Erik Alalooga
Music and Dramatic Art (Theatre)

Application of bricolage as a process method in postdramatic theatre

Kristiina Are
Music and Dramatic Art (Harpsichord)

Possibilities to make dynamics in thorough-bass realization

Peter Bajetta
Music and Dramatic Art (Composition)

Context-based collaborative composition as a method to spread and incorporate in its practice and fruition ecological issues

Marcelo Chacur Politano
Music and Dramatic Art (Composition)

Contrasting landscapes: rhythmical dissociation as a tool in textural music composition

Tuuri Dede
Music and Dramatic Art (Voice)

Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod

Vittoria Ecclesia
Music and Dramatic Art (Wind instruments)

Iwan Müller’s legacy: a reflection on virtuosity based on his quartets for clarinet and strings

Anna-Liisa Eller
Music and Dramatic Art (Estonian Kannel)

Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel

Ana Victoria Falcon Araujo
Music and Dramatic Art (Theatre)

The 360° play  – A writing toolkit for non-interactive Virtual Reality theater

Sten Heinoja
Music and Dramatic Art (Piano)

Pianisti mänguvõtetest Mart Saare klaveriprelüüdide faktuuri väljakujundamisel

Kadi Kaja
Musicology

Muusikaõpetus eesti õppekeelega eesti üldhariduskoolis 1917–2024. Ajaloolis-analüütiline käsitlus

Veeda Kala
Musicology

Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul
(Methods used to achieve text intelligibility in classical singing and their effectiveness assessed by musically trained and untrained listeners)

Saale Konsap
Musicology

Rhetorical trajectories of teleological forms in music

Vambola Krigul
Music and Dramatic Art (Percussions)

Practical percussion: are we up-do-date?

Alisson Kruusmaa
Music and Dramatic Art (Composition)

Helilooja töömeetoditest koostöös koreograafiga balleti loomisel

Maila Laidna
Music and Dramatic Art (Chamber Music)

Analysis of piano duo Anna Klas-Bruno Lukk performance style

Ilana Lode
Music and Dramatic Art (Piano)

Unsuk Chin’s piano concerto: the pianist’s creative processes in relation to the preparation of the piano score

Riho Esko Maimets
Music and Dramatic Art (Composition)

Prayer and music: the synthesizing of temporality and atemporality in Composition

Peeter Margus
Violin

Rahvamuusika interpreteerimine kunstmuusikas George Enescu, Fazil Say ja Eduard Tubina teoste viiulile ja klaverile näitel
(Interpretation of Folk Music in Classical Music Based on the Works by George Enescu, Fazil Say and Eduard Tubin for Violin and Piano)

Meeta Morozov
Musicology

Musicological Activity in the Musicology Department of the Tallinn State Conservatory and in the Estonian Composers’ Union in 1944–1991

Jüri Nael
Music and Dramatic Art (Theatre)

Undoing the patterns: Somatic approach to psychophysical phenomenon in acting

Fabrizio Nastari
Music and Dramatic Art (Composition)

Irony as Creative Element for Music Composition

Kadri Noormets
Theatre

Koos-komponeeritud elulähedane teater
(Co-composed life size theatre)

Tiit Ojasoo
Music and Dramatic Art (Theatre)

Applying psychophysical gestures to enrich the artistic fabric of a production in the context of the European city theatre system

Ene Oltre
Musicology

Basics in the music theory teaching for beginners in music schools of Estonia

Johan Randvere
Music and Dramatic Art (Piano)

The work progress of a pianist in performing musical form of Jaan Rääts’s piano music

Valle-Rasmus Roots
Conducting

Dirigendi strateegiad rütmiliselt keerukate teoste esituseks valmistudes: Lepo Sumera teine sümfoonia
(Conductors strategies in preparing for the performance of rhytmically complex works: Lepo Sumera’s Second Symphony)

Heigo Rosin
Music and Dramatic Art (Percussions)

Soloist role in forming the sound picture in Erkki-Sven Tüür’s 4th symphony “Magma”

Ksenia Rossar
Music and Dramatic Art (Chamber Music)

The behaviour of the soprano voice in a partnership with different  instruments in the context of a chamber music duet

Inna Rüü
Musicology

Singing repertoire in elementary school from the perspective of children voice range profiles

Karl Saks
Music and Dramatic Art (Theatre)

Auditory and visual theatre from the point of view of cognitive and ecological perception

Mai Simson
Music and Dramatic Art (Choir Conducting)

Rudolf Tobias’ oratorio “Jona”: different interpretations of the manuscript

Tiiu Sisask
Music and Dramatic Art (Chamber Music)

Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works

Mantas Šernius
Music and Dramatic Art (Piano)

Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas

Elo Tepp
Music and Dramatic Art (Violin)

Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance

Giacomo Veronesi
Music and Dramatic Art (Theatre)

The Practice of Etude

Ekke Västrik
Electroacoustic Composition

Elektroonilise muusika komponeerimisvõtete ja noodikirja arendamine elektroonilise muusika elavas esituses ettekandmiseks, arvestades instrumentide spetsiifikat ja elektroonilise muusika esteetikat
(Developing electronic music composition techniques and notation for live performance, considering electronic music aesthetics and instrument specifics)

September 2022