{"id":4900,"date":"2020-08-18T06:59:10","date_gmt":"2020-08-18T03:59:10","guid":{"rendered":"https:\/\/eamt.ee\/departments\/doctoral-studies\/kaitstud-doktoritood\/"},"modified":"2025-11-09T21:00:57","modified_gmt":"2025-11-09T19:00:57","slug":"defended-theses","status":"publish","type":"page","link":"https:\/\/eamt.ee\/en\/departments\/doctoral-studies\/defended-theses\/","title":{"rendered":"Defended Theses"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":4462,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4900","page","type-page","status-publish","hentry"],"acf":{"post_image":false,"page_content":[{"acf_fc_layout":"list","list_style":"colours","list_type":"two","left_width":"35","right_width":"65","list_title":"","list_title_left":"Name, curriculum, date, supervisors","list_title_right":"Title","list":[{"text":"","left":"

Kristel Pappel <\/strong><\/a>
\nMuusikateadus
\n26.01.2004
\nSupervisor: Urve Lippus<\/p>\n","right":"

Ooper Tallinnas 19. sajandil
\n(Opera in Tallinn in the 19th Century)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kerri Kotta<\/strong><\/a>
\nMuusikateadus
\n12.04.2004
\nSupervisor: Mart Humal<\/p>\n","right":"

Dmitri \u0160ostakovit\u0161i tonaalstruktuurist’
\n(Studies of Tonal Structure in the Music of Dmitri Shostakovich)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mart Siimer<\/strong><\/a>
\nKompositsioon
\n01.11.2004
\nSupervisor: Jaan Ross
\nCo-supervisors: Eino Tamberg, Helena Tulve<\/p>\n","right":"

Harmoonia stratifikatsioon Olivier Messiaeni orelipalas “Le banquet c\u00e9leste”
\n(Stratification of Harmony in Olivier Messiaen’s “Le banquet c\u00e9leste”)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Henry-David Varema<\/strong><\/a>
\nInterpretatsioon (t\u0161ello)
\n15.11.2005
\nSupervisor: Peeter Paemurru
\nCo-supervisor: Urve Lippus<\/p>\n","right":"

T\u0161ellom\u00e4ngutehnika areng 19. sajandi tuntumate interpreetide heliteoste ja pedagoogiliste v\u00e4ljaannete p\u00f5hjal
\n(The Development of Cello-playing Technique During the 19th Century Based on Compositions and Pedagogical Publications of Distinguished Performers of the Era)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Tarmo Johannes<\/strong><\/a>
\nInterpretatsioon (fl\u00f6\u00f6t)
\n15.11.2005
\nSupervisor: Margus P\u00e4rtlas
\nCo-supervisors: Raivo Pe\u00e4ske, I.Sneibis<\/p>\n","right":"

Anal\u00fc\u00fcsi m\u00f5ju n\u00fc\u00fcdismuusika esitusele: Bruno Maderna, Franco Donatoni ja Salvatore Sciarrino muusika n\u00e4itel
\n(Influence of Analysis to the Contemporary Music: on the Examples of Music by Bruno Maderna, Franco Donatoni and Salvatore Sciarrino)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Margo K\u00f5lar<\/strong><\/a>
\nKompositsioon
\n10.01.2006
\nSupervisor: Urve Lippus
\nCo-supervisor: Eino Tamberg<\/p>\n","right":"

Elektroakustiline kontsertmuusika Eestis: olulisemad vahendid, printsiibid ja tehnikad
\n(Electro-Acoustics Concert Music in Estonia: Basic Principles, Equipment, and Techniques)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Ivo Lille<\/strong>
\nInterpretatsioon (saksofon)
\n16.06.2006
\nSupervisor: Margus P\u00e4rtlas<\/p>\n","right":"

Akadeemilise saksofonim\u00e4ngu ja -repertuaari kujunemine Eestis aastani 1980
\n(The Formation of Classical Saxophone Playing and Repertory in Estonia until 1980)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Peeter Saan<\/strong>
\nInterpretatsioon
\n(puhkpilliorkestri dirigeerimine)
\n19.12.2006
\nSupervisor: Olavi Kasemaa, H.Walter
\nCo-supervisor: J\u00fcri Alperten<\/p>\n","right":"

