Improvisation master class. Marc Ribot
03.12.2021 at 12:00
MARC RIBOT (New York, USA)
3 December @12.00-13.30 in C-405
Marc Ribot was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk Realtones, and from 1984 – 1989, of John Lurie’s Lounge Lizards. Between 1979 and 1985, Ribot also worked as a side musician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others.
Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985’s “Rain Dogs”, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Soloman Burke, Neko Case, Diana Krall, Beth Orton, Marianne Faithful, Arto Lindsay, Caetano Veloso, Laurie Anderson, Susana Baca, McCoy Tyner, The Jazz Passengers, Medeski, Martin & Wood, Cibo Matto, Jamaaladeen Tacuma, James Carter, Vinicio Capposella (Italy), Auktyon (Russia), Vinicius Cantuaria, Sierra Maestra (Cuba), Alain Bashung (France), Marisa Monte, Allen Ginsburg, Madeleine Peyroux, Sam Phillips, and more recently Joe Henry, Allen Toussaint, Norah Jones, Akiko Yano, The Black Keys, Jeff Bridges, Jolie Holland, Elton John/Leon Russell, Ceu and many others. Ribot frequently collaborates with producer T Bone Burnett, most notably on Alison Krauss and Robert Plant’s Grammy Award winning “Raising Sand” and regularly works with composer John Zorn.
Marc has released over 25 albums under his own name over a 40-year career, exploring everything from the pioneering jazz of Albert Ayler with his group “Spiritual Unity” (Pi Recordings), to the Cuban son of Arsenio Rodríguez with two critically acclaimed releases on Atlantic Records under “Marc Ribot Y Los Cubanos Postizos”. His avant power trio/post-rock band, Marc Ribot’s Ceramic Dog (Pi Recordings), continues the lineage of his earlier experimental no-wave/punk/noise groups Rootless Cosmopolitans (Island Antilles) and Shrek (Tzadik). Marc’s solo recordings include “Marc Ribot Plays The Complete Works of Frantz Casseus” , “John Zorn’s The Book of Heads” (Tzadik), “Don’t Blame Me” (DIW), “Saints” (Atlantic), “Exercises in Futility” (Tzadik), and his latest “Silent Movies” released in 2010 on Pi Recordings was described as a “down-in-mouth-near masterpiece” by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board. 2014 marked monumental release: “Marc Ribot Trio Live at the Village Vanguard” (Pi Recordings), documenting Marc’s first headline and the return of Henry Grimes at the historical venue in 2012, was included on various Best of 2014 lists such as Downbeat Magazine and NPR’s 50 Favorites.
2018 saw the release of two politically charged albums: “YRU Still Here?” (Northern Spy/Yellowbird), the long awaited third album from Ribot’s post-rock/noise trio Ceramic Dog, and “Songs of Resistance 1942-2018” (featuring guest vocalists Tom Waits, Steve Earle, Meshell Ndegeocello and more on Anti- Records) voicing anger and outrage during these turbulent times, and both albums landing on various Best of 2018 lists including NPR’s All Songs Considered