Marcelo Chacur Politano
Music and Dramatic Art (Composition)

Contrasting landscapes: rhythmical dissociation as a tool in textural music composition

Tuuri Dede
Music and Dramatic Art (Voice)

Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod
(Shaping text performance in solo vocal music as a singer’s vocal technical method)

Anna-Liisa Eller
Music and Dramatic Art (Estonian Kannel)

Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel

Fortunato Salvador García Piquer
Music and Dramatic Art (Piano)

Deepening Scriabin’s Interpretation: Performance Strategies on Expressing Desire in a Selection of Middle-Period Piano Works

Svetlana Grigorjeva
Music and Dramatic Art  (Theatre)

Sten Heinoja
Music and Dramatic Art (Piano)

Pianisti mänguvõtetest Mart Saare klaveriprelüüdide faktuuri väljakujundamisel
(Features of piano technique in modernist aesthetics. An approach to musical texture in piano preludes by Mart Saar)

Moving sound: A Choreographic Approach to Spatial Electroacoustic Composition

Doğaç İşbilen
Music and Dramatic Art (Composition)

Acoustic Ecology: Creating Environmental Harmonies

Jaanika Juhanson
Music and Dramatic Art (Theatre)

Ligipääsetava ja kaasava lavastamise ja lavastusmudeli loomine koostöös puuetega inimeste kogukondadega
(Creating an accessible and inclusive staging and production model in partnership with disabled communities)

Kadi Kaja
Musicology

Muusikaõpetus eesti õppekeelega eesti üldhariduskoolis 1917–2024. Ajaloolis-analüütiline käsitlus
(Music education in Estonian general comprehensive schools (with instruction in Estonian) in 1917–2024. Historical-analytical approach)

Veeda Kala
Musicology

Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul
(Methods used to achieve text intelligibility in classical singing and their effectiveness assessed by musically trained and untrained listeners)

Loominguline protsess kolme erineva psühholoogilise tüübiga helilooja teose näitel
(Creative Process, illustrated by work of three composers with different psychological types)

Vambola Krigul
Music and Dramatic Art (Percussions)

Practical percussion: are we up-do-date?

Alisson Kruusmaa
Music and Dramatic Art (Composition)

Helilooja töömeetoditest koostöös koreograafiga balleti loomisel
(Composer’s Working Methods in Collaboration with the Choreographer in Creating Ballet)

Maila Laidna
Music and Dramatic Art (Chamber Music)

Analysis of piano duo Anna Klas-Bruno Lukk performance style

Riho Esko Maimets
Music and Dramatic Art (Composition)

Prayer and music: the synthesizing of temporality and atemporality in Composition

Peeter Margus
Violin

Rahvamuusika interpreteerimine kunstmuusikas George Enescu, Fazil Say ja Eduard Tubina teoste viiulile ja klaverile näitel
(Interpretation of Folk Music in Classical Music Based on the Works by George Enescu, Fazil Say and Eduard Tubin for Violin and Piano)

Kadri Noormets
Theatre

Koos-komponeeritud elulähedane teater
(Co-composed life size theatre)

Momir Novaković
Music and Dramatic Art (Accordion)

An Accordionist’s Approach to Techniques, Sound and Articulation in Selected Keyboard Instruments’ Repertoire

Tiit Ojasoo
Music and Dramatic Art (Theatre)

Applying psychophysical gestures to enrich the artistic fabric of a production in the context of the European city theatre system

Ene Oltre
Musicology

Basics in the music theory teaching for beginners in music schools of Estonia

Toms Ostrovskis
Music and Dramatic Art (Accompaniment Studies)

Issues of Song Cycle Preparation from a Collaborative Pianist’s Perspective as Revealed Through Preparation of Sir Stephen Hough’s Song Cycle “Songs of Love and Loss”

Valle-Rasmus Roots
Music and Dramatic Art (Conducting)

Dirigendi strateegiad rütmiliselt keerukate teoste esituseks valmistudes: Lepo Sumera teine sümfoonia
(Conductors strategies in preparing for the performance of rhytmically complex works: Lepo Sumera’s Second Symphony)

Ksenia Rossar
Music and Dramatic Art (Chamber Music)

The behaviour of the soprano voice in a partnership with different  instruments in the context of a chamber music duet

Francesco Pio Russo
Music and Dramatic Art (Bassoon)

Dynamic Role-Shifting in Free Improvisation: Exploring the Bassoon in Ensemble Performances

Inna Rüü
Musicology

Singing repertoire in elementary school from the perspective of children voice range profiles

Karl Saks
Music and Dramatic Art (Theatre)

Auditory and visual theatre from the point of view of cognitive and ecological perception

Tiiu Sisask
Music and Dramatic Art (Chamber Music)

Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works

Mantas Šernius
Music and Dramatic Art (Piano)

Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas

Elo Tepp
Music and Dramatic Art (Violin)

Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance

Maarja Tyler
Musicology

Soviet Estonian Music in the 1960s: Adoption of Modernism in Arvo Pärt’s Creative Journey?

Ekke Västrik
Composition

Teosespetsiifilise noodikirja arendamine kui kompositsioonimeetod elektroonilise muusika ettekandmiseks kontserdil
(Developing piece specific score as compositional technique for live performance, in the context of electronic music)