Eesti s\u00f5jav\u00e4eorkestrid 1918\u20131940
\n(Estonian Military Orchestras: 1918\u20131940)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kai Ratassepp<\/strong><\/a>
\nInterpretatsioon (klaver)
\n05.06.2007
\nSupervisor: Kristel Pappel
\nCo-supervisor: Peep Lassmann<\/p>\n","right":"

Ansamblim\u00e4ngu probleemid kahe klaveri muusikas: Chopin, Schumann, Liszt
\n(Issues of Ensemble in Two-Piano Music: Chopin, Schumann, Liszt)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mirjam Kerem<\/strong><\/a>
\nMuusika (viiul)
\n05.06.2007
\nSupervisor: Kristel Pappel<\/p>\n","right":"

Carl Fleschi vaated viiulim\u00e4ngu s\u00f5rmestusk\u00fcsimustele, nende aktuaalsus ja rakendamine t\u00e4nap\u00e4eva viiulikunstis
\n(Carl Flesch’s Views on Fingering Issues and their Relevance and Possible Application in Contemporary Violin Playing)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Allan Vurma<\/strong><\/a>
\nMuusikateadus
\n12.11.2007
\nSupervisor: Jaan Ross<\/p>\n","right":"

Voice Quality and Pitch in Singing: Some aspects of Perception and Production
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Janika Oras<\/strong><\/a>
\nMuusikateadus
\n12.05.2008
\nSupervisor: Urve Lippus<\/p>\n","right":"

Viie 20. sajandi naise regilaulumaailm. Arhiivitekstid, kogemused ja m\u00e4lestused
\n(The Regilaul World of Five 20th Century Women: Archival Texts, Experiences and Memories)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Niina Murdvee<\/strong><\/a>
\nMuusika (viiul)
\n11.06.2008
\nSupervisor: Mart Humal<\/p>\n","right":"

Muusikalised v\u00e4ljendusvahendid ja viiulik\u00e4sitlus Heino Elleri viiuliloomingus
\n(The Means of Musical Expression and the Treatment of ViolinMusic by Heino Eller)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Ruta Lipinaityte<\/strong>
\nMuusika (viiul)
\n16.12.2008
\nSupervisor: \u017danna P\u00e4rtlas
\nCo-supervisor: Alexander Ficher<\/p>\n","right":"

\u0413\u0438\u0434\u043e\u043d \u041a\u0440\u0435\u043c\u0435\u0440 \u0438 “\u041a\u0440\u0435\u043c\u0435\u0440\u0430\u0442\u0430 \u0411\u0430\u043b\u0442\u0438\u043a\u0430”: \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u044b \u043e\u0440\u043a\u0435\u0441\u0442\u0440\u043e\u0432\u043e\u0433\u043e \u043c\u0443\u0437\u0438\u0446\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f, \u0441\u043e\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u0438\u044f \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u043c \u0438 \u0432\u044b\u0431\u043e\u0440\u0430 \u0440\u0435\u043f\u0435\u0440\u0442\u0443\u0430\u0440\u0430
\n(Gidon Kremer and ”Kremerata Baltica”: Principles of Orchestra Playing, Programm Composition and Repertoire Selection)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kaire Maimets-Volt<\/strong>
\nMuusikateadus
\n06.05.2009
\nSupervisor: Jaan Ross<\/p>\n","right":"

Mediating the ‘idea of One’: Arvo P\u00e4rt’s pre-existing music in film
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Peeter Sarapuu<\/strong><\/a>
\nInterpretatsioon (fagott)
\n15.06.2009
\nSupervisor: Toomas Siitan
\nCo-supervisor: Andres Lepnurm<\/p>\n","right":"

T\u00f5e ja t\u00f5ekspidamise vastuolu: heak\u00f5lalisuse teoreetilistest alustest
\n(Contradiction between Truth and Conviction: Theoretical Foundation of Pure Intonation)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Anu K\u00f5lar<\/strong><\/a>
\nMuusikateadus
\n15.02.2010
\nSupervisor: Urve Lippus<\/p>\n","right":"

Cyrillus Kreek ja Eesti muusikaelu
\n(Cyrillus Kreek and Musical Life in Estonia)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mati Mikalai<\/strong><\/a>
\nMuusika (klaver)
\n20.12.2010
\nSupervisor: Kristel Pappel
\nCo-supervisor: Peep Lassmann<\/p>\n","right":"

