| Name, Study Programme | Title | 
|---|---|
Marcelo Chacur Politano  | 
                    Contrasting landscapes: rhythmical dissociation as a tool in textural music composition  | 
                  
Tuuri Dede  | 
                    Tekstiesituse kujundamine soolovokaalmuusikas kui laulja vokaaltehniline meetod  | 
                  
Anna-Liisa Eller  | 
                    Arrangements from 17th and 18th century instrumental music to Estonian chromatic kannel  | 
                  
Fortunato Salvador García Piquer  | 
                    Deepening Scriabin’s Interpretation: Performance Strategies on Expressing Desire in a Selection of Middle-Period Piano Works  | 
                  
Svetlana Grigorjeva  | 
                    Nüüdistantsu poliitilisus: soolistatud ja klassistatud keha(de) ja kehalisuse performatiivsus 21. sajandil 
(The Political Potential of Contemporary Dance: Gendered and Classed Corporeality and its Performativity in the 21st Century) 
 | 
                  
Sten Heinoja  | 
                    Pianisti mänguvõtetest Mart Saare klaveriprelüüdide faktuuri väljakujundamisel  | 
                  
Javier Cárcel Hidalgo-Saavedra   | 
                    HIC SUNT LEONES. Researching a practical methodology for devising fluid modes of being in contemporary performance through the Poetics of Unknowing and Co-authorship  | 
                  
Otto Iivari   | 
                    Moving sound: A Choreographic Approach to Spatial Electroacoustic Composition  | 
                  
Doğaç İşbilen  | 
                    Acoustic Ecology: Creating Environmental Harmonies  | 
                  
Jaanika Juhanson  | 
                    Ligipääsetava ja kaasava lavastamise ja lavastusmudeli loomine koostöös puuetega inimeste kogukondadega  | 
                  
Kadi Kaja  | 
                    Muusikaõpetus eesti õppekeelega eesti üldhariduskoolis 1917–2024. Ajaloolis-analüütiline käsitlus  | 
                  
Veeda Kala  | 
                    Klassikalise laulu tekstiselguse saavutamise meetodid ja nende tulemuslikkus muusikaliselt treenitud ja treenimata kuulajate hinnangul  | 
                  
Kristjan Kannukene   | 
                    Vioola ja hääle sümbioos  | 
                  
Tatjana Kozlova-Johannes  | 
                    Loominguline protsess kolme erineva psühholoogilise tüübiga helilooja teose näitel  | 
                  
Carolin Krajňák   | 
                    1944. aastal läände põgenenud eesti professionaalsete naispianistide erialasest tegevusest eksiilis  | 
                  
Vambola Krigul  | 
                    Practical percussion: are we up-do-date?  | 
                  
Alisson Kruusmaa  | 
                    Helilooja töömeetoditest koostöös koreograafiga balleti loomisel  | 
                  
Maila Laidna   | 
                    Analysis of piano duo Anna Klas-Bruno Lukk performance style  | 
                  
Riho Esko Maimets   | 
                    Prayer and music: the synthesizing of temporality and atemporality in Composition  | 
                  
Peeter Margus  | 
                    Rahvamuusika interpreteerimine kunstmuusikas George Enescu, Fazil Say ja Eduard Tubina teoste viiulile ja klaverile näitel  | 
                  
Andres Alexander Metspalu   | 
                    Eesti heliloojate teosed soolotšellole: žanrid ja pillikäsitlus  | 
                  
Kadri Noormets  | 
                    Koos-komponeeritud elulähedane teater  | 
                  
Momir Novaković 
  | 
                    An Accordionist’s Approach to Techniques, Sound and Articulation in Selected Keyboard Instruments’ Repertoire  | 
                  
Tiit Ojasoo  | 
                    Applying psychophysical gestures to enrich the artistic fabric of a production in the context of the European city theatre system  | 
                  
Ene Oltre   | 
                    Basics in the music theory teaching for beginners in music schools of Estonia  | 
                  
Toms Ostrovskis  | 
                    Issues of Song Cycle Preparation from a Collaborative Pianist’s Perspective as Revealed Through Preparation of Sir Stephen Hough’s Song Cycle “Songs of Love and Loss”  | 
                  
Valle-Rasmus Roots  | 
                    Dirigendi strateegiad rütmiliselt keerukate teoste esituseks valmistudes: Lepo Sumera teine sümfoonia  | 
                  
Ksenia Rossar  | 
                    The behaviour of the soprano voice in a partnership with different instruments in the context of a chamber music duet  | 
                  
Francesco Pio Russo  | 
                    Dynamic Role-Shifting in Free Improvisation: Exploring the Bassoon in Ensemble Performances  | 
                  
Inna Rüü  | 
                    Singing repertoire in elementary school from the perspective of children voice range profiles  | 
                  
Karl Saks  | 
                    Auditory and visual theatre from the point of view of cognitive and ecological perception  | 
                  
Tiiu Sisask  | 
                    Performance-related Issues in Piano Duo Performance of 20 and 21 Century Works  | 
                  
Mantas Šernius  | 
                    Interpretational strategies concerning the performing of solo piano music by Stasys Vainiūnas  | 
                  
Elo Tepp  | 
                    Edition by Ferdinand David of the works for violin solo by Johann Sebastian Bach as their earliest documented performance  | 
                  
Maarja Tyler  | 
                    Soviet Estonian Music in the 1960s: Adoption of Modernism in Arvo Pärt’s Creative Journey?  | 
                  
Ekke Västrik  | 
                    Teosespetsiifilise noodikirja arendamine kui kompositsioonimeetod elektroonilise muusika ettekandmiseks kontserdil  |