{"id":4732,"date":"2020-08-18T06:58:55","date_gmt":"2020-08-18T03:58:55","guid":{"rendered":"https:\/\/eamt.ee\/departments\/doctoral-studies\/valmivad-doktoritood\/"},"modified":"2025-11-09T20:57:15","modified_gmt":"2025-11-09T18:57:15","slug":"theses-in-progress","status":"publish","type":"page","link":"https:\/\/eamt.ee\/en\/departments\/doctoral-studies\/theses-in-progress\/","title":{"rendered":"Theses in Progress"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":4462,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4732","page","type-page","status-publish","hentry"],"acf":{"post_image":false,"page_content":[{"acf_fc_layout":"list","list_style":"colours","list_type":"two","left_width":"35","right_width":"65","list_title":"","list_title_left":"Name, Study Programme","list_title_right":"Title","list":[{"text":"","left":"

Marcelo Chacur Politano<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Contrasting landscapes: rhythmical dissociation as a tool in textural music composition<\/p>\n"},{"text":"","left":"

Tuuri Dede<\/strong>
\nMusic and Dramatic Art (Voice)<\/p>\n","right":"

Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod
\n(Shaping text performance in solo vocal music as a singer’s vocal technical method)<\/p>\n"},{"text":"","left":"

Anna-Liisa Eller<\/strong>
\nMusic and Dramatic Art (Estonian Kannel)<\/p>\n","right":"

Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel<\/p>\n"},{"text":"","left":"

Fortunato Salvador Garc\u00eda Piquer<\/strong>
\nMusic and Dramatic Art (Piano)<\/p>\n","right":"

Deepening Scriabin’s Interpretation: Performance Strategies on Expressing Desire in a Selection of Middle-Period Piano Works<\/p>\n"},{"text":"","left":"

Svetlana Grigorjeva<\/strong>
\nMusic and Dramatic Art\u00a0 (Theatre)<\/p>\n","right":"

N\u00fc\u00fcdistantsu poliitilisus: soolistatud ja klassistatud keha(de) ja kehalisuse performatiivsus 21. sajandil<\/div>\n
(The Political Potential of Contemporary Dance: Gendered and Classed Corporeality and its Performativity in the 21st Century)<\/div>\n"},{"text":"","left":"

Sten Heinoja<\/strong>
\nMusic and Dramatic Art (Piano)<\/p>\n","right":"

Pianisti m\u00e4nguv\u00f5tetest Mart Saare klaveriprel\u00fc\u00fcdide faktuuri v\u00e4ljakujundamisel
\n(Features of piano technique in modernist aesthetics. An approach to musical texture in piano preludes by Mart Saar)<\/p>\n"},{"text":"","left":"

Javier C\u00e1rcel Hidalgo-Saavedra <\/strong>
\nMusic and Dramatic Art (Theatre)<\/p>\n","right":"

HIC SUNT LEONES. Researching a practical methodology for devising fluid modes of being in contemporary performance through the Poetics of Unknowing and Co-authorship<\/p>\n"},{"text":"","left":"

Otto Iivari\u00a0<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Moving sound: A Choreographic Approach to Spatial Electroacoustic Composition<\/p>\n"},{"text":"","left":"

Do\u011fa\u00e7 \u0130\u015fbilen<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Acoustic Ecology: Creating Environmental Harmonies<\/p>\n"},{"text":"","left":"

Jaanika Juhanson<\/strong>
\nMusic and Dramatic Art (Theatre)<\/p>\n","right":"

Ligip\u00e4\u00e4setava ja kaasava lavastamise ja lavastusmudeli loomine koost\u00f6\u00f6s puuetega inimeste kogukondadega
\n(Creating an accessible and inclusive staging and production model in partnership with disabled communities)<\/p>\n"},{"text":"","left":"

Veeda Kala<\/strong>
\nMusicology<\/p>\n","right":"

Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul
\n(Methods used to achieve text intelligibility in classical singing and their effectiveness assessed by musically trained and untrained listeners)<\/p>\n"},{"text":"","left":"

Kristjan Kannukene <\/strong>
\nMusic and Dramatic Art (Improvisation \/ viola)<\/p>\n","right":"

Vioola ja h\u00e4\u00e4le s\u00fcmbioos<\/p>\n"},{"text":"","left":"