Virtuoossuse funktsioonidest 19. sajandil Chopini ja Godowsky et\u00fc\u00fcdide p\u00f5hjal
\n(About functions of virtuosity in the 19th century on the basis of Chopin’s and Godowsky’s etudes)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Martti Raide<\/strong><\/a>
\nMuusika (saateklass)
\n20.12.2010
\nSupervisor: Margus P\u00e4rtlas<\/p>\n","right":"

Individuaalne stiil ja ajastu stiil eesti lauluklassika interpretatsioonis: Artur Kapi ”Metsateel” ja Mart Saare ”Ta tuli…” salvestiste
\n(Individual style and period style in the interpretation of Estonian song classics: on the basis of the recordings of ”Metsateel” by Artur Kapp and ”Ta tuli…” by Mart Saar)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Anne T\u00fcrnpu<\/strong><\/a>
\nTeatrikunst
\n17.06.2011
\nSupervisor: Airi Liimets
\nCo-supervisor: Ingo Normet<\/p>\n","right":"

Trikster loomas maailma ja iseennast
\n(Trickster Creating the World and Itself)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mihhail Gerts<\/strong>
\nMuusika (orkestridirigeerimine)
\n22.09.2011
\nSupervisor: Toomas Siitan
\nCo-supervisor: Paul M\u00e4gi<\/p>\n","right":"

Dirigendi kolm v\u00f5imalikku m\u00f5tlemismudelit ansamblim\u00e4ngu toetamiseks orkestris
\n(Three possible thinking models for the conductor to support the ensemble playing of an orchestra)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Anne-Liis Poll<\/strong><\/a>
\nMuusika (kompositsioon)
\n29.11.2011
\nSupervisor: Allan Vurma
\nCo-supervisor: Anto Pett<\/p>\n","right":"

H\u00e4\u00e4lem\u00e4ngud
\n(Voice Games)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Piret V\u00e4inmaa<\/strong>
\nMuusika (klaver)
\n10.04.2012
\nSupervisor: Margus P\u00e4rtlas
\nCo-supervisor: Ivari Ilja<\/p>\n","right":"

Eduard Tubina 2. klaverisonaadi allikate v\u00f5rdlus interpreedi vaatepunktist
\n(Eduard Tubin’s 2nd Piano Sonata: Comparison of Manuscripts from the Performers’ Point of View)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Imbi Tarum<\/strong><\/a>
\nMuusika (klavessiin)
\n10.04.2012
\nSupervisor: Kristel Pappel<\/p>\n","right":"

Klavessiinik\u00e4sitlusest t\u00e4nap\u00e4eva eesti heliloojate teoste n\u00e4itel
\n(On the Treatment of Harpsichord in Works by Contemporary Estonian Composers)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Heiki M\u00e4tlik<\/strong><\/a>
\nMuusika (klassikaline kitarr)
\n05.06.2012
\nSupervisor: Toomas Siitan<\/p>\n","right":"

Johann Sebastian Bachi lautoteoste kitarriseaded ja nende esitus klassikalise kitarriga
\n(The Guitar Arrangements of the Lute Works by J.S.Bach and Their Performance on Classical Guitar)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Naily Saripova<\/strong>
\nMuusika (klaver)
\n13.05.2013
\nSupervisor: Urve Lippus
\nCo-supervisor: Aleksandra Juozapenaite-Eesmaa<\/p>\n","right":"

Olivier Messiaeni klaverimuusika Eestis
\n(Olivier Messiaen Piano Music In Estonia)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Lembit Orgse<\/strong><\/a>
\nMuusika (klaver)
\n11.06.2013
\nSupervisor: Toomas Siitan
\nCo-supervisors: Lilian Semper, Ivari Ilja<\/p>\n","right":"

Kaunistamise kunst. Generaalbass Johann Sebastian Bachi Allemande\u00b4is ja Courante\u00b4is
\n(The Art of Embellishment. Thorough-bass in the Johann Sebastian Bach\u00b4s Allemande and Courante E flat major)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Karol Kisiel<\/strong>
\nMuusika (kooridirigeerimine)
\n11.06.2013
\nSupervisor: Toomas Siitan
\nCo-supervisor: Toomas Kapten<\/p>\n","right":"

Vision of the artistic profile of the Estonian Philharmonic Chamber Choir represented by its chief conductors: T\u00f5nu Kaljuste, Paul Hillier and Daniel Reuss
\nESTER<\/a><\/p>\n"},{"text":"","left":"

