindepuu ning n\u00e4itleja, TEMUFI produtsent ja Ugala teatri korraldusjuht Silver Kaljula. Saadet juhib Eesti Muusika- ja Teatriakadeemia kultuurikorralduse vilistlane Merli Antsmaa.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/4e5435fe-cf4e-459d-8ceb-0a0fe7c03f4b?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 14<\/strong><br \/>\nIn this episode we ask the question is sustainability a dirty word. In part 1 our three guests talk about their work in what is fast becoming known as the \u2018sustainability industry\u2019 and in pt 2 they come together to discuss this increasingly urgent topic and share their quite different experiences. Oleg Koefoed is an action philosopher and academic based at Copenhagen University, and also the co-founder of Growing Pathways \u2013 working with a range of private and public organisations to help them map new directions that are both sustainable and renew their relationship with the natural world. Raimo Matvere is also an environmental entrepreneur and founder of Acento, an organisation that advises non-profits and municipal authorities on how best to minimise their carbon footprint and waste. Siim Preiman is a curator at Tallinn Art Hall. His exhibition projects (e.g. The Art of Being Good (2019), and the up-coming M\u00e4ndfullness (Sept, 2021)) tackle environmental issues at the personal and institutional level. The host of this episode \u201cSustainability is a dirty word\u201d is EAMT culture management alumni Michael Haagensen.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/0b002f12-8fcc-4dd2-b0bb-268258eabcd9?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 13<br \/>\n<\/strong>In our 13th episode, which we are proud to produce together with Satelliit, podcast of Estonian Business School, we welcome Dasha Karpilovich and Marge Sassi &#8211; lecturers and advocates of diversity in the workplace. Together we dive in the topic of diversity and cross-cultural communication in arts management. Listen to and learn what is and why we need cultural intelligence, how to raise the importance and awareness of the positive impact of diversity, who are cultural brokers and how to become one in your own organisation. Episode is led by EMTA Cultural Management MA alumni, lecturer and coordinator Anna Maria Ranczakowska. Marge Sassi is a lecturer and Ph.D. student at Estonian Business School. She also works for the European Commission as a lead expert for the Creative Europe grant scheme. Her current research interests cover: Measuring Societal Impact of Art Organizations, Strategic Management of Cultural and Creative Industries Organizations; and Using Flow Theory in Developing Leadership. Dasha Karpilovich is a visiting lecturer at EBS. She has 5+ years of experience in the communications field, three of which as Head of Marketing for Baltic countries at Huawei. She has lived in several cultures including Belarus (home country), China, Australia and, currently, Estonia. Check out Satelliit: <a href=\"https:\/\/ebs.ee\/ebs-podcast\" target=\"_blank\" rel=\"noopener\">https:\/\/ebs.ee\/ebs-podcast<\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/a29d291d-c8c3-44e8-b6f2-740fbf28bab4?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 12<\/strong> (in Estonian)<strong><br \/>\n<\/strong>R\u00e4\u00e4gime v\u00e4ga olulisest vaimsest tervisest. Mis see on ja miks on see oluline? K\u00fclas on <a href=\"https:\/\/peaasi.ee\/\" target=\"_blank\" rel=\"noopener\">Peaasi.ee<\/a> vaimse tervise n\u00f5ustaja ja koolitaja Minna Sild, kes annab ka v\u00e4ga praktilisi n\u00f5uandeid ja harjutusi, millele m\u00f5elda, kui stressirohke olukord \u00fcle pea kipub minema. Samuti vastame kultuurikorraldajate saadetud k\u00fcsimustele vaimsest tervisest. Saadet juhib Eesti Muusika ja Teatriakadeemia vilistlane Merli Antsmaa.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/7076ace8-c86e-4c66-9d04-802258b3b923?