{"id":51986,"date":"2025-02-10T23:24:45","date_gmt":"2025-02-10T21:24:45","guid":{"rendered":"https:\/\/eamt.ee\/?p=51986"},"modified":"2025-02-12T22:32:21","modified_gmt":"2025-02-12T20:32:21","slug":"exclusive-cppm-workshop-featuring-wim-vandekeybus-and-maria-kolegova-from-ultima-vez-belgium","status":"publish","type":"post","link":"https:\/\/eamt.ee\/en\/exclusive-cppm-workshop-featuring-wim-vandekeybus-and-maria-kolegova-from-ultima-vez-belgium\/","title":{"rendered":"Exclusive CPPM Workshop Featuring Wim Vandekeybus and Maria Kolegova from Ultima Vez 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are excited to announce an intensive two-week workshop led by internationally renowned guest artists <strong>Wim Vandekeybus<\/strong> and <strong>Maria Kolegova<\/strong> from the acclaimed company <a href=\"https:\/\/ultimavez.com\" target=\"_blank\" rel=\"noopener\"><strong>Ultima Vez<\/strong><\/a>. The two-week workshop, which will run from 10-21 February 2025, will challenge traditional boundaries of performance and inspire participants to explore Ultima Vez&#8217;s distinctive style and creative process. Wim Vandekeybus holds an open lecture on 14 February at 19:00, and the entire workshop will conclude with an open class on February 21 at 19:00, where the public can witness the outcomes of the two-week workshop.<\/h3>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><strong>WIM VANDEKEYBUS<\/strong><\/p>\n<p style=\"font-weight: 400;\">Wim Vandekeybus (b. 1963) is a Belgian choreographer, dancer, filmmaker, and photographer who founded his company Ultima Vez in the mid-1980s. He burst onto the international scene with his debut piece\u00a0<em>What the body does not remember<\/em>(1987), which won a Bessie Award for groundbreaking work; his second production,\u00a0<em>Les porteuses de mauvaises nouvelles<\/em>\u00a0(1989), received the same distinction. Over the past few decades, Vandekeybus has established himself as a trailblazer in contemporary dance, creating performances that challenge boundaries both at home and abroad.<\/p>\n<p style=\"font-weight: 400;\">Known for his visceral and high-energy style, Vandekeybus explores the clash between intuition and intellect, the physical and the emotional, and the tension between individuals and groups. Central to his work is the idea of how humans respond to extreme situations\u2014what he calls \u201cthe moment of catastrophe.\u201d Despite these intense themes, he also weaves elements of humor and playfulness into his choreography, showcasing an ever-present duality that lies at the heart of his performances.<\/p>\n<p style=\"font-weight: 400;\">Throughout his career, Vandekeybus has pursued a multidisciplinary approach, incorporating music, film, and theatrical narrative into his dance works. He has collaborated with renowned musicians including David Byrne, Marc Ribot, and Trixie Whitley, and created short films such as\u00a0<em>Blush<\/em>\u00a0(2004) and\u00a0<em>Monkey Sandwich<\/em>\u00a0(2013) that often stand on their own. Always seeking new forms, his work has evolved from purely physical explorations to more elaborate narratives, exemplified by adaptations of classical tragedies and collaborations with contemporary writers. Even as he expands his storytelling scope, Vandekeybus\u2019s bold, dynamic choreography remains rooted in the raw power of the moving body.<\/p>\n<p style=\"font-weight: 400;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>MARIA KOLEGOVA<\/strong><\/p>\n<p style=\"font-weight: 400;\">Maria Kolegova is a Russian-Belgian dancer and teacher who began her ballet training at the age of five. She went on to study contemporary dance at the School of Contemporary Dance in Yekaterinburg, supported by the Centre of Contemporary Art. In 2004, she performed a solo by L. Aleksandrova at a contemporary dance competition in Seoul, South Korea, where she won the gold medal.<\/p>\n<p style=\"font-weight: 400;\">From 2007 until 2012, after graduating from the Theatrical Academy, Kolegova was a member of the Russian Chamber Ballet \u201cMoskva\u201d in Moscow. During this period, she collaborated with prominent choreographers such as Martin Forsberg, Andrea Boll, R\u00e9gis Obadia, Paul Selwyn Norton, and Nikita Dmitrievsky, contributing to works like\u00a0<em>Terraclinium<\/em>\u00a0(Dmitrievsky) and\u00a0<em>If mushrooms would grow in the mouth<\/em>\u00a0(Boll). Her diverse performance background led to continued experimentation with various dance techniques, martial arts, and yoga.