P\u00e1ll Ragnar P\u00e1lsson<\/strong>
\nMuusika (kompositsioon)
\n15.01.2014
\nSupervisor: Urve Lippus
\nCo-supervisor: Helena Tulve<\/p>\n","right":"

Melodies in the Poetry Book of Father \u00d3lafur from Sandar: Religious Songs from Early 17th Century Iceland
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Sigrid Kuulmann<\/strong><\/a>
\nMuusika (viiul)
\n09.06.2014
\nSupervisor: Kristel Pappel
\nCo-supervisors: T\u00f5nu Reimann, Mari Tampere-Bezrodny<\/p>\n","right":"

K\u00f5lakujunduse v\u00f5imalused viiulim\u00e4ngus Yfrah Neamani aplikatuuride p\u00f5hjal
\n(Exploring the tone quality in violin playing after Yfrah Neaman’s fingerings)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Veronika Portsmuth<\/strong>
\nMuusika (kooridirigeerimine)
\n09.06.2014
\nSupervisors: Kerri Kotta\/Allan Vurma
\nCo-supervisor: T\u00f5nu Kaljuste<\/p>\n","right":"

Harmoonia anal\u00fc\u00fcsi rollist v\u00f5imalike intonatsiooniprobleemide lahendamiseks kaasaegses
\n(The role of harmonic analysis in solving possible intonation problems in contemporary choral music)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Jorge G\u00f3mez Rodr\u00edguez<\/strong>
\nMuusika (kompositsioon)
\n16.02.2015
\nSupervisor: Mart Humal
\nCo-supervisor: Toivo Tulev<\/p>\n","right":"

Constructing Tonality in Molto Adagio
\n(Constructing Tonality in Molto Adagio)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Claudio Ordaz<\/strong>
\nMuusika (orkestridirigeerimine)
\n18.06.2015
\nSupervisor: Mart Humal
\nCo-supervisors: Eri Klas, Toomas Kapten<\/p>\n","right":"

A Comparison of Performance Practices of Johannes Brahms Second Symphony in D major, Opus 73
\nESTER<\/a><\/p>\n"},{"text":"","left":"

\u00c1lvaro G\u00f3mez G\u00f3mez<\/strong>
\nMuusika (orkestridirigeerimine)
\n18.06.2015
\nSupervisor: Toomas Siitan
\nCo-supervisor: Toomas Kapten<\/p>\n","right":"

The influences of Andalusian folk music and the Impressionist style of Debussy on Manuel de Falla’s work “Noches en Los Jardines de Espa\u00f1a”
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Marju Raju<\/strong><\/a>
\nMuusikateadus
\n07.12.2015
\nSupervisor: Jaan Ross<\/p>\n","right":"

M\u00f5ningaid aspekte Eesti laste laulmise arengust, ise laulude loomisest ja lemmiklauludest
\n(Some aspects of singing development, the song creating process ans favoriite songs of Estonian children)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Christian M. Fischer<\/strong>
\nMuusika (kompositsioon)
\n08.06.2016
\nSupervisor: Kerri Kotta
\nCo-supervisor: Toivo Tulev<\/p>\n","right":"

Musical Motion Graphics: a tool to improve live electronic music practice
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mihkel Poll<\/strong><\/a>
\nMuusika (klaver)
\n14.06.2016
\nSupervisor: Kristel Pappel
\nCo-supervisor: Ivari Ilja<\/p>\n","right":"

Pianisti t\u00f6\u00f6protsess kaasaja klaverikontsertide esitamisel Erkki-Sven T\u00fc\u00fcri ja Helena Tulve teoste n\u00e4itel
\n(The Work Process of the Pianist in Performing Contemporary Piano Concertos on the Examples of the Piano)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Heli Ernits<\/strong>
\nMuusika (instrumentaal-kammeransambel)
\n09.12.2016
\nSupervisors: Urve Lippus, Toomas Siitan
\nCo-supervisor: Matti Reimann<\/p>\n","right":"

Jaan Tamme nimeline puhkpillikvintett: esitusstiili anal\u00fc\u00fcs salvestiste p\u00f5hjal
\n(The Woodwind Quintet named after Jaan Tamm: recordings and analysis of the interpretation style)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Aare Tool<\/strong><\/a>
\nMuusikateadus
\n12.12.2016
\nSupervisor: Mart Humal<\/p>\n","right":"