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 11\u00a0<\/strong>(in Estonian)<br \/>\nSeekordses taskuh\u00e4\u00e4lingus m\u00f5tiskleme erasektori ja kultuuri koost\u00f6\u00f6 \u00fcle koos Arvo P\u00e4rdi keskuse juhataja Anu Kivilo ja Temnikova &amp; Kasela galerii juhataja Olga Temnikovaga. Mis peitub s\u00f5napaari \u201ckultuuri investeerimine\u201d taga, kas meie \u00fchiskonnas saab r\u00e4\u00e4kida \u00fcldse erasektori tasandil kultuuri investeerimisest ja kust otsast alustada, et erasektori kaasata. Milline n\u00e4eb v\u00e4lja produktiivne suhe kultuuri ja investori vahel? Kust saab alguse kultuuri armastus ja mis on m\u00e4\u00e4rav, et kaasata erasektori kultuuri. Saadet juhib EMTA vilistlane Anna-Liisa Ingver<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/387c2b3c-8eb6-4e0e-a975-a816a3e0914f?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 10<\/strong> (in Estonian)<strong><br \/>\n<\/strong>Kas kultuur v\u00f5ib veel kriisist v\u00f5itjana v\u00e4ljuda? Vestleme digitaliseerimisest ja rohep\u00f6\u00f6rdest ning muustki, mis kultuurivaldkonnal praegusest ajast v\u00f5tta ja \u00f5ppida on.<\/p>\n<p>Taskuh\u00e4\u00e4lingu k\u00fclalisteks on Kultuuriministeeriumi kunstide asekantsler Taaniel Raudsepp ja loomeettev\u00f5tja Helen Sildna, kes on ettev\u00f5tte Shiftworks omanik, festivalide Tallinn Music Week ja Station Narva asutaja ning Music Estonia juhatuse liige. Saatejuht on Eesti Muusika ja Teatriakadeemia vilistlane Merli Antsmaa.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/31e2d497-9ad7-4d52-b378-e54dd257c569?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 9 <\/strong>(in Estonian)<br \/>\nOhutu s\u00fcndmuse kontseptsioon on viimase aja valguses saanud t\u00e4iesti uudse l\u00e4henemise. S\u00fcndmus vajab lisaks heale sisule ka ohutut ja mugavat keskkonda. Millest oleneb ohutu s\u00fcndmuse kontseptsioon, mida selleks on vaja ja kuidas on see praegusele ajale vastavalt muutunud? Luubi all on ka publik ja see, kas ja kuidas publik olukorda tajub. Arutleme, m\u00f5tiskleme ja uurime seda koos EMTA vilistlase Liisa Nurmelaga, ERSO direktori Kristjan Halliku ja turvafirma Meeskonnast Andre Edinguga. Saadet juhib EMTA vilistlane, Anna-Liisa Ingver.<\/p>\n<p>Liisa Nurmela on EMTA vilistlane ja kirjutas oma magistrit\u00f6\u00f6: \u201cK\u00fclastajate turvatunde tajumine festivali keskkonnas\u201d. Kuid p\u00f5hit\u00f6\u00f6na p\u00f6\u00f6rleb Liisa filmimaailmas, olles \u00e4sja naasnud G\u00f6teburgi filmifestivali juurest eestisse. Kristjan Hallik on Eesti Riikliku S\u00fcmfooniaorkestri direktor, aga ka P\u00e4rnu Muusikafestivali juht ja lisaks Helioru kontserdimaja ehituse \u00fcks eestvedajaid. Andre Eding on turvafirma Meeskond liige.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/05b27e40-18a3-4581-93b5-031f271073c3?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 8<br \/>\n<\/strong>&#8220;Mentor is a person who by stepping into process of explorations facilitates the journey of the mentee to become a better thinker of their own professional career.&#8221;<\/p>\n<p>EAMT cultural management alumni Anna Ranczakowska talks with Visnja Kisic from Creative Mentorship, NGO from Belgrade, Serbia, and Virgo Sillamaa former CEO of Music Estonia, exploring their experiences as mentors, mentees or mentoring facilitators, give us a great advice how to become a great mentor and how to invest your experience and competences into development of others, but how to do it without investing too much of own emotions.<\/p>\n<p>Our guests: Visnja Kisic &#8211; practitioner, educator, researcher and activist in the field of heritage, cultural policy and cultural management. Formally engaged in academia teaching in cultural management and policy programs at universities in Novi Sad and Belgrade, as well as Lyon, Casablanca and Beijing. Fan of diverse methods and relations in knowledge sharing and there comes the passion for mentorship. Co-founder of Creative Mentorship program from Serbia.<\/p>\n<p>Virgo Sillamaa &#8211; Virgo has worn many hats in the music sector over the past 20 years. Most importantly being a freelance professional musician for 13 years (until 2016), putting a lot of energy into developing music education in Estonia (including writing a music theory handbook in 2015) and building up and managing Music Estonia between 2014-20. Currently coordinating the European Music Exporters Exchange (EMEE) network out of Brussels, guest lecturing on a range of topics, from music policy to career development.