Tatjana Kozlova-Johannes<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Loominguline protsess kolme erineva ps\u00fchholoogilise t\u00fc\u00fcbiga helilooja teose n\u00e4itel
\n(Creative Process, illustrated by work of three composers with different psychological types)<\/p>\n"},{"text":"","left":"

Carolin Kraj\u0148\u00e1k <\/strong>
\nMusicology<\/p>\n","right":"

1944. aastal l\u00e4\u00e4nde p\u00f5genenud eesti professionaalsete naispianistide erialasest tegevusest eksiilis<\/p>\n"},{"text":"","left":"

Vambola Krigul
\n<\/strong>Music and Dramatic Art (Percussions)
\n<\/strong><\/p>\n","right":"

Practical percussion: are we up-do-date?<\/p>\n"},{"text":"","left":"

Alisson Kruusmaa<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Helilooja t\u00f6\u00f6meetoditest koost\u00f6\u00f6s koreograafiga balleti loomisel
\n(Composer\u2019s Working Methods in Collaboration with the Choreographer in Creating Ballet)<\/p>\n"},{"text":"","left":"

Maila Laidna <\/strong>
\nMusic and Dramatic Art (Chamber Music)<\/p>\n","right":"

Analysis of piano duo Anna Klas-Bruno Lukk performance style<\/p>\n"},{"text":"","left":"

Riho Esko Maimets <\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Prayer and music: the synthesizing of temporality and atemporality in Composition<\/p>\n"},{"text":"","left":"

Peeter Margus<\/strong>
\nViolin<\/p>\n","right":"

Rahvamuusika interpreteerimine kunstmuusikas George Enescu, Fazil Say ja Eduard Tubina teoste viiulile ja klaverile n\u00e4itel
\n(Interpretation of Folk Music in Classical Music Based on the Works by George Enescu, Fazil Say and Eduard Tubin for Violin and Piano)<\/p>\n"},{"text":"","left":"

Andres Alexander Metspalu <\/strong>
\nMusic and Dramatic Art (Cello)<\/p>\n","right":"

Eesti heliloojate teosed soolot\u0161ellole: \u017eanrid ja pillik\u00e4sitlus<\/p>\n"},{"text":"","left":"

Kadri Noormets<\/strong>
\nMusic and Dramatic Art (Theatre)<\/p>\n","right":"

Koos-komponeeritud elul\u00e4hedane teater
\n(Co-composed life size theatre)<\/p>\n"},{"text":"","left":"

Momir Novakovi\u0107
\n<\/strong>Music and Dramatic Art (Accordion)<\/p>\n

\u00a0<\/strong><\/p>\n","right":"

An Accordionist\u2019s Approach to Techniques, Sound and Articulation in Selected Keyboard Instruments\u2019 Repertoire<\/p>\n"},{"text":"","left":"

Tiit Ojasoo<\/strong>
\nMusic and Dramatic Art (Theatre)<\/p>\n","right":"

Applying psychophysical gestures to enrich the artistic fabric of a production in the context of the European city theatre system<\/p>\n"},{"text":"","left":"

Ene Oltre <\/strong>
\nMusicology<\/p>\n","right":"

Basics in the music theory teaching for beginners in music schools of Estonia<\/p>\n"},{"text":"","left":"

Toms Ostrovskis<\/strong>
\nMusic and Dramatic Art (Accompaniment Studies)<\/p>\n","right":"

Issues of Song Cycle Preparation from a Collaborative Pianist’s Perspective as Revealed Through Preparation of Sir Stephen Hough\u2019s Song Cycle \u201cSongs of Love and Loss\u201d<\/p>\n"},{"text":"","left":"

Valle-Rasmus Roots<\/strong>
\nMusic and Dramatic Art (Conducting)<\/p>\n","right":"

Dirigendi strateegiad r\u00fctmiliselt keerukate teoste esituseks valmistudes: Lepo Sumera teine s\u00fcmfoonia
\n(Conductors strategies in preparing for the performance of rhytmically complex works: Lepo Sumera’s Second Symphony)<\/p>\n"},{"text":"","left":"

Ksenia Rossar<\/strong>
\nMusic and Dramatic Art (Chamber Music)<\/p>\n","right":"

The behaviour of the soprano voice in a partnership with different\u00a0 instruments in the context of a chamber music duet<\/p>\n"},{"text":"","left":"

Francesco Pio Russo<\/strong>
\nMusic and Dramatic Art (Bassoon)<\/p>\n","right":"

