Ajastamine klaveriõpetuses ja interpretatsioonis

Maht: 30 akadeemilist tundi kontaktõpet, 15 tundi iseseisvat tööd

Aeg: 20.-23. august 2026

Koht: Eesti Muusika- ja Teatriakadeemia

Õppekeel: inglise keel

Lektorid: Penelope Roskell, Sten Lassmann, Isabel Gabbe, Alberto Urroz, Tuire Ranta-Meyer

Õpperühma suurus: 50

Sihtgrupp: erineva töökogemusega – nii vähese kui ka pikaaegse töökogemusega huvikoolide klaveriõpetajad.

Koolitus viiakse läbi Euroopa Liidu programmi „Täiskasvanuhariduse arendamine ja mitteformaalsete õppimisvõimaluste pakkumine” (programm VÕTI) raames ning on osalejale tasuta.

Õppekohta vastu võttes kinnitate, et osalete õppes vähemalt 70% ulatuses ja lõpetate koolituse saavutades õppekavas märgitud õpiväljundid. Kursuse katkestamisel on akadeemial õigus esitada osalejale arve kursuse maksumuse ulatuses.

Kursuse eesmärgid on anda õppeaasta alguses lai valik värskeid impulsse pedagoogiliseks tööks nii noortele kui ka pikaaegse töökogemusega tegevõpetajatele. Kursusel esitletakse laia spektrit oluliste ja aktuaalsete teemade tänapäevastest käsitlustest nii rahvusvaheliste kui kodumaiste oma ala tippspetsialistide poolt.

Õppevormideks on loengud, esitlused, praktilised seminarid, töötoad ja interpretatsioonisessioonid gruppides.

Õpiväljundid

Kursuse läbinud klaveriõpetaja:

• analüüsib ajastamise erinevaid aspekte klaveripedagoogikaga ja interpretatsiooniga seotud õpiolukordades;
• määratleb klaveriõpilase arengupotentsiaali tuginedes Euroopa kolleegide rikkalikule kogemuste ja näidete valikule;
• kasutab põhjamaise klaverirepertuaari näiteid pedagoogilises protsessis.

Lõpetamisel väljastatavad dokumendid

Kursuse lõpetajale väljastatakse EMTA elukestva õppe keskuse tunnistus koos hinnetelehega.

Õppekava juht on Eesti Muusika- ja Teatriakadeemia interpretatsioonipedagoogika eriala õppejuht professor Lembit Orgse.

Lembit Orgse (1960) on lõpetanud Tallinna Muusikakeskkooli Reet Vanaselja ja prof Bruno Luki õpilasena ning Tallinna Konservatooriumi (nüüdne EMTA) prof Bruno Luki ja Kalle Randalu klaveriklassis. Aastatel 1988–1990 täiendas ta end Peterburi Konservatooriumis assistentuur-stažuuris prof Vladimir Nilseni juhendamisel. 2004. aastal jätkas Orgse õpinguid EMTA doktorantuuris. Johann Sebastian Bachi ornamentatsiooni ja generaalbassi käsitleva doktoritöö kaitses ta edukalt 2013. aastal. Orgse on 1982. aasta Čiurlionise-nimelise konkursi laureaat. Ta on esinenud nii Eestis kui ka välismaal pianisti ja klavessinistina erinevate solistide, ansamblite ja orkestritega, teiste seas koos Tallinna keelpillikvarteti, Rahvusooper Estonia puhkpillikvinteti, Hortus Musicuse, ERSO, Tallinna Barokkorkestri ja Corelli Consortiga. Hinnatud varajase muusika ja basso continuo mängijana on teda kutsutud esinema paljude suurvormide (Bachi passioonid, kantaadid, Händeli oratooriumid jt) ettekannetele. Orgse muusikalise tegevuse kaalukamateks Johann Sebastian Bachiga seotud kontserdiprojektideks on olnud prantsuse ja inglise süitide ettekanded sarjas „Tantsud klahvidel“, kõikide kammersonaatide esitused koos eesti väljapaistvate keelpilli- ja puhkpillisolistidega ning klavessiinikontsertide esitused koostöös Klaaspärlimäng Sinfoniettaga Tallinna Bachi festivalidel ja Mustonenfestil. Orgse viimaste aastate kontserttegevuses on olulisel kohal sooloõhtud, kus on kõlanud Carl Philipp Emanuel Bachi, Haydni, Mozarti ja Clementi looming haamerklaveril. Lembit Orgse on tuntud ka kui klaveriõppejõud. Tema õpilased on silma paistnud riiklikel ja rahvusvahelistel konkurssidel. Hetkel töötab Orgse professorina EMTA klaveri- ja klahvpillimuusika ajaloo õppejõu ning interpretatsioonipedagoogika õppejuhina. Ta on hinnatud lektor ja meistrikursuste läbiviija. Tema loengute teemad hõlmavad barokkja klassikalise muusika (Bach ja Haydn) interpretatsiooni ning teisi klahvpillimetoodika küsimusi.