<\/p>\n<p>In this episode we also talk about the new Strategic Partnership Project of EAMT Cultural Management MA Program &#8211; REMAM, aiming to (re) define mentoring in the arts management. For more information related to the project, please visit remam.eu.<strong><br \/>\n<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/6c756a0b-e166-4f83-959a-5f219e5c3c11?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 7<br \/>\n<\/strong>In this episode of KultuuriReflektor we talk to art historian and curator Bart Pushaw and arts manager and curator Keiu Krikmann about their recent exhibition projects and how they have found collaborating in countries away from home. Bart Pushaw is the curator of a project room called Rendering Race as part of the new permanent exhibition Landscapes of Identity: Estonian Art 1700\u20131945 at KUMU. This is the third time Bart has worked with KUMU and he talks about how he ended up working in the Baltic states and what it has been like collaborating with the team at KUMU. Keiu Krikmann recently curated an exhibition called Excess and Refusal: Towards Imaginative Opulence at Kim? contemporary art space in Riga. This is the first time Keiu has worked with an institution outside Estonia, and she talks about that experience but also about what led her to arts management in the first place. I also ask her about being part of the team organising the 8th Tallinn Applied Art Triennial, which will open this spring at Kai Art Center. This episode \u201cThe magic of collaborating in the arts\u201d host is EAMT culture management alumni Michael Haagensen.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/e249e4f0-0721-4ab0-ace2-a5db659c602d?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 6<\/strong> (in Estonian)<br \/>\nKlassikalise muusika s\u00fcndmusi ja festivale korraldatakse palju, oluline on aga tegeleda nii olemasoleva kui ka uue publikuga. On selleks eriprojektid, koost\u00f6\u00f6d, koolik\u00fclastused v\u00f5i hoopis turunduslik l\u00e4henemine &#8211; siin on klassikalisel muusikal h\u00e4id n\u00e4pun\u00e4iteid teistele, aga ka p\u00f5nevaid \u00f5ppimiskohti endalgi. Taskuh\u00e4\u00e4lingu k\u00fclalisteks on Eesti Kontserdi peaprodutsent Maarit Kangron ja P\u00e4rnu Linnaorkestri produtsent Andres T\u00f6lp. Saadet juhib EMTA vilistlane Merli Antsmaa.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/9a607f0b-c755-4f24-a58b-1735b4458957?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 5 <\/strong>(in Estonian)<strong><br \/>\n<\/strong>Seekordses KultuuriReflektoris arutleme koost\u00f6\u00f6 \u00fcle. Millised on koost\u00f6\u00f6 pidurid ja vedurid? Kas konkurents on p\u00e4rssiv v\u00f5i edasiviiv j\u00f5ud? Kuidas koost\u00f6\u00f6 aitab kaasa publiku hoidmisele? Juurdleme, kuidas tulla kriisist v\u00e4lja v\u00f5itjatena ja ehk on COVID andnud meile ka eeliseid? M\u00f5tiskleme koost\u00f6\u00f6 \u00fcle nii \u00fcksikisikute ja organisatsiooni tasemel, kui ka sektorip\u00f5hiselt ja valdkonna\u00fcleselt.<\/p>\n<p>Saatek\u00fclalisteks on Priit Mikk, kes on Euroopa kultuuripealinn Tartu 2024 juht ja EMTA kultuurikorralduse vilistlane, ning Ave T\u00f6lpt, kes on varasem Eesti Jazzliidu tegevjuht ning praegune Music Estonia juht. Saadet juhib EMTA kultuurikorralduse vilistlane Anna-Liisa Ingver.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/c029311c-ed0f-4f41-be8c-f5b1bb21e3d8?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 4<br \/>\n<\/strong>In this rip-roaring episode of KultuuriReflektor we talk to Hannele K\u00e4nd, Chief Operations Officer at Noorsooteater, and Dan Renwick (aka Dan le Man) performer, manager of Heldeke theatre club and organiser of Tadaa Festival and the Tallinn Fringe Festival.