Dynamic Role-Shifting in Free Improvisation: Exploring the Bassoon in Ensemble Performances<\/p>\n"},{"text":"","left":"

Inna R\u00fc\u00fc<\/strong>
\nMusicology<\/p>\n","right":"

Singing repertoire in elementary school from the perspective of children voice range profiles<\/p>\n"},{"text":"","left":"

Karl Saks<\/strong>
\nMusic and Dramatic Art (Theatre)<\/p>\n","right":"

Auditory and visual theatre from the point of view of cognitive and ecological perception<\/p>\n"},{"text":"","left":"

Tiiu Sisask<\/strong>
\nMusic and Dramatic Art (Chamber Music)<\/p>\n","right":"

Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works<\/p>\n"},{"text":"","left":"

Mantas \u0160ernius<\/strong>
\nMusic and Dramatic Art (Piano)<\/p>\n","right":"

Interpretational strategies concerning the performing of solo piano music by Stasys Vaini\u016bnas<\/p>\n"},{"text":"","left":"

Elo Tepp<\/strong>
\nMusic and Dramatic Art (Violin)<\/p>\n","right":"

Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance<\/p>\n"},{"text":"","left":"

Maarja Tyler<\/strong>
\nMusicology<\/p>\n","right":"

Soviet Estonian Music in the 1960s: Adoption of Modernism in Arvo P\u00e4rt\u2019s Creative Journey?<\/p>\n"},{"text":"","left":"

Ekke V\u00e4strik<\/strong>
\nMusic and Dramatic Art (Composition)<\/p>\n","right":"

