Ürituste arhiiv

Doktoriõppe konverentsid

VIII Conference of Doctoral Students 2021
VII Conference of Doctoral Students 2020
VI Conference of Doctoral Students 2019
V Conference of Doctoral Students 2018
IV Conference of Doctoral Students 2017
Doktorantide III konverents 2016
Doktorantide II konverents abstraktid 2015
Muusikadoktorantide I konverents 2014


Külalisloengud ja seminarid


26.-28. aprillil 2021 toimus Marion Jõepera töötuba “Dramaturgy as user Experience Design. Lisainfo

23.-24. aprillil 2021 toimus ooperiseminar “Opera as Imagination and Realization 2”. Lisainfo


9.-10. novembril 2020 toimus Hanna Guttormi (Helsinki Ülikool) seminar “Writing in artistic (and autoethnographic) research”. Lisainfo


16.–18.12.2019 „Introduction to Artistic Research: Methods and Approaches“
Prof. Ana Sánchez-Colberg
The seminar introduced participants to the concept of artistic research and its relationship to other modes of investigation (scientific, practice-based research, etc). The seminar was structured as a series of provocations addressing specific issues/topics followed by breakaway groups for discussion/instances of practice. A key aim was to further understanding of how critical concepts intertwine with practice.

18.–20.10.2019 „Seminar Opera as Imagination and Realization“
The interdisciplinary seminar aimed to bring together librettists, dramaturges, composers, directors, set designers, conductors and singers to discuss, what does opera/ music theatre  mean for them, what kind of experience do they have. The goal of the seminar is to help young composers, librettists et al. find their path in music theatre. Presentations and round tables with Juhani Nuorvala, Helena Tulve, Bettina Bartz, Stephan Dörschel, Michiel Dijkema, Maarja Kangro, Lilja Blumenfeld, Harry Liivrand et al. Rohkem infot

18.–19.02.2019 „Seminar on autoethnography“
DMus. Päivi Järviö, Sibelius Academy
”One of the focal points in a musicians doctoral project is one’s own experience which affects not only the artistic decisions but often also the choices made during the research. This seminar aims at exploring and developing the modes of the musician of researching and verbalizing their own experience. Research texts based on a researcher’s own experience as well as the foundations and challenges of research and writing based on a musician’s own experience will be discussed. Texts based on each student’s own doctoral project will be produced.” Rohkem infot


19.–22.11.2018  Muusikateaduse eriseminar DOK431, MTX771, 772. „Playing expressively. Performing conventions in Western Music from 1700 to 1950“
Prof. Dr. Dominik Sackmann, Zürich
Käsitletavad teemad:
* Introduction: Musical Text and Interpretation
* Accents
* Bars and phrases
* From Ornamentation to Improvisation
* Tempo and tempo modifications
* Cadenzas
* Musical rhetoric
* Non-expressive playing

9.11.2018 Loeng-etendus “Sisenemine sisenemisse” ja ümarlaud doktorantidele
Loeng-etendus “Sisenemine sisenemisse” (autorid ja etendajad Henri Hütt, Veiko Tubin). Etendusele järgnes ümarlaud ja diskussioon doktorikooli liikmetele ja magistrantidele, seostades lavastuse temaatika muusikapsühholoogia, semiootika ja teatriajalooga.

28.10–3.11.2018 „Rahvusvahelise Nüüdismuusika Festivali AFEKT2018 sümpoosion“
Sümpoosion keskendus festivali peaheliloojate Helmut Lachenmanni, Rebecca Saundersi ja Enno Poppe loomingule. Rohkem infot

12.06.2018 „Konsultatsioonid loomepõhises uurimistöös“
Peter Dejans, Orpheuse instituut, Gent
Orpheuse instituudi direktor Peter Dejans annab loomingulise suuna doktorantidele konsultatsioone. Ta osaleb ka järgmisel päeval toimuval Jonathan Hendersoni loomepõhise uurimistöö kaitsmisel ning doktoriõppekava nõukogu koosolekul.

