Erik Alalooga
Music and Dramatic Art (Theatre)

Application of bricolage as a process method in postdramatic theatre

Giovanni Albini
Music and Dramatic Art (Composition)

Transfiguring traditional music materials. A mathematically informed approach to composition

Kristiina Are
Music and Dramatic Art (Harpsichord)

Possibilities to make dynamics in thorough-bass realization

Peter Bajetta
Music and Dramatic Art (Composition)

Context-based collaborative composition as a method to spread and incorporate in its practice and fruition ecological issues

Vittoria Ecclesia
Music and Dramatic Art (Wind instruments)

Iwan Müller’s legacy: a reflection on virtuosity based on his quartets for clarinet and strings

Anna-Liisa Eller
Music and Dramatic Art (Estonian Kannel)

Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel

Ana Falcon
Music and Dramatic Art (Theatre)

The 360° screenplay – VR screenwriting format based on immersive storytelling

Tze Yeung Ho
Music and Dramatic Art (Composition)

Phonetic features as a tool in music composition: from the perspective of a composer

Piret Jaaks
Music and Dramatic Art (Theatre)

Community engagement practices in dramaturgy

Hanna Junti
Music and Dramatic Art (Theatre)

Movement as a creative agent in performance. An investigation into the ways in which movement centric psychophysical techniques can be applied by a movement director in theatre

Kirke Karja
Music and Dramatic Art (Jazz Music)

Processual elements in jazz improvisation

Saale Konsap
Musicology

Rhetorical trajectories of teleological forms in music

Vambola Krigul
Music and Dramatic Art (Percussions)

Practical percussion: are we up-do-date?

Maila Laidna
Music and Dramatic Art (Chamber Music)

Analysis of piano duo Anna Klas-Bruno Lukk performance style

Ilana Lode
Music and Dramatic Art (Piano)

Unsuk Chin’s piano concerto: the pianist’s creative processes in relation to the preparation of the piano score

Riho Esko Maimets
Music and Dramatic Art (Composition)

Prayer and music: the synthesizing of temporality and atemporality in Composition

Maarja Mitt-Pichen
Music and Dramatic Art (Theatre)

Room as a psycho-technical tool of an actor

Meeta Morozov
Musicology

Musicological Activity in the Musicology Department of the Tallinn State Conservatory and in the Estonian Composers’ Union in 1944–1991

Jüri Nael
Music and Dramatic Art (Theatre)

Undoing the patterns: Somatic approach to psychophysical phenomenon in acting

Fabrizio Nastari
Music and Dramatic Art (Composition)

Irony as Creative Element for Music Composition

Ene Oltre
Musicology

Basics in the music theory teaching for beginners in music schools of Estonia

Johan Randvere
Music and Dramatic Art (Piano)

The work progress of a pianist in performing musical form of Jaan Rääts’s piano music

Heigo Rosin
Music and Dramatic Art (Percussions)

Soloist role in forming the sound picture in Erkki-Sven Tüür’s 4th symphony “Magma”

Ksenia Rossar
Music and Dramatic Art (Chamber Music)

The behaviour of the soprano voice in a partnership with different  instruments in the context of a chamber music duet

Inna Rüü
Musicology

Singing repertoire in elementary school from the perspective of children voice range profiles

Mai Simson
Music and Dramatic Art (Choir Conducting)

Rudolf Tobias’ oratorio “Jona”: different interpretations of the manuscript

Tiiu Sisask
Music and Dramatic Art (Chamber Music)

Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works

Mari-Katrina Suss
Music and Dramatic Art (Chamber Ensemble)

Sonic problems occured when interpreting string quartets by Pēteris Vasks

Mantas Šernius
Music and Dramatic Art (Piano)

Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas

Anneli Tohver
Music and Dramatic Art (Chamber Ensemble)

The pianist and the ballet dancer: specific characteristics of ensemble work

Juhan-Henrik Uppin
Music and Dramatic Art (Folk and Traditional Music

The development of traditional playing style of Teppo-type accordion in 20th century and creating a traditional interpretation

December 2020