Name, Study Programme | Title |
---|---|
Erik Alalooga |
Application of bricolage as a process method in postdramatic theatre |
Peter Bajetta |
Context-based collaborative composition as a method to spread and incorporate in its practice and fruition ecological issues |
Marcelo Chacur Politano |
Contrasting landscapes: rhythmical dissociation as a tool in textural music composition |
Tuuri Dede |
Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod |
Vittoria Ecclesia |
Iwan Müller’s legacy: a reflection on virtuosity based on his quartets for clarinet and strings |
Anna-Liisa Eller |
Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel |
Svetlana Grigorjeva |
Nüüdistantsu poliitilisus: soolistatud ja klassistatud keha(de) ja kehalisuse performatiivsus 21. sajandil
(The Political Potential of Contemporary Dance: Gendered and Classed Corporeality and its Performativity in the 21st Century)
|
Sten Heinoja |
Pianisti mänguvõtetest Mart Saare klaveriprelüüdide faktuuri väljakujundamisel |
Otto Iivari
Music and Dramatic Art (Composition)
|
Moving sound: A Choreographic Approach to Spatial Electroacoustic Composition |
Kadi Kaja |
Muusikaõpetus eesti õppekeelega eesti üldhariduskoolis 1917–2024. Ajaloolis-analüütiline käsitlus |
Veeda Kala |
Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul |
Saale Konsap |
Rhetorical trajectories of teleological forms in music |
Tatjana Kozlova-Johannes
Music and Dramatic Art (Composition)
|
Loominguline protsess kolme erineva psühholoogilise tüübiga helilooja teose näitel |
Vambola Krigul |
Practical percussion: are we up-do-date? |
Alisson Kruusmaa |
Helilooja töömeetoditest koostöös koreograafiga balleti loomisel |
Maila Laidna |
Analysis of piano duo Anna Klas-Bruno Lukk performance style |
Ilana Lode |
Unsuk Chin’s piano concerto: the pianist’s creative processes in relation to the preparation of the piano score |
Riho Esko Maimets |
Prayer and music: the synthesizing of temporality and atemporality in Composition |
Peeter Margus |
Rahvamuusika interpreteerimine kunstmuusikas George Enescu, Fazil Say ja Eduard Tubina teoste viiulile ja klaverile näitel |
Meeta Morozov |
Musicological Activity in the Musicology Department of the Tallinn State Conservatory and in the Estonian Composers’ Union in 1944–1991 |
Jüri Nael |
Undoing the patterns: Somatic approach to psychophysical phenomenon in acting |
Fabrizio Nastari |
Irony as Creative Element for Music Composition |
Kadri Noormets |
Koos-komponeeritud elulähedane teater |
Momir Novaković
|
An Accordionist’s Approach to Techniques, Sound and Articulation in Selected Keyboard Instruments’ Repertoire |
Tiit Ojasoo |
Applying psychophysical gestures to enrich the artistic fabric of a production in the context of the European city theatre system |
Ene Oltre |
Basics in the music theory teaching for beginners in music schools of Estonia |
Johan Randvere |
The work progress of a pianist in performing musical form of Jaan Rääts’s piano music |
Valle-Rasmus Roots |
Dirigendi strateegiad rütmiliselt keerukate teoste esituseks valmistudes: Lepo Sumera teine sümfoonia |
Heigo Rosin |
Soloist role in forming the sound picture in Erkki-Sven Tüür’s 4th symphony “Magma” |
Ksenia Rossar |
The behaviour of the soprano voice in a partnership with different instruments in the context of a chamber music duet |
Inna Rüü |
Singing repertoire in elementary school from the perspective of children voice range profiles |
Karl Saks |
Auditory and visual theatre from the point of view of cognitive and ecological perception |
Tiiu Sisask |
Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works |
Mantas Šernius |
Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas |
Elo Tepp |
Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance |
Giacomo Veronesi |
The Practice of Etude
|
Ekke Västrik |
Elektroonilise muusika komponeerimisvõtete ja noodikirja arendamine elektroonilise muusika elavas esituses ettekandmiseks, arvestades instrumentide spetsiifikat ja elektroonilise muusika esteetikat |
October 2023 |