Piiratud transponeeritavusega heliread ja vorm Eduard Oja muusikas
\n(The modes of limited transposition and form in the music of Eduard Oja)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Brigitta Davidjants<\/strong><\/a>
\nMuusikateadus
\n12.12.2016
\nSupervisors: Urve Lippus, Jaan Ross<\/p>\n","right":"

Armenian national identity construction: from diaspora to music
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Marion J\u00f5epera<\/strong>
\nTeatrikunst
\n10.05.2017
\nSupervisor: Anne T\u00fcrnpu<\/p>\n","right":"

Ruumitaju loomine ja suunamine kui postdramaatilise dramaturgi peamine t\u00f6\u00f6vahend
\n(Creating and directing spatial perception as one of the main tools of a postdramatic dramaturg)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Janne Fridolin<\/strong>
\nMuusika (kooridirigeerimine)
\n23.05.2017
\nSupervisors: Anu K\u00f5lar, Urve Lippus
\nCo-supervisor: Anne T\u00fcrnpu, T\u00f5nu Kaljuste<\/p>\n","right":"

Harrastuskoori motivatsioonist ja dirigendi rollist selle kujundamisel Noorte Segakoor Vox Populi koorimuusika lavastuste n\u00e4itel
\n(Regarding The Motivation of an Amateur Choir and the Role of a Conductor in its Development on the Example of the Productions by the Youth Choir Vox Populi\u201d)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Heidi Heinmaa<\/strong>
\nMuusikateadus
\n08.06.2017
\nSupervisor: Toomas Siitan<\/p>\n","right":"

Muusikaelu Tallinnas 18. sajandil
\n(Musical life in Tallinn in the 18th century)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Jun Zhao<\/strong>
\nMuusika (saateklass)
\n13.12.2017
\nSupervisor: \u017danna P\u00e4rtlas
\nCo-supervisor: Helin Kapten<\/p>\n","right":"

Comprehension and interpretation of Chinese vocal music with the example of Zheng Quifeng\u2019s song cycle \u201eFour Seasons of Our Motherland\u201c
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kristi Kapten<\/strong><\/a>
\nMuusika (klaver)
\n13.12.2017
\nSupervisor: Kerri Kotta
\nCo-supervisor: Peep Lassmann<\/p>\n","right":"

Pianisti t\u00f6\u00f6protsess Ligeti et\u00fc\u00fcdide omandamisel
\n(A pianist’s approach to learning Ligeti’s Etudes)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Jonathan Henderson<\/strong>
\nMuusika (fl\u00f6\u00f6t)
\n13.06.2018
\nSupervisor: Kerri Kotta
\nCo-supervisor: Taavi Kerikm\u00e4e<\/p>\n","right":"

Strateegiad \u00fchtse ansambli saavutamiseks Pierre Boulezi sonatiinis fl\u00f6\u00f6dile ja klaverile
\n(Strategies for Improving Ensemble Cohesion in the Sonatine for Flute and Piano by Pierre Boulez)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Aivar Simmermann<\/strong>
\nTeatrikunst
\n22.11.2018
\nSupervisor: Madli Pesti, Airi Liimets
\nCo-supervisor: Ingo Normet<\/p>\n","right":"

Rakendusteatri praktikad MT\u00dc Laste ja Noorte Kriisiprogrammi leinatoetuslaagrites aastatel 1995\u20132017
\n(Use of applied theatre in the grief support camps of the non-profit association Children\u2019s and Youth Crisis Programme from 1995\u20132017)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Sasha Aleksi M\u00e4kil\u00e4<\/strong>
\nMuusika (orkestridirigeerimine)
\n19.12.2018
\nSupervisor: Mart Humal
\nCo-supervisors: Toomas Kapten, T\u00f5nu Kaljuste<\/p>\n","right":"

Conducting Madetoja. Discoveries About the Art and Profession of Conducting
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Theodore Lee Parker<\/strong><\/a>
\nMuusika (improvisatsioon)
\n15.06.2019
\nSupervisor: Allan Vurma
\nCo-supervisor: Taavi Kerikm\u00e4e<\/p>\n","right":"

Free Improvisation: Researching the Acoustic Space
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Marie-Helen Aavakivi<\/strong>
\nMuusika (kammeransambel)
\n18.06.2019
\nSupervisor: Kristel Pappel
\nCo-supervisors: Marje Lohuaru, Urmas Vulp<\/p>\n","right":"