Acclaimed Spanish pianist Alberto Urroz is a solo artist, also active as chamber and vocal collaborator, who has delighted audiences and critics throughout Europe, Asia and America.  

A successful debut in 2008 at Carnegie Hall boosted his international career, been commissioned by important cultural institutions such as the Prado Museum, the Juan March Foundation, the Cervantes, Camoes and Italian Institutes of Culture, the German Embassy in Madrid, etc. He has performed in such halls as the Madrid National Auditorium, the Weill Recital Hall (NY), Salle du Munsterhof (Strasburg), the Sejong Center (Seoul), the Tel Aviv Philarmonie (Israel), the Cultural Center of the Philippines (Manila), etc. 

Mr. Urroz’s discography includes works by Scarlatti, Sánchez Allú, Brahms (complete violin sonatas), Pauline Viardot, Albéniz, Granados, Falla and Mompou. In 2026, two new recordings will be released: the Goldberg Variations by Bach and a world premier recording of XIX Century Spanish violin and piano sonatas.  

Alberto Urroz is Founder and Artistic Director of the Mendigorria International Music Festival. President of EPTA Spain, Urroz was granted an honorary award to the best Doctoral Thesis for his dissertation “Optimization of the didactic-learning process of piano technique”. Piano professor at Alfonso X University and Arturo Soria Conservatory in Madrid, he is regularly invited as a piano teacher, lecturer and jury in Spain, Portugal, Italy, Albania, Denmark, Norway, Finland, Iceland, USA and South Korea. Alberto Urroz studied at Madrid Royal Conservatory, Tel Aviv University and in New York with Joaquín Soriano, Pnina Salzman, György Sándor and Oxana Yablonskaya.

 Isabel Gabbe is a German-French pianist and pedagogue whose artistic work is shaped by the conviction that music enables communication beyond linguistic boundaries. Equally active as a soloist, chamber musician, and lied accompanist, she was appointed Professor of Piano and Piano Pedagogy at the Mozarteum University in 2016 and has directed its Innsbruck department since 2018. She currently also serves as Vice President of EPTA Austria and works as certified Music Physiologist. 

Gabbe has extensive teaching experience across music universities, conservatories and music-schools. From 2009 to 2014 she served as coordinator and member of the artistic-pedagogical leadership of the Education Program of the Klavier-Festival Ruhr, where she continues to train educators in creative music-making with children. 

She founded the chamber music festival Moments Musicaux in France, leading it from 2005 to 2017, and has been its honorary president since 2023. The festival fostered artistic encounters between distinguished performers and emerging talents through innovative programming featuring both well-known and rarely heard repertoire. 

Gabbe performs widely throughout Europe, Brazil, and the United States, appearing in major halls including the Berlin Philharmonie, Konzerthaus Berlin, Die Glocke Bremen, Munich’s Herkulessaal, Cologne Philharmonie, and Teatro Guaíra. She is a prizewinner of several national and international competitions, among them the Bremen Piano Competition and duo competitions in Barcelona, Caltanissetta, and the German Music Council. 

Her discography includes radio and TV recordings as well as several commercial CDs. Her pedagogical publications appear with Schott and Waxmann.