<\/p>\n<p style=\"font-weight: 400;\">Since 2012, Kolegova has been performing with choreographer Wim Vandekeybus\u2019s Ultima Vez, dancing in notable pieces such as\u00a0<em>What the body does not remember (2013)<\/em>,\u00a0<em>Mockumentary of a contemporary savior (2017)<\/em>, and\u00a0<em>Hands do not touch your precious Me (2021)<\/em>. Alongside her performance career, she is actively involved in pedagogical work, teaching workshops, company classes, and assisting in multiple creations and training programs across Europe and Russia. Through her artistic and educational pursuits, Kolegova continues to expand her creative horizons and foster the next generation of dancers.<\/p>\n<p style=\"font-weight: 400;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>ULTIMA VEZ<\/strong><\/p>\n<p style=\"font-weight: 400;\">Ultima Vez is a dance company that was established in the mid-eighties by Wim Vandekeybus, a choreographer, dancer, filmmaker, and photographer. The company showcases Vandekeybus\u2019s unique style of movement, which explores themes such as the conflict between body and mind, feeling and intellect, and group and individual. His performances are dynamic and full of conflict, exemplifying a language of movement that contrasts intuition, impulse, and instinct with energy, risk, and danger.<\/p>\n<p style=\"font-weight: 400;\">Vandekeybus\u2019s performances take the form of associative montages that cross borders between disciplines while maintaining their strong-rooted autonomy. Live music and video\/film are integrated into his theatrical expression, often serving as the driving force behind the performances. Vandekeybus has collaborated with several musicians, including Thierry De Mey, Peter Vermeersch, and David Byrne. He has also created short films like Blush and Monkey Sandwich, as well as his first feature film, Galloping Mind.<\/p>\n<p style=\"font-weight: 400;\">Over time, Vandekeybus has developed a stronger narrative style that presents coherent fables with a broader scope, frequently revolving around community, individuals, and conflict. His recent work, including Mockumentary of a Contemporary Saviour and TrapTown, reveals his profound concern about the current global political state. Every one of Vandekeybus\u2019s performances marks his quest for new forms rooted in the essential energy of the body itself. Ultima Vez\u2019s performances are highly acclaimed, not only in Belgium but also around the world.<\/p>\n"},{"acf_fc_layout":"nupp","button_text":"BUY TICKET","button_url":"https:\/\/piletikeskus.ee\/en\/search?q=ultima%20vez","button_color":"pink","new_tab":true},{"acf_fc_layout":"pilt","page_image":{"ID":52385,"id":52385,"title":"ultimavez_loeng_1500x780_piletikeskus","filename":"ultimavez_loeng_1500x780_piletikeskus.jpg","filesize":642438,"url":"https:\/\/eamt.ee\/wp-content\/uploads\/2025\/01\/ultimavez_loeng_1500x780_piletikeskus.jpg","link":"https:\/\/eamt.ee\/en\/projects\/cppm-workshop-wim-vandekeybus-and-maria-kolegova-ultima-vez\/ultimavez_loeng_1500x780_piletikeskus\/","alt":"","author":"23","description":"","caption":"","name":"ultimavez_loeng_1500x780_piletikeskus","status":"inherit","uploaded_to":50890,"date":"2025-02-12 14:23:32","modified":"2025-02-12 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This workshop offers a unique opportunity for participants to work closely with these innovative artists, refining their abilities in advanced movement techniques and exploring creative expression. Daily sessions will challenge traditional boundaries and inspire participants to explore new performance methods reflective of Ultima Vez&#039;s distinctive style. The workshop will conclude with an open class on February 21 at 19:00, where the public can witness the outcomes of the two-week workshop. Tickets are available here.\u00a0Wim VandekeybusBelgian choreographer, dancer, filmmaker, and photographer Wim Vandekeybus has been a trailblazer in contemporary dance since the mid-1980s. As the founder of Ultima Vez, he burst onto the international stage with his debut piece What the Body Does Not Remember (1987), earning a Bessie Award for its groundbreaking vision. His subsequent work, Les Porteuses de Mauvaises Nouvelles (1989), further established him as an innovator unafraid to push artistic boundaries.Vandekeybus is known for his high-energy, visceral style that explores the interplay between intuition and intellect, and the tension between individual expression and group dynamics. 