Professor Johannes Paulseni viiuli\u00f5pilaste repertuaar ja esitusstiil 1930. aastatel Eestis
\n(The repertoire and performance style of professor Johannes Paulsen\u2019s violin students in the 1930s Estonia)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Vladislav Bystrov<\/strong>
\nMuusika (improvisatsioon)
\n18.06.2019
\nSupervisor: Toomas Siitan
\nCo-supervisor: Anto Pett<\/p>\n","right":"

Von der Freien Improvisation zur Echtzeitkomposition: Modelle. Strukturen. Formen
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Mariia Korepanova<\/strong>
\nMuusika (p\u00e4rimusmuusika)
\n19.12.2019
\nSupervisor: \u017danna P\u00e4rtlas
\nCo-supervisor: Janika Oras<\/p>\n","right":"

\u0418\u043c\u043f\u0440\u043e\u0432\u0438\u0437\u0430\u0446\u0438\u044f \u0438 \u0432\u0430\u0440\u044c\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u0432 \u0438\u0441\u043f\u043e\u043b\u043d\u0435\u043d\u0438\u0438 \u0431\u0435\u0441\u0435\u0440\u043c\u044f\u043d\u0441\u043a\u0438\u0445 \u043a\u0440 \u0435\u0437\u0435\u0439 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0438 \u043d\u0430 \u0441\u0446\u0435\u043d\u0435: \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435 \u043f\u0435\u0440\u0432\u043e\u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u043e\u0432 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u0430\u044f \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f
\n(Improvisation and Variation in Traditional and Stage Performance of Beserman krez\u2019es: Analysis of Original Sources and Creative Reconstruction)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Jaak Sikk<\/strong><\/a>
\nMuusika (improvisatsioon)
\n13.07.2020
\nSupervisor: Allan Vurma
\nCo-supervisor: Anto Pett<\/p>\n","right":"

Stiimuli abil indutseeritud mentaalse ettekujutuse m\u00f5ju vabaimprovisatsioonilise m\u00e4nguprotsessi kvaliteedile
\n(The Influence of Stimulus Induced Mental Imagery on the Process of Improvising Freely)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Saale Fischer<\/strong>
\nMuusika (klavessiin)
\n13.07.2020
\nSupervisor: Toomas Siitan
\nCo-supervisor: Imbi Tarum<\/p>\n","right":"

Tempo ja retooriline ajastamine 17.\u201318. sajandi instrumentaalmuusika esituses
\n(Tempo and Rhetorical Timing in Performance of the 17th and 18th Century Instrumental Music)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Giovanni Albini<\/strong>
\nComposition
\n14.06.2021
\nSupervisor: Kerri Kotta<\/p>\n","right":"

Transfiguring Conventional Music Elements. A Mathematically Informed Approach to Composition
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Tze Yeung Ho<\/strong>
\nComposition
\n23.10.2021
\nSupervisor: Jaan Ross
\nCo-supervisors: Toivo Tulev, Helena Tulve<\/p>\n","right":"

Phonetic Features as a Tool in Music Composition: From the Perspective of a Composer
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kirke Karja<\/strong>
\nMusic and Dramatic Art (Jazz Music)
\n20.12.2021
\nSupervisor: Kerri Kotta<\/p>\n","right":"

Process Music Elements in Jazz Composition and Improvisation
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Anneli Tohver<\/strong>
\nMusic and Dramatic Art (Chamber Ensemble)
\n20.12.2021
\nSupervisor: Kristel Pappel<\/p>\n","right":"

The pianist\u2019s collaboration with ballet artistes: exploring musical interpretation which supports choreography
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Piret Jaaks<\/strong>
\nTheatre
\n14.06.2022
\nSupervisor: Madli Pesti<\/p>\n","right":"

Kirjutada inimesi: kogukondade uurimine ja dokumentaalteatri loomise vahendid dramaturgi t\u00f6\u00f6s
\n<\/span>(Writing the People: Community Research and Tools for Documentary Theatre Creation in the Work\u00a0of a Dramaturg)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Juhan-Henrik Uppin<\/strong>
\nMusic and Dramatic Art (Traditional and Folk Music)
\n14.06.2022
\nSupervisor: \u017danna P\u00e4rtlas<\/p>\n","right":"