23.–26.04.2018 „Muusikateaduse eriseminar / Musicology Special Seminars (MTX771, MTX772, DOK431)“
Richard Taruskin 16.15–18.30 A-402
23.04    The History of What? – On music historiography
24.04    How Things Stand Now – On performance practice
25.04    But Aren’t All Traditions Invented? – On musical transmission
26.04    Essence or Context – On musical ontology

16.–20.04.2018 „Zenaida des Aubris karjäärinõustamise seminar“
Opera Singer & Musician Career Seminar / How to kickstart your professional career
Zenaida des Aubris (Berlin)

5.–9.03.2018 „Muusikateaduse eriseminar / Musicology Special Seminars (MTX771, MTX772, DOK431)“
Prof dr Oliver Korte (Lübecki Muusikakõrgkool)
Carl Friedrich Weitzmann, his theoretical explanations of Liszt’s „Music of the future“ – and what Neo-Riemannian theory made of it
Monday, 5.03. C207: „Carl Friedrich Weitzmann, Franz Liszt, and the augmented triad”
Tuesday, 6.03. A402: “Weitzmann-Regions, hexatonic cycles, and their historical emergence. Modulations, sequential models etc.”
Wednesday, 7.03. C207: “Boretz-spiders, octatonic cycles, and their historical emergence. Modulations, sequential models etc.”
Thursday, 8.03. C207: “Workshop with compositions/musical sketches of the participants”
Friday, 9.03. C207: “Leaving the boundaries of tonality. Principles of evenness and symmetry in the music of the early 20th century“


18.–20.04.2017 „Ooperi lavale toomine ideest esietenduseni / Practical Opera Production. From first draft till opening night“
Eriseminar /Special seminar DOK431
Dr. Boris Kehrmann (Berlin/Karlsruhe)
Badeni Riigiteatri ooperidramaturg/ Dramaturg at the Badisches Staatstheater Karlsruhe
Teisipäeval/Tuesday, 18.04. kell 14.30–18.00 C105
Kolmapäeval/Wednesday, 19.04. kell 14.30–18.00 A103
Neljapäeval/Thursday, 20.04. kell 14.30–16.00 C105
Sissejuhatav loeng (eesti k) esmaspäeval, 17.04 14.30–16.00 C105 (Kristel Pappel): Verdi “Macbeth”, Meyerbeeri “Prohvet” (“Le prophète”), Wagneri “Reini kuld”  (“Rheingold”) ja “Valküür” (“Die Walküre”)
Introduction to the seminar (in English): Monday, 17.04. 16.15–18.00 C105 (Kristel Pappel): Verdi’s “Macbeth”, Meyerbeer’s “Le prophète”, Wagner’s “Rheingold” and “Die Walküre” (in English)
About the topic: An opera production is an interpretation of a work of art. It is not the work itself but an artistical creation of its own right. The collective process of creating it involves intentional and non-intentional biases. The seminar will explore these forces in five sessions as they were in work in four recent productions at the Staatstheater Karlsruhe: Verdi’s “Macbeth” (unabridged Paris version, 1865; dir.: Holger Müller-Brandes, set: Philipp Fürhofer); Meyerbeer’s “Le prophète” (dir.: Tobias Kratzer, set: Rainer Sellmaier); Wagner’s “Rheingold” (dir.: David Hermann, set: Jo Schramm) and “Die Walküre” (dir.: Yuval Sharon, set: Sebastian Hannak).
Excerpts of these productions will be screened. Knowledge of these works is required. Seminar language will be English.
Reading materialsKnowledge of the operas, mentioned above, is required.
Assessment criteria: Active participation, discussing — 2 ECTS;  essay 3000 characters with spaces for BAK and MAG students — 3 ECTS; 6000 characters with spaces for doctoral students — 3 ECTS.

13.–14.03.2017 „Seminar ja konsultatsioonid loomepõhisest uurimisest: Peter Dejans, Orpheuse instituut (Gent)“
Eesti Muusika- ja Teatriakadeemias viibis Orpheuse instituudi (Gent) direktor Peter Dejans, kes on loomepõhise uurimise üks alusepanijaid ja arendajaid. Esmaspäeval, 13. märtsil kell 16.15 kuni 17.45 toimus nõupidamisruumis A202 Peter Dejansi seminar loomepõhisest uurimisest (artistic research) ning selle juhendamisest. Peatähelepanu oli suunatud doktoriõppele, aga ka interpreteerivate alade ja heliloomingu õppejõudude uurimispotentsiaalile. Teisipäeval, 14. märtsil kell 10.00 kuni 12.00 andis Dejans loomingulise suuna doktorantidele konsultatsioone ruumis C209. Samuti osales ta samal päeval toimuvates muusika- ja teatridoktorantide konverentsi diskussioonides (14.00 kuni 17.30, orelisaal ja A402).