{"id":32499,"date":"2022-10-31T14:16:17","date_gmt":"2022-10-31T12:16:17","guid":{"rendered":"https:\/\/eamt.ee\/mai-simson-kaitseb-30-novembril-doktoritood\/"},"modified":"2022-11-28T12:37:31","modified_gmt":"2022-11-28T10:37:31","slug":"mai-simson-will-defend-her-doctoral-thesis-on-30-november","status":"publish","type":"post","link":"https:\/\/eamt.ee\/en\/mai-simson-will-defend-her-doctoral-thesis-on-30-november\/","title":{"rendered":"Mai Simson will defend her doctoral thesis on 30 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Simson will defend her doctoral thesis on 30 November at 14.30 room A-402 for the degree of Doctor of Philosophy (Music):<\/p>\n<p><b>\u201eRudolf Tobiase oratooriumi \u201eJoonas\u201c tekstikriitilisest redigeerimisest\u201c<\/b><br \/>\n<b>(On the critical editing of Rudolf Tobias\u2019s oratorio \u201eJona\u201c)<\/b><\/p>\n<p>Supervisor: Professor Kerri Kotta, PhD<br \/>\nOpponent: Mihhail Gerts, PhD<\/p>\n<p>The doctoral thesis is available <a href=\"https:\/\/repo.eamt.ee\/r1\/2022\/10\/31\/_31.10.2022_10.42.05_Simson_M_Rudolf_Tobiase_oratooriumi.pdf\" target=\"_blank\" rel=\"noopener\">HERE<\/a> (in Estonian) and in print in the EAMT library.<\/p>\n<blockquote><p><span dir=\"ltr\" role=\"presentation\">Rudolf Tobias started writing the oratorio \u201cJonah\u201d already while working in Tartu<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">(1904<\/span><span dir=\"ltr\" role=\"presentation\">\u2013<\/span><span dir=\"ltr\" role=\"presentation\">1908), but most of the work was completed in Germany, where the composer<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">went in order to get acquainted with Western European music life and find more diverse<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">job opportunities. The final score of \u201cJonah\u201d was completed in 1909. The premiere of<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">the piece took place the same year on November 26, in St. Andrew\u2019s Church in Leipzig.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">After the premiere, the composer conducted individual numbers of the piece at variou<\/span><span dir=\"ltr\" role=\"presentation\">s<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">concerts in both, Germany and Estonia, but the oratorio as a whole could not be<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">performed again during Tobias\u2019 life.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">The oratorio was brought back to performance again only before Estonia regained its<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">independence, where the oratorio played an important<\/span> <span dir=\"ltr\" role=\"presentation\">role in confirming national<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">identity. The scores of the work were prepared in a new redaction by pianist and<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">musicologist Vardo Rumessen. In the context back then, the question about the original<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">form of the oratorio remained in the background, and the mai<\/span><span dir=\"ltr\" role=\"presentation\">n goal was to restore the<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">piece in a monumental and representative form. Today, however, in addition to the<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">national aspects of the oratorio, other aspects have become important too, as \u201cJonah\u201d is<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">not only a national monument, but also an outstanding maste<\/span><span dir=\"ltr\" role=\"presentation\">rpiece that can be<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">interpreted in many different ways.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">For a long time, conductor T\u00f5nu Kaljuste had<\/span> <span dir=\"ltr\" role=\"presentation\">also<\/span> <span dir=\"ltr\" role=\"presentation\">been interested in performing<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">\u201cJonah\u201d. To this end, he wished to study Tobias\u2019 manuscripts thoroughly and to prepare<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">a new version that took into acco<\/span><span dir=\"ltr\" role=\"presentation\">unt the composer\u2019s writings as accurately as possible.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">My task in this process was initially to compare the version of Vardo Rumessen with<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">the manuscript of Rudolf Tobias, and later to edit the new version. This in turn grew<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">into the topic of my<\/span> <span dir=\"ltr\" role=\"presentation\">dissertati<\/span><span dir=\"ltr\" role=\"presentation\">on.<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">The aim of my research<\/span> <span dir=\"ltr\" role=\"presentation\">was<\/span> <span dir=\"ltr\" role=\"presentation\">to<\/span> <span dir=\"ltr\" role=\"presentation\">describe the problems that occur while being in the<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">process of creating a<\/span> <span dir=\"ltr\" role=\"presentation\">critical redaction<\/span> <span dir=\"ltr\" role=\"presentation\">of \u201cJonah\u201d<\/span><span dir=\"ltr\" role=\"presentation\">. The critical edition<\/span> <span dir=\"ltr\" role=\"presentation\">would be based<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">on a critical examination and comparison of available sources and would<\/span> <span dir=\"ltr\" role=\"presentation\">consider<\/span> <span dir=\"ltr\" role=\"presentation\">the<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">composer\u2019s original intentions, as much as it is possible to reconstruct them.<\/span> <span dir=\"ltr\" role=\"presentation\">A<\/span><span dir=\"ltr\" role=\"presentation\">s a result<\/span><br role=\"presentation\" \/><span dir=\"ltr\" role=\"presentation\">of my research, I hope to publish a critical edition of the piece in the future.<\/span><\/p><\/blockquote>\n"},{"acf_fc_layout":"pilt","page_image":{"ID":28008,"id":28008,"title":"Mai 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