Teppo-t\u00fc\u00fcpi l\u00f5\u00f5tspilli traditsioonilise m\u00e4ngustiili kujunemine 20. sajandil ja traditsiooniteadliku esituspraktika loomine
\n(The formation of the traditional playing style of the Teppo type diatonic accordion in the 20th century and creating a traditionally informed performance practice)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Maarja Mitt-Pichen<\/strong>
\nTheatre
\n13.09.2022
\nSupervisors: Allan Vurma, Anne T\u00fcrnpu<\/p>\n","right":"

Mentaalsete \u00fclesannete t\u00e4itmise m\u00f5ju n\u00e4itleja h\u00e4\u00e4le ja k\u00f5ne omadustele
\n<\/span>(The impact of using mental images on the quality of the actor\u2019s voice and speech)
\nESTER<\/a><\/span><\/p>\n"},{"text":"","left":"

Mai Simson<\/strong>
\nMusic and Dramatic Art (Choir Conducting)
\n30.11.2022
\nSupervisor: Kerri Kotta<\/p>\n","right":"

Rudolf Tobiase oratooriumi \u201eJoonas\u201c tekstikriitilisest redigeerimisest
\n(On the critical editing of Rudolf Tobias\u2019s oratorio \u201eJona\u201c)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kristiina Are<\/strong>
\nMusic and Dramatic Art (Harpsichord)
\n17.12.2022
\nSupervisor: Kristel Pappel<\/p>\n","right":"

D\u00fcnaamika kujundamise v\u00f5imalused basso continuo<\/i> saates
\n(Possibilities of Textural Dynamics in Basso Continuo Accompaniment)
\n<\/i>ESTER<\/a><\/p>\n"},{"text":"","left":"

Ana Victoria Falc\u00f3n Araujo<\/strong>
\nMusic and Dramatic Art (Theatre)
\n24.10.2023
\nSupervisors: Madli Pesti, Marion J\u00f5epera<\/p>\n","right":"

Drafting the VR Play: Exploring Extended Reality Theater to Propose a Method for Virtual Reality Playwriting
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Erik Alalooga<\/strong>
\nMusic and Dramatic Art (Theatre)
\n21.12.2023
\nSupervisor: Madli Pesti<\/p>\n","right":"

Meisterdamise s\u00fcsteemse meetodi v\u00e4ljat\u00f6\u00f6tamine objektiteatrile
\n(Developing a systemic method of tinkering for object theatre)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Heigo Rosin
\n<\/strong>Music and Dramatic Art (Percussions)
\n28.05.2024
\nSupervisor: Kerri Kotta<\/p>\n","right":"

Kaasaegse instrumentaalkontserdi m\u00f5testamisest Erkki-Sven T\u00fc\u00fcri \u201eMagma\u201d n\u00e4itel \u2013 interpreedi vaade\u201d (Considerations on modern instrumental concerto using Erkki-Sven T\u00fc\u00fcr\u2019s \u201eMagma\u201d as an example \u2013 an interpreter\u2019s view\u201d)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Vittoria Ecclesia<\/strong>
\nMusic and Dramatic Art (Wind instruments)
\n04.06.2024
\nSupervisors: Toomas Siitan,\u00a0 Peeter Sarapuu<\/p>\n","right":"

Practice Beyond Boundaries: Enhancing Musicianship through Historical Clarinet Affordances
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Meeta Vardja
\n<\/strong>Musicology
\n19.12.2024
\nSupervisor: Anu K\u00f5lar, PhD<\/p>\n","right":"

Tallinna Riikliku Konservatooriumi muusikateaduse kateeder aastatel 1944\u20131968
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Fabrizio Nastari
\n<\/strong>Music and Dramatic Art (Composition)
\n20.12.2024
\nSupervisor: prof Jaan Ross<\/p>\n","right":"

Borrowing Existing Material, and Irony: Compositional Strategies and their Aesthetic Context
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Giacomo Veronesi<\/strong>
\nMusic and Dramatic Art (Theatre)
\n23.05.2025
\nSupervisor: prof Luule Epner, PhD<\/p>\n","right":"

Care and Shared Agency in Actor Training: a New Transformative Departure (sets of practices)
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Ilana Makarina <\/strong>
\nMusic and Dramatic Art (Piano)
\n10.06.2025
\nSupervisors: Sten Lassmann, PhD and Maksim \u0160t\u0161ura, DMus<\/p>\n","right":"