Teosespetsiifilise noodikirja arendamine kui kompositsioonimeetod elektroonilise muusika ettekandmiseks kontserdil
\n(Developing piece specific score as compositional technique for live performance, in the context of electronic music)<\/p>\n"}],"table":{"use_header":true,"header":[{"c":"NIMI "},{"c":"ERIALA"},{"c":"V\u00c4ITEKIRJA TEEMA"}],"caption":false,"body":[[{"c":"Erik Alalooga"},{"c":"Teatrikunst"},{"c":"Tehnoloogia siser\u00fctmide ning\nlavalise tegevuse\ns\u00fcnkroniseerimisprintsiipide\nv\u00e4ljat\u00f6\u00f6tamine ja rakendamine\npostdramaatilise teatri\nkontekstis"}],[{"c":"Giovanni Albini "},{"c":"Helilooming"},{"c":"Transfiguring traditional\nmusic materials. A\nmathematically informed\napproach to composition"}],[{"c":"Kristiina Are"},{"c":"Klavessiin"},{"c":"D\u00fcnaamika kujundamise\nv\u00f5imalused basso continuo\npartii realisatsioonis"}],[{"c":"Anna-Liisa Eller"},{"c":"Kannel"},{"c":"17.\n-18. sajandi\ninstrumentaalmuusika\nseadmisest eesti kromaatilisele\nkandlele"}],[{"c":"Tze Yeung Ho"},{"c":"Helilooming"},{"c":"A polyglot composing:\nexploring compositional\npractice utilizing multilingual\ntexts"}],[{"c":"Piret Jaaks "},{"c":"Teatrikunst"},{"c":"Kogukondlikud\nkaasamispraktikad\ndramaturgias"}],[{"c":"Hanna Junti"},{"c":"Teatrikunst"},{"c":"Liikumine kui loominguline\nagent. Uurimus\nps\u00fchhof\u00fc\u00fcsiliste\nllikumistehnikate\nrakendamisest liikumisjuhi\nt\u00f6\u00f6s"}],[{"c":"Svetlana J\u00f5gi"},{"c":"Muusikateadus "},{"c":"\u041e \u043d\u0435\u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u0430\u0441\u043f\u0435\u043a\u0442\u0430\u0445\n\u0444\u043e\u0440\u0442\u0435\u043f\u0438\u0430\u043d\u043d\u043e\u0433\u043e \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f\n\u0438 \u0432\u044b\u0431\u043e\u0440\u0430 \u0440\u0435\u043f\u0435\u0440\u0442\u0443\u0440\u0430 \u043d\u0430\n\u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u0434\u0435\u044f\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438\n\u0444\u043e\u0440\u0442\u0435\u043f\u0438\u0430\u043d\u043d\u043e\u0433\u043e \u043e\u0442\u0434\u0435\u043b\u0435\u043d\u0438\u044f\n\u0422\u0430\u043b\u043b\u0438\u043d\u043d\u0441\u043a\u043e\u0439 \u0434\u0435\u0442\u0441\u043a\u043e\u0439\n\u043c\u0443\u0437\u044b\u043a\u0430\u043b\u044c\u043d\u043e\u0439 \u0448\u043a\u043e\u043b\u044b 1970\n-\n\u044b\u0445 \u0433\u043e\u0434\u043e\u0432"}],[{"c":"Kirke Karja "},{"c":"Jazz "},{"c":"Django Bates\u00b4i\nkompositsioonitehnikad l\u00e4bi\ngeneratiivse teooria\nanal\u00fc\u00fcsimudeli"}],[{"c":"Saale Konsap "},{"c":"Muusikateadus "},{"c":"Teleoloogiliste vormide\nretoorilised teekonnad\nmuusikas"}],[{"c":"Maila Laidna "},{"c":"Kammeransambel "},{"c":"Klaveriduo Anna Klas\n-Bruno\nLukk esituste anal\u00fc\u00fcs"}],[{"c":"Ilana Lode "},{"c":"Klaver"},{"c":"Towards creating on\ninterpretation : an\ninvestigation of the learning\nprocess\nand technical solutions\nplaying techniques of Unsuk\nChin Piano Concerto"}],[{"c":"Riho Esko Maimets "},{"c":"Kompositsioon"},{"c":"The use of traditional\nharmonic elements in the\ncreation of new music"}],[{"c":"Maarja Mitt-Pichen"},{"c":"Teatrikunst"},{"c":"Ruum kui n\u00e4itleja\nps\u00fchhotehniline vahend"}],[{"c":"Ene Oltre "},{"c":"Muusikateadus "},{"c":"Muusikateooria \u00f5petuse alused\nEesti muusikakoolide\nalgastmes"}],[{"c":"Johan Randvere"},{"c":"Klaver"},{"c":"Pianisti t\u00f6\u00f6protsess Jaan\nR\u00e4\u00e4tsa klaveriteoste vormi\nkujundamisel"}],[{"c":"Ksenia Rossar"},{"c":"Kammeransambel"},{"c":"The use of human voice in\ncontemporary vocal chamber\nmusic: a practical\ninvestigation with examples\nbased on Kaija Saariaho\u00b4s\nvocal cycle \u201eQuatre instants\u201c"}],[{"c":"Inna R\u00fc\u00fc "},{"c":"Muusikateadus "},{"c":"Algklasside muusikatunni\nlaulurepertuaar laste\nh\u00e4\u00e4leulatuse profiili\nvaatepunktist"}],[{"c":"Mai Simson "},{"c":"Kooridirigeerimine"},{"c":"Rudolf Tobiase oratoorium\n\u201cJona\u201d (\"Joonas\"):\noriginaalk\u00e4sikirja\nt\u00f5lgendamisest"}],[{"c":"Tiiu Sisask"},{"c":"Kammeransambel"},{"c":"Klaveriduo spetsiifikast 20. ja 21.\nsajandi teoste n\u00e4itel"}],[{"c":"Mari-Katrina Suss "},{"c":"Kammeransambel "},{"c":"K\u00f5lalisi probleeme P\u0113teris\nVasksi keelpillikvartettide\ninterpreteerimisel"}],[{"c":"Anneli Tohver"},{"c":"Kammeransambel "},{"c":"Balletipianisti ja\nballetiartistide ansamblilise\ntegevuse erip\u00e4rast"}],[{"c":"Juhan-Henrik Uppin "},{"c":"P\u00e4rimusmuusika"},{"c":"Teppo\n-t\u00fc\u00fcpi l\u00f5\u00f5tspilli\ntraditsioonilise m\u00e4ngustiili\nanal\u00fc\u00fcs ja m\u00f5ju Eesti uuema\ninstrumentaalse \np\u00e4rimusmuusika esteetikale"}]]}}],"is_not_a_page":false,"side_title":"","side_info":"","add_people":false,"add_news":false,"add_events":false,"is_drama_page":false,"is_cppm_page":false,"show_in_sub_menu":false,"is_hidden":false,"dont_show_img":false,"mobile_show_side":false,"side_links_title":"","side_links":false,"dont_show_auto_gen":false,"is_hidden_submenu":false},"yoast_head":"\nTheses in Progress | Estonian Academy of Music and Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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