Dr. Tuire Ranta-Meyer (Ph.D., Adjunct Professor, MMus.) is Principal Lecturer at Helsinki Metropolia University of Applied Sciences. She has worked as a professional executive within higher education and the arts and creative industries already more than 30 years. 

She worked at the Sibelius Academy for 11 years especially within the Centre for Continuing Education, and since 1999 she worked as the director for the biggest faculty of culture and creative industries in Finland among all Universities of Applied Sciences. Since 2013 she was responsible for stakeholder relations and strategic partnerships and working directly with the President of Helsinki Metropolia University of Applied Sciences. Today she is Principal Lecturer at the same institution.

Ranta-Meyer has done her Ph.D. in musicology at Jyväskylä University, her master´s degree of arts research at Helsinki University and her master’s degree in music education and piano pedagogy at the Sibelius Academy. Her research has concentrated on composer Erkki Melartin but contains also wide range of publications all the way from Finnish music history to societal influence of culture and higher education. 

She is an adjunct professor at Jyväskylä University and acted eight years as chief editor of the peer-reviewed journal Musiikki. She has been chair of Erkki Melartin society since 2007, board member of the UAS Journal Editorial Group and Savonlinna Music Academy. In August 2025 she published the first ever written Melartin biography “Niin nuori, niin palava” (So young, so fiery. The life, wor and music of Erkki Melartin) with its 788 pages. 

Penelope Roskell is Chair of EPTA-UK, President-Elect of EPTA Europe and Professor of Piano and Piano Pedagogy at Trinity Laban Conservatoire of Music and Dance in London. Her award-winning book The Complete Pianist: from healthy technique to natural artistry was described as ‘an encyclopaedic masterpiece of pianistic wisdom’ by Piano Magazine, USA.  More recently, her series of books for beginners and intermediates, ‘Essential Piano Technique’ won the 2023 Presto Music award for Best New Educational Publication. 

Professor Roskell is a world-renowned specialist in playing-related injuries and injury prevention.  She is piano consultant to the British Association for Performing Arts Medicine where she runs a pianists’ clinic. She gives presentations and lectures throughout the world: at universities and conservatoires, teaching organisations and conferences including MTNA, NCKP, PAMA and EPTA.  Her other publications include a book on ergonomic fingering, ‘The Art of Piano Fingering’, and online courses on ‘Teaching healthy, expressive piano technique’, ‘Foundations in Piano Technique’ and ‘Yoga for Musicians’. Her series ‘Pillars of Technique’ is featured on Tonebase, USA. 

Since her professional debut aged 19 as soloist with Sir Simon Rattle conducting, Penelope has performed as soloist in major venues in over thirty-five countries. 

Penelope is Director of the Roskell Academy which offers training, resources, certification and a supportive community for teachers wishing to adopt a more holistic, healthy and inspiring approach to their teaching.

www.roskellacademy.com

Sten Lassmann on Eesti üks väljapaistvamaid pianiste, kes on soosiva tähelepanu osaliseks saanud nii kodu- kui ka välismaal. Lassmann on edukalt andnud soolo- ja kammerkontserte ning soleerinud paljude orkestrite ees. Ta on esinenud sellistes mainekates kontserdipaikades nagu Moskva Konservatooriumi suur ja väike saal, Purcell Room Londonis, Giuseppe Verdi saal Milanos, Glenn Gould Studio Torontos ja Keelatud Linna kontserdisaal Pekingis. Sten Lassmann on süvenenult tegelenud Heino Elleri klaveriloomingu esitamise, salvestamise, uurimise ja tutvustamisega ning on salvestanud kogu Elleri klaverimuusika ― 206 teost. Elleri klaverimuusika oli Lassmanni doktoritöö aluseks Londoni Kuninglikus Muusikaakadeemias (filosoofiadoktori kraad esituspraktikas, 2013) ning vahemikus 2011―2023 andis ta Londonis koostöös plaadifirmaga Toccata Classics välja üheksast CD-plaadist koosneva sarja „Heino Eller – Complete Piano Music“. 2024. a.