Pianist as Arranger: Creating the Piano Reduction for Unsuk Chin\u2019s Piano Concerto
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Gerhard Bruno Erich Lock<\/strong>
\nMusicology
\n12.06.2025
\nSupervisor: Prof. Dr. Kerri Kotta<\/p>\n","right":"

Methodological Contributions to a Cognitive Analysis of Perceived Structural Musical Tension in Contemporary Post-Tonal Orchestral Music
\nESTER<\/a><\/p>\n"},{"text":"","left":"

Kadi Kaja<\/strong>
\nMusicology
\n31.10.2025
\nSupervisors: Prof. Dr. Toomas Siitan, Prof. Dr. Kristi Kiilu, Urve L\u00e4\u00e4nemets (PhD)<\/p>\n","right":"

Music education in Estonian general comprehensive schools (with instruction in Estonian) in 1917\u20132024. Historical-analytical approach.
\nESTER<\/a><\/p>\n"}],"table":{"use_header":true,"header":[{"c":"Doktorandi nimi"},{"c":"\u00d5ppekava"},{"c":"Kaitsmise kuup\u00e4ev"},{"c":"Juhendaja"},{"c":"Kaasjuhendaja"},{"c":"Doktorit\u00f6\u00f6 v\u00f5i loomingulisuurimusliku doktoriprojekti\nuurimusliku osa teema"},{"c":"Doktorit\u00f6\u00f6 teema inglise keeles"}],"caption":false,"body":[[{"c":"Kristel Pappel"},{"c":"Muusikateadus"},{"c":"26.01.04"},{"c":"Urve Lippus"},{"c":""},{"c":"Ooper Tallinnas 19. sajandil"},{"c":"Opera in Tallinn in the 19th\nCentury"}],[{"c":"Kerri Kotta"},{"c":"Muusikateadus"},{"c":"12.04.04"},{"c":"Mart Humal"},{"c":""},{"c":"Dmitri \u0160ostakovit\u0161i\ntonaalstruktuurist'"},{"c":"Studies of Tonal Structure in the\nMusic of Dmitri Shostakovich"}],[{"c":"Mart Siimer"},{"c":"Kompositsioon"},{"c":"01.11.04"},{"c":"Jaan Ross"},{"c":"Eino Tamberg, Helena Tulve"},{"c":"Harmoonia stratifikatsioon\nOlivier Messiaeni orelipalas \"Le\nbanquet c\u00e9leste\""},{"c":"Stratification of Harmony in\nOlivier Messiaen's \"Le banquet\nc\u00e9leste\""}],[{"c":"Henry-David\nVarema"},{"c":"Interpretatsioon (t\u0161ello)"},{"c":"15.11.05"},{"c":"Peeter\nPaemurru"},{"c":"Urve Lippus"},{"c":"T\u0161ellom\u00e4ngutehnika areng 19.\nsajandi tuntumate interpreetide\nheliteoste ja pedagoogiliste\nv\u00e4ljaannete p\u00f5hjal"},{"c":"The Development of Cello-playing\nTechnique During the 19th\nCentury Based on Compositions\nand Pedagogical Publications of\nDistinguished Performers of the\nEra"}],[{"c":"Tarmo Johannes"},{"c":"Interpretatsioon\n(fl\u00f6\u00f6t)"},{"c":"15.11.05 "},{"c":"Margus P\u00e4rtlas"},{"c":"Raivo Pe\u00e4ske,\nI. Sneibis"},{"c":"Anal\u00fc\u00fcsi m\u00f5ju n\u00fc\u00fcdismuusika\nesitusele: Bruno Maderna, Franco\nDonatoni ja Salvatore Sciarrino\nmuusika n\u00e4itel"},{"c":"Influence of Analysis to the\nContemporary Music: on the\nExamples of Music by Bruno\nMaderna, Franco Donatoni and\nSalvatore Sciarrino"}]]}}],"is_not_a_page":false,"side_title":"","side_info":"","add_people":false,"add_news":false,"add_events":false,"is_drama_page":false,"is_cppm_page":false,"show_in_sub_menu":false,"is_hidden":false,"dont_show_img":false,"mobile_show_side":false,"side_links_title":"","side_links":false,"dont_show_auto_gen":false,"is_hidden_submenu":false},"yoast_head":"\nDefended Theses | Estonian Academy of Music and Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eamt.ee\/en\/departments\/doctoral-studies\/defended-theses\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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