CPPM GUEST ARTIST
Roel Swanenberg and Arjan Gebraad
Belgium | The Netherlands
Workshop
27.10-01.11.2025
Open class
01.11.2025 19:00
EMTA black box
Roel Swanenberg
Roel Swanenberg (1978) is a multidisciplinary artist, born in the Netherlands, living in Belgium. His practice bridges classical texts, contemporary performance, and pedagogical innovation. With over two decades of experience across the Flemish and Dutch theatre landscapes, his artistic and educational work reflects a deep engagement with embodied storytelling, poetic dramaturgy, site-specific work and audience interaction.
Swanenberg received his initial training in audiovisual arts at LUCA School of Arts in Genk, and later received a professional acting degree at the Maastricht Academy of Performing Arts (2005). He has since collaborated with leading companies such as Het Nationale Theater, Het Nieuwstedelijk, Het Zuidelijk Toneel, Theater Artemis, and Het Toneelhuis. His performance work spans a wide range, from classical adaptations (including Animal Farm and Ronja the Robber’s Daughter) to original productions developed through collective creation and interdisciplinary research.
In 2008, Swanenberg co-founded the theatre company kinderenvandevilla with Wanda Eyckerman, producing critically acclaimed performances such as Alleen op de Wereld and Leeghoofd, the latter of which toured internationally. His recent solo work, Shall I…?, is a research-based performance exploring Shakespeare’s sonnets through the lens of contemporary media, music composition, and an autobiographical narrative.
Parallel to his artistic career, Swanenberg has developed a strong pedagogical practice. He is currently a lecturer at LUCA School of Arts (Genk), where he mentors BA and MA film students in artistic development and directing.
Roel Swanenberg’s work – both on stage and in the studio and classrooms – integrates physical theatre, textual exploration, and improvisation, with a focus on artistic autonomy and cross-disciplinary collaboration.
Arjan Gebraad
Arjan Gebraad (1979), Dutchie, works as a performer, director, teacher and mentor in several disciplines like theatre, dance and circus. Combining his different backgrounds as theorist and as practitioner, he specialises in physical theatre and site-specific art projects.
After studying Cultural Sciences at the University of Tilburg, he studied directing at the Maastricht Academy of Performing Arts, graduating in 2005. After that, he studied with both SITI Company and Mary Overlie, worked on his practice focussing on training of ensembles and the personal development of performers.
This season he worked as a dramaturg for urban dance/hiphop projects, musicians and choreographers, created two short dance movies, coached students at several Bachelor programs, is a board member of a theatre collective that performs instant composition in movement and music for toddlers and their parents, works as a simulation actor for aggression and safety training, is a company member of a research group creating opera with modern music, works as Cowboy at Tilburg Cowboys (an artist collective developing social practise projects) and is the creative owner of The Windmill Collective.
Next to that, he is a father of two and takes care of the household and still is convinced that multitasking is a conceptual lie.
Collaboration: Roel Swanenberg & Arjan Gebraad
Arjan and Roel have collaborated on many occasions: making plays, shooting movies and co-teaching. They have trained extensively in Viewpoints, both with SITI Company and Mary Overlie. They are ambassadors of the Mary Overlie Legacy Project, sharing her work with practitioners across Europe.
They share a professional connection rooted in a mutual interest in embodied storytelling, dramaturgical experimentation, and the intersection of classical and contemporary performance. Both trained within the Dutch and Flemish performing arts tradition, they bring complementary perspectives to the field: Swanenberg as a theatre maker and educator with a focus on audience interaction and poetic structure, and Gebraad as a director and researcher exploring performativity and hybrid forms.
Their collaboration is shaped by an ongoing dialogue around training, creation, and the role of the performer as author. Their synergy exemplifies a long-time partnership: co-teaching modules, co-developing performance-based research, and mentoring emerging artists in methods that foreground embodied awareness, ensemble intelligence, and interdisciplinarity.
About the workshop
“The readiness is all” – Hamlet, Act 5, Scene 2
For this workshop, you will step into the world of Roel Swanenberg and Arjan Gebraad. We will share our knowledge of The Six Viewpoints, the practise and the ideas behind the work as developed by Mary Overlie (1946-2020), an American choreographer rooted in postmodernism.
The Six Viewpoints is a study that establishes and expands the base of performance by inquiring into the vocabulary of the basic materials that are found in the creation of all art. The Viewpoints create a study and work process that encourages the artist to function and define themselves as “observer/participants,” trading in the traditional “creator/originator” function held in modern and classical eras.
We will train by investigating all the materials of Space, Shape, Time, Emotion, Movement and Story and we will create theatrical, performative work while doing so. Our work is defined by the use of composition, site-specific interpretations and physical theatre and movement. By working with different performative disciplines and artists, the scope of our work is broad and deep. We use our approach for theatre, dance, performance and film.
For the workshop we ask you to read as much as you like from the literature list, make sure you have several pairs of comfy training clothes to bring to the studio and make sure to bring notebooks to write stuff down during the breaks. We will take you on a trip that will help you develop your performative skills, your practice in using composition as a tool to create work and to deepen your understanding of The Viewpoints as a practice for making non-hierarchical, postmodern performances.
Professional Development Workshop
This workshop is open to external participants as part of the CPPM Professional Development series, and artists from all fields of the performing arts are warmly invited to join, to deepen their practice, refresh their creative tools, and connect with an international artistic community.
You will participate in the workshop alongside students of the MA in Contemporary Physical Performance Making (CPPM) at the Estonian Academy of Music and Theatre (EAMT). Upon successful completion, you will receive a certificate of attendance issued by EAMT, which will specify the workshop title, tutors, and the total number of contact hours completed.
Please note that places at this workshop are very limited, so we strongly recommend applying early. You can find the full list of all available workshops along with details about the application process on our Professional Development website.
Workshop Details
Dates: 27.10-01.11.2025
Location: Estonian Academy of Music and Theatre | (map)
Duration: 1 week | 6 days | Monday to Saturday | 38 contact hours
Fee: 500 EUR
Workshop Schedule
Monday | 11:00–14:00 and 15:30–19:00 |
Tuesday | 11:00–14:00 and 15:30–19:00 |
Wednesday | 12:00–14:30 and 15:30–19:00 |
Thursday | 11:00–14:00 and 15:30–19:00 |
Friday | 11:00–14:00 and 15:30–19:00 |
Saturday | 14:00–18:00 and 19:00-21:00 OPEN CLASS |
Next performances
- 27.10.2025 at 11:00, workshop starts | EMTA black box
- 01.11.2025 at 19:00, Open Class | EMTA black box