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This workshop offers a unique opportunity for participants to work closely with these innovative artists, refining their abilities in advanced movement techniques and exploring creative expression. Daily sessions will challenge traditional boundaries and inspire participants to explore new performance methods reflective of Ultima Vez&#039;s distinctive style. The workshop will conclude with an open class on February 21 at 19:00, where the public can witness the outcomes of the two-week workshop. Tickets are available here.\u00a0Wim VandekeybusBelgian choreographer, dancer, filmmaker, and photographer Wim Vandekeybus has been a trailblazer in contemporary dance since the mid-1980s. As the founder of Ultima Vez, he burst onto the international stage with his debut piece What the Body Does Not Remember (1987), earning a Bessie Award for its groundbreaking vision. 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This workshop offers a unique opportunity for participants to work closely with these innovative artists, refining their abilities in advanced movement techniques and exploring creative expression. Daily sessions will challenge traditional boundaries and inspire participants to explore new performance methods reflective of Ultima Vez's distinctive style. The workshop will conclude with an open class on February 21 at 19:00, where the public can witness the outcomes of the two-week workshop. Tickets are available here.\u00a0Wim VandekeybusBelgian choreographer, dancer, filmmaker, and photographer Wim Vandekeybus has been a trailblazer in contemporary dance since the mid-1980s. As the founder of Ultima Vez, he burst onto the international stage with his debut piece What the Body Does Not Remember (1987), earning a Bessie Award for its groundbreaking vision. His subsequent work, Les Porteuses de Mauvaises Nouvelles (1989), further established him as an innovator unafraid to push artistic boundaries.Vandekeybus is known for his high-energy, visceral style that explores the interplay between intuition and intellect, and the tension between individual expression and group dynamics. By incorporating elements of music, film, and theatrical narrative into his choreography, he continues to challenge and inspire audiences around the globe.","breadcrumb":{"@id":"https:\/\/eamt.ee\/en\/exclusive-cppm-workshop-featuring-wim-vandekeybus-and-maria-kolegova-from-ultima-vez-belgium\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/eamt.ee\/en\/exclusive-cppm-workshop-featuring-wim-vandekeybus-and-maria-kolegova-from-ultima-vez-belgium\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/eamt.ee\/en\/exclusive-cppm-workshop-featuring-wim-vandekeybus-and-maria-kolegova-from-ultima-vez-belgium\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/eamt.ee\/en\/"},{"@type":"ListItem","position":2,"name":"Exclusive CPPM Workshop Featuring Wim Vandekeybus and Maria Kolegova from Ultima Vez (Belgium)"}]},{"@type":"WebSite","@id":"https:\/\/eamt.ee\/en\/#website","url":"https:\/\/eamt.ee\/en\/","name":"Estonian Academy of Music and Theatre","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/eamt.ee\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/eamt.ee\/en\/#\/schema\/person\/3ee3a2390a7a85e5dc6f2b870fcedf53","name":"Jyri","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/eamt.ee\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/41a5bbdcedb5a6e75c21e87966e643b7708bcc2bd051cfe96d64c5e185bd23eb?s=96&d=monsterid&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/41a5bbdcedb5a6e75c21e87966e643b7708bcc2bd051cfe96d64c5e185bd23eb?s=96&d=monsterid&r=g","caption":"Jyri"}}]}},"_links":{"self":[{"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/posts\/51986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/comments?post=51986"}],"version-history":[{"count":11,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/posts\/51986\/revisions"}],"predecessor-version":[{"id":52410,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/posts\/51986\/revisions\/52410"}],"wp:attachment":[{"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/media?parent=51986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/categories?post=51986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eamt.ee\/en\/wp-json\/wp\/v2\/tags?post=51986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}