<\/p>\n<p>Hannele and Dan talk about how they ended up doing what they do and what their thoughts are on programming local versus international acts. We also explore the idea that the performing arts and visual theatre could learn a lot from street theatre in the new conditions forced upon us by the COVID crisis. Hear about how the future is like the wild wild west and whether traditional theatre post-COVID is in danger of becoming more expensive and more elitist. Host of the podcast is EAMT alumni Michael Haagensen.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/575cb252-194e-4a14-af51-09014967d4fa?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 3<\/strong> (in Estonian)<br \/>\n2020. aastal toimus kultuurivaldkonna enda Siili\u00f5ppus, kuid p\u00e4riselt ning kohati valusate \u00f5ppetundidega. Paljud muutused ja muudatused, mis organiseerimisel ning kultuuri kaugemale viimisel on n\u00fc\u00fcd tavap\u00e4rane (h\u00fcbriids\u00fcndmused, videosalvestused etendustest ja kontsertidest, videotuurid), tegid ootamatu tiigrih\u00fcppe just pandeemia t\u00f5ttu. Kui seda poleks juhtunud, oleksid muutused n\u00f5udnud rohkem aega ja poleks tekkinud ka nii tugevat survet ja vajadust nende j\u00e4rele. Vaatame, millised on olnud v\u00e4ljakutsed, aga ka v\u00e4\u00e4rtuslikud \u00f5ppimiskohad. K\u00f5ik uus ei olegi halb. Podcasti lindistasime jaanuaris, kui 2021. aasta m\u00e4rtsikuu kultuuri kinnipanek ei olnud veel laual, kuid oleme taas situatsioonis, kus kultuurisektor on kinni ning lapsed koolist kaug\u00f5ppel.<\/p>\n<p>KultuuriReflektori kolmanda podcasti k\u00fclalised on Eesti noorsooteatri juht Joonas Tartu ja produtsent, P\u00d6FF Shortsi juht ja Eesti muusika- ja teatriakadeemia kultuurikorralduse vilistlane Grete Nellis. Podcasti saatejuht on EMTA vilistlane Merli Antsmaa.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/c210520f-f0d1-4bb4-a490-c59923ea90c1?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 2<\/strong> (in Estonian)<strong><br \/>\n<\/strong>Eesti Muusika- ja Teatriakadeemias toimus interaktiivne t\u00f6\u00f6tuba &#8220;Dynamic virtual spaces&#8221; ehk t\u00f6\u00f6tuba sellest, kuidas enda virtuaalseid s\u00fcndmusi p\u00f5nevamaks muuta. Selle l\u00e4biviija Anton Nielsen Bjergi s\u00f5nul vajab d\u00fcnaamiline ja meelelahutuslik virtuaalne ruum palju rohkemat kui \u00f5iget tehnilist taipu. Parimad online s\u00fcndmused on hea kombinatsioon tugevast sisust, tehnilisest lahendusest ja l\u00e4bim\u00f5eldud disainist. Podcastis vestleme Eesti Muusika- ja Teatriakadeemia v\u00e4lissuhete koordinaatori Hanneleen Pihlak ja laulja-muusik Maria Volmeriga, kes sellest t\u00f6\u00f6toast osa v\u00f5tsid.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/f666c7b4-7f17-4af0-b615-48f6952e5f83?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n<hr \/>\n<p><strong>Episode 1<\/strong><br \/>\nListen how different organizations deal with new uncertainties in the discussion we arranged within the framework of the Black Nights Film Festival in the topic of \u201cManaging new uncertainties in the field of arts and culture\u201d.<\/p>\n<p>Guests:<br \/>\nTiina Lokk is the head of the A-class Black Nights Film Festival in Estonia.<br \/>\nJoonas Tartu is the director of Estonian Theatre for Young Audiences.<br \/>\nAimee Chow is an Associate Director at Intermusica, based in Berlin.<br \/>\nGrete Nellis is an Estonian producer and Estonian Academy of Music and Theatre alumni member, working within the performing arts field.<\/p>\n<p>Moderator is Kristina Kuznetsova-Bogdanovits, EAMT Cultural Management MA graduate, EAMT lecturer and Sibelius Academy PhD student in Arts Management.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.simplecast.com\/0e2db8f5-2544-44fb-b212-8b5dc5a59522?dark=false\" width=\"100%\" height=\"200px\" frameborder=\"no\" scrolling=\"no\" seamless=\"\"><\/iframe><\/p>\n"}],"side_title":"","side_info":"","add_people":false,"add_news":false,"add_events":false,"is_drama_page":false,"is_cppm_page":false,"is_hidden":false,"show_in_sub_menu":false,"dont_show_img":false,"mobile_show_side":false,"side_links_title":"","dont_show_auto_gen":false,"side_links":false,"is_hidden_submenu":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Podcast | Estonian Academy of Music and Theatre<\/title>\n<meta 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