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The house is the body<\/em><\/p>\n

You are invited this evening on an adventure. Your journey will lead you inside and outside. Welcome home!<\/p>\n

\u201cThis being human is a guest house.
\nEvery morning a new arrival.<\/em><\/p>\n

A joy, a depression, a meanness,
\nsome momentary awareness comes
\nas an unexpected visitor.<\/p>\n

Welcome and entertain them all!
\nEven if they are a crowd of sorrows,
\nwho violently sweep your house
\nempty of its furniture,
\nstill, treat each guest honourably.
\nHe may be clearing you out
\nfor some new delight.<\/p>\n

The dark thought, the shame, the malice,
\nmeet them at the door laughing,
\nand invite them in.<\/p>\n

Be grateful for whoever comes,
\nbecause each has been sent
\nas a guide from beyond.\u201d
\nby Jelaluddin Rumi (1207-1273)
\nThe Essential Rumi<\/em><\/p>\n

The house and the body are spaces that both inhabit and are inhabited. What parts or organs of your body would you associate with parts of the house? What if your house was a living body?<\/p>\n

\u201cBuildings are extremely weird. Every house tells a story. Part of what it is to be trained to survive in our society is to be trained to think that buildings don\u2019t have secrets. But of course the moment you turn the lights out, everybody\u2019s deep feeling that buildings are alive comes back.\u201d<\/em>
\nArchitect Mark Wigley 2012<\/p>\n

A Body To Dwell<\/em>\u00a0is a journey of rearranging oneself in the personal body, the architectural body, the community body and the environmental body. We spend our lives in a body and a house, putting things into and taking things out of these spaces. Right now it is even more important about what or who enters. Covid-19 has kept us in our homes and out of the theatre, challenging our physical and cultural experience and perception of both. Why not embrace the home as the theatre!<\/p>\n

\u201cThe house was fighting gallantly. From the very beginning of the storm, snarling winds had been taking the roof to task, trying to pull it off, to break its back, tear it into shreds, suck it off. But it only hunched over further and clung to the old rafters. Everything swayed under the shock of this blow, but the flexible house stood up to the beast. No doubt it was holding firmly to the soil of the island\u2026 Though the shutters and doors were insulted, and there was loud bugling in the chimney, it was of no avail. The already human being in whom I had sought shelter for my body yielded nothing to the storm…\u2019\u2019<\/em>
\nHenri Bosco
\nMalicroix<\/em>\u00a01946<\/p>\n

It is important to find a home in our fluctuating bodies, they are our real houses. They stick with us on whatever adventure we take. How can we perceive and experience our house as our body and our body as our house? We all experience a body, we all seek a home. Where is yours?<\/p>\n

\u201cAnd what an image of concentrated being we are given with this house that “clings” to its inhabitant and becomes the cell of a body with its walls close together.\u201d<\/em>
\nGaston Bachelard
\nThe Poetics of Space<\/em>\u00a01994<\/p>\n

Director\u00a0SEREN OROSZVARY<\/strong>\u00a0(AUS)
\nComposer\u00a0PELLE SAND<\/strong>\u00a0(DEN)
\nVideo Artist\u00a0DAG ASPELIN<\/strong>\u00a0(SWE)
\nIllustrator\u00a0MARIA ABRAHAMSSON<\/strong>\u00a0(SWE)
\nLighting & Sound Technician\u00a0ALEKSANDR MIRSON<\/strong>\u00a0(EST)
\nScenographers\u00a0LIISAMARI VIIK<\/strong>\u00a0and MARTO M\u00c4GI (EST)
\nDramaturg\u00a0SAMUEL SKOOG<\/strong>\u00a0(UK)
\nComposer\u00a0MIRJA MATTINEN<\/strong>\u00a0(FIN)
\nPerformers\u00a0RAGNAR UUSTAL<\/strong>\u00a0(EST),\u00a0LEA SEKULIC<\/strong>\u00a0(CRO),\u00a0SEOHWON JI<\/strong>\u00a0(KOR),\u00a0LIISBETH KALA<\/strong>\u00a0(EST),\u00a0DONGBIN LEE<\/strong>\u00a0(KOR),\u00a0SAMUEL SKOOG<\/strong>\u00a0(UK),\u00a0MIRJA MATTINEN<\/strong>\u00a0(FIN)<\/p>\n

Performances:<\/strong> June 9th at 9 p.m. (premiere), June 10th at 9 p.m., June 11th at 9 p.m., June 12th at 8 p.m. (live stream), June 14th at 9 p.m., June 15th at 9 p.m., June 16th at 9 p.m. Tickets are available at Fienta<\/a>.<\/p>\n

Thank you: Ana Sanchez-Colberg, Giacomo Veronesi, J\u00fcri Nael, John Vomero and PESACO.NET<\/p>\n

Seren Oroszvary<\/strong>\u00a0(1994) is an actor, writer and theatre maker who grew up in Melbourne, Australia. After completing a BA in Creative Writing, Seren relocated to Europe to pursue her interest in european film and theatre practices and explore her Hungarian and Irish roots. Seren attended film and theatre school in Denmark and has lived in and collaborated on various projects in Melbourne, London, Edinburgh, Copenhagen, Malm\u00f6 and Tallinn. Seren\u2019s practice interweaves a number of mediums to create performance; she is particularly interested in the disciplines of film, architecture and writing. Her work seeks to offer intimate audience experiences in everyday, unconventional theatre spaces that rearrange the audience\u2019s and the performers\u2019 relationship to each other, to themselves and to the space. Seren\u2019s artistic research lies in discovering ways that shift our physical and cultural perception of these often overlooked everyday (public and private) spaces, with the aim to embrace the current social, urban and ecological climate.<\/p>\n

***<\/p>\n

CPPM Manifestal is a celebratory international festival exploring dance, body, art, sound, multimedia and creativity.
\n2.05\u201317.06.2021
\nhttp:\/\/manifestal.ee<\/a><\/p>\n"}]},"yoast_head":"\nCPPM MANIFESTAL. Seren Oroszvary: A BODY TO DWELL | Estonian Academy of Music and Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eamt.ee\/en\/event\/cppm-manifestal-seren-oroszvary-a-body-to-dwell-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CPPM MANIFESTAL. 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