Tuuri Dede
Music and Dramatic Art (Voice)

Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod
(Shaping text performance in solo vocal music as a singer’s vocal technical method)

Fortunato Salvador García Piquer
Music and Dramatic Art (Piano)

Deepening Scriabin’s Interpretation: Performance Strategies on Expressing Desire in a Selection of Middle-Period Piano Works

Svetlana Grigorjeva
Music and Dramatic Art  (Theatre)

Sten Heinoja
Music and Dramatic Art (Piano)

Pianisti mänguvõtetest Mart Saare klaveriprelüüdide faktuuri väljakujundamisel
(Features of piano technique in modernist aesthetics. An approach to musical texture in piano preludes by Mart Saar)

Javier Cárcel Hidalgo-Saavedra
Music and Dramatic Art (Theatre)

HIC SUNT LEONES. Researching a practical methodology for devising fluid modes of being in contemporary performance through the Poetics of Unknowing and Co-authorship

Otto Iivari 
Music and Dramatic Art (Composition)

Moving sound: A Choreographic Approach to Spatial Electroacoustic Composition

Doğaç İşbilen
Music and Dramatic Art (Composition)

Acoustic Ecology: Creating Environmental Harmonies

Veeda Kala
Musicology

Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul
(Methods used to achieve text intelligibility in classical singing and their effectiveness assessed by musically trained and untrained listeners)

Kristjan Kannukene
Music and Dramatic Art (Improvisation / viola)

Vioola ja hääle sümbioos

Tatjana Kozlova-Johannes
Music and Dramatic Art (Composition)

Loominguline protsess kolme erineva psühholoogilise tüübiga helilooja teose näitel
(Creative Process, illustrated by work of three composers with different psychological types)

Carolin Krajňák
Musicology

1944. aastal läände põgenenud eesti professionaalsete naispianistide erialasest tegevusest eksiilis

Alisson Kruusmaa
Music and Dramatic Art (Composition)

Helilooja töömeetoditest koostöös koreograafiga balleti loomisel
(Composer’s Working Methods in Collaboration with the Choreographer in Creating Ballet)

Maila Laidna
Music and Dramatic Art (Chamber Music)

Analysis of piano duo Anna Klas-Bruno Lukk performance style

Riho Esko Maimets
Music and Dramatic Art (Composition)

Prayer and music: the synthesizing of temporality and atemporality in Composition

Andres Alexander Metspalu
Music and Dramatic Art (Cello)

Eesti heliloojate teosed soolotšellole: žanrid ja pillikäsitlus

Kadri Noormets
Music and Dramatic Art (Theatre)

Koos-komponeeritud elulähedane teater
(Co-composed life size theatre)

Momir Novaković
Music and Dramatic Art (Accordion)

An Accordionist’s Approach to Techniques, Sound and Articulation in Selected Keyboard Instruments’ Repertoire

Ene Oltre
Musicology

Basics in the music theory teaching for beginners in music schools of Estonia

Toms Ostrovskis
Music and Dramatic Art (Accompaniment Studies)

Issues of Song Cycle Preparation from a Collaborative Pianist’s Perspective as Revealed Through Preparation of Sir Stephen Hough’s Song Cycle “Songs of Love and Loss”

Ksenia Rossar
Music and Dramatic Art (Chamber Music)

The behaviour of the soprano voice in a partnership with different  instruments in the context of a chamber music duet

Francesco Pio Russo
Music and Dramatic Art (Bassoon)

Dynamic Role-Shifting in Free Improvisation: Exploring the Bassoon in Ensemble Performances

Inna Rüü
Musicology

Singing repertoire in elementary school from the perspective of children voice range profiles

Tiiu Sisask
Music and Dramatic Art (Chamber Music)

Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works

Mantas Šernius
Music and Dramatic Art (Piano)

Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas

Elo Tepp
Music and Dramatic Art (Violin)

Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance

Ekke Västrik
Music and Dramatic Art (Composition)

Teosespetsiifilise noodikirja arendamine kui kompositsioonimeetod elektroonilise muusika ettekandmiseks kontserdil
(Developing piece specific score as compositional technique for live performance, in the context of electronic music)

Tuuli Põhjakas
Musicology

Vägivalla anatoomia Eesti metal-muusika skeenes: rituaalse, vaimse ja füüsilise agressiooni seosed misogüünia ja poliitilise radikaliseerumisega
(The Anatomy of Violence in the Estonian Metal Music Scene: Mapping the Links Between Music and Ritual, Psychological, and Physical Aggression, Misogyny, and Radicalization)

Aurora Ruus
Musicology

Mimees muusikaesteetikas
(Mimesis in Music Aesthetics)

Kristin Müürsepp
Music and Dramatic Art (Flute)

Kehalise muusikalise taju teadvustamine: protsesside mõju flötisti tehnilisele sooritusele ja interpretatsioonile
(Awareness of Musical Embodiment: The Influence of Bodily Processes on the Flutist’s Technical Performance and Interpretation)

Henri Hütt
Music and Dramatic Art (Theatre)

Tehisintellekti ja inimese koosloome strateegiad kaasaegses etenduskunstis
(Strategies for Human and AI Co-Creation in Contemporary Performing Arts)

Greete Nõgene
Musicology/Knowledge Transfer

Täiskasvanud publiku kuulamisoskuse kujunemine klassikalise muusika kontekstis: praktikapõhine disainiuurimus
(The Development of Classical Music Listening Skills among Adult Audiences)